Specifications

FURMAN
HEADPHONES
659
PHOTO - VIDEO - PRO AUDIO
ORDER & INFO. [phone] • FAX: [phone] [phone]
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HDS-6
◆ Every performer in a studio or live sound setting can now have a per-
sonalized mix without any adjustments at the board.Perfect for use as
a headphone system in the studio, plus drives powered monitors in
live sound applications.
◆ HDS-6 provides gain trims and overload LEDs for each input,ground
lift and on/off switch, and system status LEDs
◆ The HDS-6 connects to the mixer/console to provide interface and
power supplies to drive a group of HR-6 remote mixers. Trimpots are
provided on the front panel to adjust input levels.
◆ Ideal as a low distortion headphone driver for critical listening situa-
tions. In addition to providing high current differential buffered sig-
nals, it also provides power and ground to the HR-6 remote mixer.
HR-6
◆ The HR-6 is a compact six-channel,five-pot remote mixer that
clamps to any mic stand.When used with the HDS-6, the HR-6
allows musicians to customize their own headphone or monitor mix,
and the engineer doesn’t have to touch the board.
◆ A “Submixes Included/Excluded”button mutes the four mono pots,
allowing only the stereo source to be heard,without having to alter
the HR-6’s four monaural settings.
◆ The HR-6 mixer provides each musician with five volume controls:
four monaural (for mixer channels or busses),plus one for an overall
stereo mix or a stereo effects return
◆ 25-ft. linking cables are included with the HR-6, as is a universal mic
stand clamp
◆ Provides full patching functions on its front
panel via 1/4" and TT input jacks.
◆ Provides power to drive the HRM-16. In
addition, it includes two 1/4˝ jacks for the
two-way talkback functions,and a SOLO
REMOTE switch with an indicator that
allows muting of all but one stereo feed at
all HRM-16’s—ideal for isolating tracks for
critical listening without having each HRM-
16 user turn down all but one channel.
◆ The rear panel includes six Centronics 50-
pin connectors to link up to six HRM-16’.
◆ Talkback system is configured two ways:
—Allows the talkback mic on each HRM-16
to be fed to all of the other HRM-16 units
as well as the HDS-16.
—Allows communication to the HDS-16 only.
This is useful for stage use where the user’s
talkback mic shouldn’t be fed into all of the
monitors (including the users).
HDS-16 / HRM-16
Headphone Audio Distribution System and Remote Mixer
An enlarged and enhanced version of
the HDS-6/ HR-6, the HDS-16
Headphone Distribution System and
HRM-16 Personal Headphone Mixer
are designed to function equally well
for both live (in-ear or stage moni-
tors) and studio applications, allowing greater flexibility and ease for both the user and
the engineer.
The HDS-16 with the HRM-16 cleanly routes 8 mono and 4 stereo signals to remote
mixing locations. Up to eight HRM-16’s can be connected to a single HDS-16, allowing
as many as sixteen users (two per each HRM-16) to customize eight different mixes. A
unique talkback system allows each user to communicate with other users and the main
mixing location. Additionally, a SOLO system allows the engineer to mute all but one
stereo send from the mix location- very handy for reviewing recent takes or rough mixes. Additional HRM-16 features
include local effects send/return, line out, overall bass/treble controls, talkback level, and a master level control.
HDS-16
HRM-16
◆ Attaches to a mic stand with included
hardware. Includes flexible 25-ft.cable that
can be extended or routed through walls
and daisy chained to other HRM-16s.
◆ The eight mono and four stereo signals
have level controls.
◆ Each mono channel also has a pan control
and an effects send control which feeds its
own rear panel 1/4˝ send/return jacks; the
affected signal is returned into the mix and
controlled via a stereo effects return knob.
HDS-6 / HR-6, continued