Specifications
32 33
PLEASE NOTE
These chemicals are shipped ground ONLY with NO ADDITIONAL SURCHARGE. No air shipments of these chemicals are allowed.
Fotospeed
Fotospeed
Contact Frame
Not Included
Express yourself with
Fotospeed toners, dyes, & kits!
Bring the
sun inside!
As Low As
$ 14.99
Fotospeed Toners
BLUE TONER BT20
Iron blue toner yields deep cobalt to electric
blue tone on RC and fiber prints.
#306-1320 150ml to make 1.2 liters . . . 41.99
RED/COPPER TONER RT20
Warm copper shades to cherry red can be
produced on RC and fiber prints.
#306-1120 150ml to make 1.5 liters . . . 25.99
#306-1121 500ml to make 5 liters . . . . . 52.49
GOLD TONER AU20
A warm glow of peachy-reds when used on a
sepia toned RC print. Cool steely blues from
fiber paper. Ideal for archival permanence.
#306-1620 1 liter of working solution. . 146.99
SELENIUM TONER SLT20
Subtle deep moody shades of purple to subtle
hints of warmed blacks dependent on dilution
and paper type. Ideal for archival permanence
techniques at 1:39.
#306-322 1 liter to make 10 liters min. . 48.49
ODORLESS VARIABLE SEPIA TONER ST20
ST20 produces a wide variety of sepia tones
on fiber and RC black and white papers.
Contains bleach, toner and activator.
#306-1220 150ml to make 1.5 liters . . . 29.99
#306-1221 500ml to make 5 liters . . . . . 50.49
Toner Test Tube
This toner sampler kit includes 50ml each of
ST20 Sepia Toner, BT20 Blue Toner and RT20
Copper/Red Toner.
#306-010 . . . . . . . . . . . . . . . . . . . . . . . . . 30.99
Antique Dye
Gives a sepia toned print an ancient and mature
look of yester-year.
#306-1920 . . . . . . . . . . . . . . . . . . . . . . . . 15.99
Salt Printing Kit
In the 1800’s, William Henry Fox Talbot
produced the first-ever paper photograph;
the technique that he used is now called salt
printing. This method produces an effect,
very difficult to reproduce using modern
photographic techniques. He noted that
slight variations in the proportions of the
chemicals used led to a variety of tints and
hues in the image. This, coupled with slight
imperfections, inevitable in silver nitrate
coating, ensures that each salt print is
unique. A salt print is formed by a process
of soaking cleansed Canelletto Art paper in a
salt solution and then coating the sheet with
a silver solution. The paper is then exposed
to UV light and stabilized to create an “aged”
looking image.
Kit includes:
10 sheets 8” x 10” Canelletto paper, 5 sheets 8”
x 10” OHP Film, 1 - Buckle brush, 250ml each of
salt solution, silver solution and stabilizers along
with full instructions.
#308-810 Salt Printing Kit . . . . . . . . . . 119.99
Argyrotype Kit
An alternative process exposed by ultraviolet
or sunlight through the use of contact
negatives to produce a continuous tone
brown image on art paper of your choice.
#308-410 Argyrotype Kit . . . . . . . . . . .99.99
#308-411 Argyrotype Sensitizer 50ml . 59.99
Cyanotype Kit
An alternative process exposed by ultraviolet
or sunlight through the use of contact
negatives to produce a blue image on art
paper of your choice.
#308-510 Cyanotype Kit. . . . . . . . . . . . 83.49
#308-511 Cyanotype Sensitizer 50ml. . 39.99
Polytoner With Bleach
Formerly known as Selectachrome, this kit
works just like a conventional B&W toner
except the resulting image is in color (any
color you wish). It affects the black image
area of the print strongest, while leaving the
white area untouched. Makes 45 - 8” x 10”
prints. Ground Shipping Only on this item.
#183-163 . . . . . . . . . . . . . . . . . . . . . . . . . 33.99
Halochrome
Halochrome actually silver plates the black
silver image on your photographic prints.
Works best on RC paper. Makes 1/2 gallon
of solution. Now requires ammonia, not
included! Ground Shipping Only on this item.
#18383. . . . . . . . . . . . . . . . . . . . . . . . . . . 28.99
Printint
Add color to your B&W RC or fiber paper.
Tints the background color of your prints
leaving the black image area unaffected. The
kit consists of three bottles (red, blue and yel-
low) along with blending medium. Makes 1
gallon to color up to 150 - 8” x 10” prints.
#183-1620 . . . . . . . . . . . . . . . . . . . . . . . . 28.99
Berg Toners
Easy-to-use; reversible with Aristadol Paper
Developer. Concentrated. Makes 1 quart.
#232-042 Brown-Copper Toner 1 Qt. . . . . 11.99
#232-032 Blue Toner 1 Qt. . . . . . . . . . . . 11.99
These are
the best UV
Lightsources
in the world.
These are
the best UV
Lightsources
in the world.
Arista
®
UV Lightsources
Arista’s UV Lightsources are simply
the best way to expose all of your
alternative process projects. Being made
of lightweight, extruded aluminum that
dissipates the heat means no more noisy
fans to talk over when teaching and no
need for extra space for venting. Fast,
one-minute warm-up time for peak
wavelength. Leave unit on for consistent
exposure over the course of a printing
session and extend the life of the bulbs.
Durable, chrome handles for transporting
and removable bottoms with rubber feet
for safe storage and protecting surfaces.
The larger, 30”x36” unit includes a light-
table top to maximize its usefulness in
your workspace! (contact frames shown
for illustration only).
20" x 24" Lightsource
(25.625" x 20.6875" x 7")
#262024 SW 35 lbs . . . . . . . . . . . . . . . 799.99
30" x 36" Lightsource (39" x 32.5" x 7")
#263036 SW 100 lbs.
(
Truck ship only
)
1,999.99
As Low As
$ 799.99
F295 Historic
Process Reference Cards
These two-sided, laminated, 8.5x11 cards
are perfect for posting in darkrooms
or classrooms. These concise, easy-
to-understand cards contain not only
information on how to perform each
process, but how to start from scratch!
Finally understand the “dark art” of
photography’s historic processes.
#29501 Salt Printing #1. . . . . . . . . . . . . 6.99
#29502 Cyanotype #2 . . . . . . . . . . . . . . 6.99
#29503 Van Dyke #3 . . . . . . . . . . . . . . . 6.99
#29505 Albumen #4. . . . . . . . . . . . . . . . 6.99
#29506 Gum Prints #5. . . . . . . . . . . . . . 6.99
#29500 One Each of #1 to #5 . . . . . . 29.99
#29507 Calotype #6 . . . . . . . . . . . . . . . . 6.99
#29508 Kallitype #7 . . . . . . . . . . . . . . . . 6.99
#29509 Palladium #8. . . . . . . . . . . . . . . 6.99
#29510 B&W Film Developing #9 . . . . 6.99
#29511 Color Film Developing #10. . . 6.99
#29512 One Each of #6 to #10 . . . . 29.99
F295
Workbook,
a whole
semester in
one booklet
F295’s Tom
Persinger has
put your lesson plan
together for you! The four processes
and six techniques covered in this concise
collection of 14 lessons include history,
recipes, paper recommendations, exposure
guidelines, safety info and more. 55 pages.
#29513 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19.99
ALTERNATIVE PROCESSES ALTERNATIVE PROCESSES
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F295,
historic
processes
demystified!
F295 Historic