Specifications

MULTI-CHANNEL RECORDERSPERSONAL MIXERSDIGITAL SNAKESDIGITAL CONSOLES APPLICATIONSVIDEO PLAYERSVIDEO CONVERTERSVIDEO MIXERS/SWITCHERSAUDIO RECORDERS
Step 1
Decide on inputs/outputs
There are a number of I/O configu-
ration choices.
Select based on size, I/O count, and
modularity.
Step 2
Choose a Console
There are four choices of consoles
to choose from.
Differences center around:
- Mixing Channels
- Processing Power
- Number of Faders
- Size and rackmount ability
Step 3
Choose Monitoring
Solution
Monitoring needs can be addressed
by adding the M-48 Personal Mixing
option, another V-Mixer as a monitor
console, or the combination of both.
The M-48 offers musicians the
flexibility to control exactly what
they want to listen to
during their perfor-
mance.
Add an additional V-Mixer to create a
monitor position that can control
wedges and/or any
M-48 personal mixers
connected taking the
burden off of the FOH
position.
Step 4
Choose Recording/
Playback Solution
Multi-channel recording and
playback can be added by using a
simple Cat5e/6 cable from a split
point.
Record/play back up to 48-channels
of audio using the Roland R-1000
Multi-Channel Recorder/Player.
Capture up to 40-channels of audio
to a computer using the SONAR
REAC Recording solution.
Determine if you need additional
splits for monitoring, recording or
distribution to multiple places. You
can also distribute your main I/O units
together into a merged REAC signal.
How to Configure a V-Mixing System
S-0808 S-1608
S-4000D S-4000M
M-380
SONARM-300
R-1000
M-48
M-300 M-200i
M-480
S-4000S
M-480 M-380 M-300 M-200i
4
Input
Output
Console/
Others
Effects
Mixing Channels 48
12 x 31-band GEQ or 8-band PEQ
* Maximum 24 using FX
4 x 31-band GEQ
* Maximum 12 using FX
4 x 31-band GEQ
* Maximum 8 using FX
4 x 31-band GEQ
* Maximum 8 using FX
48 32 32
6 Stereo (12) - - -
48 24 (assignable) 32 32
0 to 1200 msec - - -
4-band PEQ 2-band PEQ + 2 Shelving EQ 4-band PEQ 4-band PEQ
Return Channels
Dynamics Channel
Delay
16 16 8 8
8 8 4 4
L, C, R
L, R
* AUX is available as Main C
L, C, R L, R
AUX bus
MATRIX bus
MAIN bus
PEQ
6 4 4 4 Built-in Effect (Stereo/Dual mono)
Master/Split Master/Split Master/Split Master/Slave/Split
- 12U 10U 10U
REAC MODE
Rackmount
M-480 RCS M-380 RCS M-300 RCS M-200i RCSPC/Mac control
M-480 Remote - M-300 Remote M-200i RemoteiPad control
Yes Yes Yes YesUSB Recorder/Player
EQ
10
[ XLR (x8), RCA (x2) ]
10
[ XLR (x8),RCA (x2) ]
12
[XLR (x4), RCA (x4), TRS Phone (x4)]
24
[XLR (x16), RCA (x2), TRS Phone (x6)]
24 8 4 8DCA
Input Connectors
10
[XLR (x8), S/PDIF (Optical, Coaxial)]
10
[XLR (x8), S/PDIF (Optical, Coaxial)]
10
[XLR (x4), TRS Phone (x4), S/PDIF (Optical)]
14
[XLR (x8), TRS Phone (x4), AES/EBU]
Output Connectors
4-band PEQ 2-band PEQ + 2 Shelving EQ 8-band PEQ 4-band PEQ
Limiter Limiter (MAIN, AUX) Limiter Limiter/Comp
Limiter
0 to 1200 msec - 0 to 400 msec 0 to 400 msec
Delay
PEQ
M20
0i