User Manual

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 •  The gold dot on the face of the 
NT1-A indicates the front of the 
microphone, and the pick-up area 
of the cardioid pattern. Please be 
sure to have the side with the dot 
facing the sound source you wish to 
record.
•  Microphone technique, or how to get the sound 
you want, requires experimentation.
  We suggest that you start with the channel EQ 
set to ‘OFF’ or ‘FLAT’ (no boost or cut). Try to get 
the sound you want by placing either refl ective or 
absorbent panels at various angles adjacent to the 
source being recorded.
 •  Changing the acoustic properties of the space 
around the microphone is our recommended initial 
approach for obtaining best sound quality.
Remember you cannot change a room’s acoustic 
properties with EQ.
  When the preferred sound has been achieved 
(as above) then EQ and effects such as reverb 
or indeed any signal processing can be used for 
enhancement, but should be used sparingly.
 •  It is worth mentioning that sometimes ‘cutting’ a 
particular frequency (sound) may be preferable 
to ‘boosting’ another. Of course ‘boosting’ can 
increase noise level and so should be done 
minimally.
As with many other aspects of the recording 
process, fi nding the preferred ‘sound’ is a matter of 
experimentation.
Microphone Placement










