User guide

8 9
DI
THRU
MAX
PHASE HPF
VARIPHASE
BLEND
SILK
COMP
THRESH
O/L
DI MIC
MIC GAIN
GAIN
MIN
DI-Z
DI
MICCOMP
-30 +4
ToRecorder
orMixingBoard
Single Channel Use Blended DI and Mic Signals
Whenusedforinstruments,the5017canbeusedtophasealign,
combineandcompressdirectandmicedinstrumentsignals.To
achievethis,usetheDIfortheinstrument’sdirectsignalandthemic
preampforthespeakercabinetsignal.Connecttheexternalampli-
fiertothepassiveDIthruonthe5017faceplate.Theblendcontrol
isusedformixingdirectandamplifiedsignalstoachievethedesired
tonalityofthetwosources,andthevariphaseisusedtominimizeor
extenuatephasecancellationsbetweenthetwosignals.Tocompress
theblendedsignal,theinternalcompressorjumpermustbesetto
theblendpath(thisisthedefaultsetting).Thistechniquecouldalso
beusedtocreateasingle,mixedoutputofaguitarandvocals.
Instr. In
Mic In
Amp Mic
DI
THRU
MAX
PHASE HPF
VARIPHASE
BLEND
SILK
COMP
THRESH
O/L
DI MIC
MIC GAIN
GAIN
MIN
DI-Z
DI
MICCOMP
-30 +4
Independentvox
andguitarsignals
ToRecorderor
MixingBoard
Dual Channel Use - Vocal and Instrument
Usedasatwochanneldevice,aleadsinger/guitarplayer,cantake
theclassicstudioqualityofthe5017wherevertheygo.Inthis
scenario,thevocalwouldusethemicinput,thecompressorand
micoutput,whiletheguitarwouldusetheinstrumentinputand
blendoutput.Toachievethis,theblendcontrolshouldbeselected
asfullyDI,andaninternaljumperneedstobesettothemicpath.
Whenengaged,Silkmodewouldeffectbothvocalandguitartracks,
andtheHPFcontrolwouldaffectonlythemicpath.

Vocal Mic
BLEND
DI MIC
For the vocal and guitar tracks to be seperate,
the blend control must be set to fully DI
Mic In
Instr. In