Specifications

23


































































































































































































































































































































 
 




 












































  

 
 

   















    
 

 
  




























































 





 
 
 






































                  











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

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
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
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

  
  

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  
  
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























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 
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 

MDR16 System Set-Ups
This system shows the MDR16 in a recording set up with the LEFT and RIGHT CONTROL ROOM output hooked up to powered studio monitors, and the
AUX 1 feed headphone mix sent to a Samson S phone headphone amp. For inputs, two microphones are connected to channel 1 and 2’s low-imped-
ance inputs, and the output of the Bass Direct Box is also connected to the low-impedance input on channel 4. The Keyboards, as well as the Lead and
Rhythm Guitar signal processor's’ outputs, are connected to the MDR16’s line inputs.
MDR16 RECORDING SET-UP