User Manual
Table Of Contents
- A Few Words of Thanks
- Chapter 1: Getting Started
- Rear Panel Connections
- Setting Up the Pro 3
- Using the Main Display
- Sound Banks
- Editing Programs
- Saving a Program
- Using Paraphonic Mode
- Exploring the Pro 3 in Greater Depth
- Chapter 2: Pro 3 Controls
- Oscillators
- Mixer
- Filters
- Amplifier Envelope
- Auxiliary Envelopes
- Low Frequency Oscillators
- Modulation
- Effects
- Arpeggiator
- Sequencer
- Normal, Gated, and Trigger Modes
- Programming the Sequencer
- Recording Phrases/Sequences A,B,C, or D.
- Sequencing Parameter Changes in Real-Time
- Copying a Sequence from One Track to Another
- Copying and Pasting an Entire Sequence
- Muting a Sequence Track
- Creating An Extended Sequence
- Paraphonic Sequencing
- Adding Rests, Ties, and Velocity
- Editing Duration
- Adding Ratcheting
- Editing Other Elements of a Sequence
- Setting or Changing the Destination of a Track
- Recording Additional Sequencer Tracks for Modulation
- Using Slew
- Turning off the Sequencer’s “Notes” Track
- Sequencer Parameters (Front Panel)
- Additional Sequencer Parameters (Display Menus)
- Cue Program
- Tuned Feedback
- Master Volume/Program Volume
- Transpose
- Hold
- Glide
- Pitch and Mod Wheels
- Touch slider
- Adding Aftertouch
- Distortion
- Play List
- Miscellaneous Parameters
- Global Settings
- Chapter 3: Programming the Pro 3
- Synthesis 101: Synth Bass
- Creating Synth Brass
- Creating a Hard-Sync Lead
- Chapter 4: Using the Pro 3 with External Devices
- Appendix A: Modulation Sources
- Appendix B: Modulation Destinations
- Appendix C: Troubleshooting and Support
- Appendix D: Calibrating the Pro 3
- Appendix E: Alternative Tunings
- Appendix F: MIDI Implementation
- Bookmark 1
- Bookmark 1
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Pro 3 User’s Guide
Global Settings
In slave and slave thru modes, if no MIDI clock is present at the selected input,
the Arpeggiator and Sequencer will not function.
5. MIDI Clock Cable In: MIDI Port, USB—Sets the port (MIDI or USB)
by which MIDI clock is received.
6. MIDI Clock Cable Out: MIDI 1, MIDI 2, USB, MIDI ALL, ALL—Sets the
port by which MIDI clock is sent.
7. MIDI Param Send: Off, CC, NRPN—Changes to the values of front
panel controls are transmitted via MIDI as Non-registered Parameter
Number (NRPN) controllers or as Continuous Controllers (CC). Trans-
mission of parameters can also be turned off.
NRPNs are the preferred method of parameter transmission, since they cover
the complete range of all parameters, while CCs are limited to a range of 128.
8. MIDI Param Receive: Off, CC, NRPN—Sets the method by which
parameter changes are received via MIDI. As with transmission, NRPNs
are the preferred method.
9. MIDI Control Enable: Off, On—When On, the synth will respond to
MIDI controllers, including Pitch Wheel, Mod Wheel, Pedal, Breath,
Volume, and Expression.
10. MIDI Sysex Enable: On, Off—Sets whether MIDI System Exclusive
data will be received or ignored.
11. MIDI Sysex Cable: None, MIDI Port, USB—Sets the port, MIDI or
USB, by which System Exclusive data will be transmitted and received.
12. MIDI Out Select: Off, MIDI 1, MIDI 2, USB, MIDI All, All—Sets the
port(s) by which MIDI data will be transmitted.
13. MIDI Program Send: Off, On—When On, the synth will transmit
MIDI Program Change and other SysEx messages to the MIDI Out.
14. MIDI Program Receive: Off, On—When On, the synth will respond
to received MIDI Program Change and other SysEx messages.