Owner`s manual

35
Connecting other devices
Rev0.02
Basic Operation
1 Connect the guitar, bass guitar, microphone,
etc. to the BR-1200CD’s input jacks.
Guitar, bass, etc.:
Connect to the GUITAR/BASS jack on the front panel.
Microphone for solo vocals:
Connect to the INPUT 2/MIC 2 input jack on the rear
panel.
CD player, keyboard, etc.:
Connect to the LINE IN L and R jacks on the rear
panel.
2 Connect the LINE OUT L and LINE OUT R
jacks on the rear panel to your amplifier.
If you will be using headphones, connect these
to the PHONES 1 jack.
The BR-1200CD’s LINE OUT L/R jacks must always
be correctly matched with the amplifier’s left and
right inputs.
3 If necessary, connect an expression pedal or
foot switch to the BR-1200CD. Any MIDI or
USB connections should also be made.
Precautions When Making Connections
When a guitar or bass is connected to the GUITAR/BASS jack, the INPUT 1/MIC 1 input jack will be deactivated and
will not accept any sound input.
Noise may be generated when the pickup on your guitar or bass is close to the BR-1200CD. Move the BR-1200CD and
guitar further apart to eliminate this noise.
The location of microphones relative to speakers could result in feedback being produced. This can be remedied by:
1. Changing the orientation of the microphone(s).
2. Relocating the microphone(s) at a greater distance from the speakers.
3. Lowering volume levels.
For more detailed information regarding the operation and setting of expression pedals, refer to “Using an expression
pedal” (p. 124).
For more detailed information regarding the operation and setting of foot switches, refer to “Using a foot switch” (p.
39).
For more detailed information regarding the operation and setting of MIDI devices, refer to “Section 6 Using MIDI”
(p. 241).
For more detailed information regarding USB operation and setting methods, refer to “Section 7 Using USB” (p. 257).
When a condenser microphone is connected to an XLR input jack, phantom power at +48 V can be supplied from the
BR-1200CD. For details on how this is done, see “Using condenser microphones (Phantom Power)” (p. 278).