Specifications

90
Glossary
APPENDIX A
This appendix defines the specific terms used in this manual as they apply to this projector.
Also included are other general terms commonly used in the projection industry.
Active Line Time
The time, inside one horizontal scan line, during which video is generated.
Ambient Light Rejection
The ability of a screen to reflect ambient light in a direction away from the “line of best
viewing”. Curved screens usually have good ambient light rejection. Flat screens usually
have less ambient light rejection.
Analog Video
The video output of most computers and videotape machines. Analog video can generate
a large number of colors.
Anamorphic
Having or requiring a linear distortion, generally in the horizontal direction.
Anamorphic lenses can restore a ‘scope’ (CinemaScope) or ‘flat’ format film frame to the
correct wide-screen appearance by increasing its horizontal proportion.
ANSI
The American National Standards Institute is the organization that denotes the
measurement standard for lamp brightness.
Aspect Ratio
The ratio of the width of an image to its height, such as the 4:3 aspect ratio common in
video output. Can also be expressed as a decimal number, such as 1.77, 1.85 or 2.39.
The larger the ratio or decimal, the wider and “less square” the image.
Auto Source
The ability of the projector to automatically recognize and synchronize to the horizontal
and vertical scan frequencies of an input signal for proper display.
Bandwidth
The frequency range of the projector’s video amplifier.
Baud Rate
The speed (bits-per-second) at which serial communications travel from their origin.
Blanking Time
The time inside one scan line during which video is not generated. The blanking time of the
input signal must be equal to or greater than the retrace time of the projector.
Brightness
In projection, brightness usually describes the amount of light emitted from a surface such
as a screen. It is measured in foot-lamberts or candelas per square meter.
Candela or Candle
Unit of measure for measuring intensity of light.
Channel
A collection of measurements stored by the projector for a given input source, including
frequencies, pulse width, polarity, syncs, channel number and location, user adjustable
display settings, etc. Use channels to switch between a variety of setups quickly,
automatically recalling previously defined display parameters.
Channel List
A list/menu of previously-defined channels available in projector memory.
Channel Number
A number that uniquely identifies a specific channel retained in projector memory. The
projector can retain up to 99 channels.
Checkbox
A menu item that indicates whether an option is currently in effect (checked) or not
(unchecked).
Chrominance
The signal representing the color information (hue and saturation) when the image is
represented as separate chrominance and luminance. Same as “chroma”.
Color Gamut
The range of colors allowed in a specific system, as defined within a triangular area located
on the CIE color locus diagram whose corners are the three primaries defined in the
system. Also known as color space.
Color Shift
A change in the tint of a white field across an image.
Color Temperature
The coloration (reddish, white, bluish, greenish, etc.) of white in an image, measured using
the Kelvin (degrees K) temperature scale. Higher temperatures output more light.