User Manual
Table Of Contents
- A Few Words of Thanks
- Chapter 1: Getting Started
- Rear Panel Connections
- Setting Up the Pro 3
- Using the Main Display
- Sound Banks
- Editing Programs
- Saving a Program
- Using Paraphonic Mode
- Exploring the Pro 3 in Greater Depth
- Chapter 2: Pro 3 Controls
- Oscillators
- Mixer
- Filters
- Amplifier Envelope
- Auxiliary Envelopes
- Low Frequency Oscillators
- Modulation
- Effects
- Arpeggiator
- Sequencer
- Normal, Gated, and Trigger Modes
- Programming the Sequencer
- Recording Phrases/Sequences A,B,C, or D.
- Sequencing Parameter Changes in Real-Time
- Copying a Sequence from One Track to Another
- Copying and Pasting an Entire Sequence
- Muting a Sequence Track
- Creating An Extended Sequence
- Paraphonic Sequencing
- Adding Rests, Ties, and Velocity
- Editing Duration
- Adding Ratcheting
- Editing Other Elements of a Sequence
- Setting or Changing the Destination of a Track
- Recording Additional Sequencer Tracks for Modulation
- Using Slew
- Turning off the Sequencer’s “Notes” Track
- Sequencer Parameters (Front Panel)
- Additional Sequencer Parameters (Display Menus)
- Cue Program
- Tuned Feedback
- Master Volume/Program Volume
- Transpose
- Hold
- Glide
- Pitch and Mod Wheels
- Touch slider
- Adding Aftertouch
- Distortion
- Play List
- Miscellaneous Parameters
- Global Settings
- Chapter 3: Programming the Pro 3
- Synthesis 101: Synth Bass
- Creating Synth Brass
- Creating a Hard-Sync Lead
- Chapter 4: Using the Pro 3 with External Devices
- Appendix A: Modulation Sources
- Appendix B: Modulation Destinations
- Appendix C: Troubleshooting and Support
- Appendix D: Calibrating the Pro 3
- Appendix E: Alternative Tunings
- Appendix F: MIDI Implementation
- Bookmark 1
- Bookmark 1
108
Creating Synth Brass
Sequential
6. In the filter section, set cutoff to 26, resonance to 15, and drive to
100.
7. In the filter envelope section, set the amount to 105, the attack to 17,
decay to 64, sustain to 50, and release to 90.
8. Enable touch sensitivity by pressing and enabling the velocity button.
9. In the auxiliary envelope section, select envelope 1 and set its destina-
tion to osc 2 coarse freq. This routes envelope 1 to modify Osc 2 pitch
according to its ADSR (attack, decay, sustain, release) settings. This
will create the slight pitch variation at the beginning of the sound (the
“pitch blip”).
You can quickly assign the mod destination for Envelope 1 by holding down
the envelope’s selector button and turning the Oscillator 2 frequency knob. This will
auto-assign the modulation destination to the envelope.
10. Set the auxiliary amount to 35 and decay to 20.
11. Play some notes in the upper range of the keyboard. Classic synth
brass!
12. Experiment with different auxiliary envelope amount and decay
settings to ne tune the “pitch blip” effect.
Turning Synth Brass into a Paraphonic String Pad
It’s a simple matter to turn the previous synth brass sound into a string
pad by simply adjusting its envelope and lter settings.
To turn the synth brass into a string pad:
1. Enable Paraphonic mode by pressing the paraphonic button on the front
panel.
1. Turn up the level of Oscillators 1, 2, and 3 to 127.
2. Set all three oscillators to a sawtooth wave. And set their octave to 2.
1. In the filter section, set the cutoff to 800 and resonance to 122.
2. In the filter envelope section, set the env amount to 12.
3. Set lter envelope attack to 59, decay to 75, sustain to 67, and release
to 71.