Owner`s manual

126
Using loop effects
Rev0.02
LEVEL 0–100 (Default: 50)
Adjusts the overall volume of the effect sound. If you set this to
0, the chorus will have no effect.
■ When DELAY is selected
TIME
10–1000 ms (Default: 500 ms)
This parameter adjusts the delay time (i.e., the interval over
which sound is delayed).
FEEDBACK 0–100 (Default: 0)
This parameter adjusts the amount of feedback. Changing the
amount of feedback also causes the number of individual
repetitions of the delayed sound to change.
If the feedback is set to too large a value, individual delays will
overlap, the delay volume will increase, and distortion may
occur as a result. In such a case, lower the feedback level.
HF DAMP 0–100 (Default: 0)
This parameter adjusts the speed at which the high frequency
portion of the delay sound dies away. Higher values cause the high
frequencies to die away quicker, and this produces a darker sound.
LEVEL 0–100 (Default: 50)
This adjusts the overall volume of the delay sound.
REV SEND 0–100 (Default: 0)
Adjusts the amount of reverb that is applied to the delayed sound.
■ When DOUBL’N is selected
DELAY TIME
0.5–50.0 ms (Default: 17.0 ms)
This parameter adjusts the delay time (i.e., the interval over
which sound is delayed).
LEVEL 0–100 (Default: 50)
This parameter adjusts the volume of the delayed sound.
If [F3] (DEFAULT) is pressed, the selected parameter is
set to the default value marked above.
4. Press [EXIT/NO] several times to return to the top
screen.
5. If you wish to store the modified settings, save the
current song (p. 70).
Doubling
In situations where professional engineers want to make a
strummed guitar performance sound equally present on both
the left and right speakers, they generally use a technique
called doubling. Specifically, this involves recording the
same performance twice on different tracks and then
panning one of the tracks to the left and the other to the right.
The BR-1200CD provides you with a doubling-type send
effect that allows you to achieve the same effect without
having to make two separate recordings. And since this
makes it possible to apply doubling even to single-track
mono performances, you can make more effective use of
your available tracks.
This type of doubling is achieved by copying the original
sound (or direct sound), panning the copied sound away
from the original sound, and playing back both of these with
the copied sound delayed slightly, thus creating a pseudo-
stereo sound. When using this effect, therefore, you will need
to pan the playback track to either the left or the right. The
copied sound will then be played with a short delay on the
opposite side. Doubling will have no effect if the track pan is
set to the center, and the appropriate care should be taken.
Reverb
1. Press [REVERB].
The Reverb Send screen will appear.
fig.34-02d
Pressing [F1] (MIN) at this time sets the reverb send level
to the minimum value (0).
Conversely, pressing [F2] (MAX) sets the reverb send
level to the maximum value (100).
2. Press [F3] (EDIT).
The Reverb Edit screen will appear.
fig.34-02ad
3. Move the cursor to the parameter that you want to
change and select a new setting using the TIME/
VALUE dial.
You will be able to hear how your new settings change
the reverb sound.
TYPE ROOM, HALL, PLATE (default: HALL)
Selects the type of reverb to be used.
ROOM:
Simulates the reverberation of a small room.
HALL:
Simulates the reverberation of a concert hall.
Only one set of chorus/delay/doubling settings can be
saved per song.