oth the advanced photo nd the beginner sec candid caner will find in the REG ULA the answer fc needs. The REGULAR was pacifically designed to meet this popular de 1 ; precision made, light metal body shaped to fit the hands easily. he REGULAR all features for the expire are included, yet dre so convene dnd rosy to use that the beginner can enjoy at once expert results Sometime fain REGULAR |Pvith Stein hell (possessor i 8-50 mm, coated lens with grant cell focusing, in Pronto Shutter (B. 25-50-10C 200 sec.
Rapid Transport Lever 2 Accessory Shoe 3 Film Counter 4 Release Button 5 Viewfinder 6 Rangefinder Window 7 XV-Synchronisation Lever 8 locking level Lenses 9 Locking elev XV-L 10 Shutter Speeds 11 Distance Scale 12 Light Value Scale 13 Rewind Lock Button 14 Rewind Knob 15 Expose Meter Cover 16 Exposure Meter 17 Knob for Setting Film Speeds 18 Film Speed Sec 19 Lugs for Nec 20 Diaphragm 21 Clutch lever 22 Body Lock 23 Depth of Focus Sca 24 Synchronization Co
of | 2. Chase exposure (7) and dig! ogm (14) settings. 5. By rotating the focusing whee 5) the two pics visible in the viewfinder (9) have to be Mack to coincide This measures the distance ond simultaneously fo @sties the object on the measured distance. 4. Press the shutter release (4) slavishly and gently downwards. Never operate the release with a jerk Provision for use of a cable release. 5.
LOADING THE FILM Only use films of good name — here, your photo dealer will help. The camera is designed to accept standard 35 mm film cassettes exposures — Black and White or Co lour, Choose a shady spot — not bright sunlight. (a) To insert the film, first press down the body lock (22), open the camera back and press or pull the rewind knob (14) up, as far as it ‘will go. This enables you to insert the film cassette, into the empty space that remains. (b) Push the rewind knob down, to js original position.
(fi Your REGULAR camera hos a double exposure prevention device, and therefore it is impossible to make the error of photographing two different subjects on the same negative, Also it incorporates a double transport prevention device — this means that you cannot transport the film without releasing the shutter. If you cannot release the shutter you have to transport the film.
4. With the REGULAR camera, this hos been simplified for you, by providing a light value scale (LVS) exposure meter, built by the world s most famous and largest many: lecturers of exposure meters — Godsend. This meter provides a LV reading at which the shutter must be set. Hence at LV “10° vou would be in a position to choose any combination of shutter speed and diaphragm, as illustrated above in para. 3.
stance ring (111. This shows, on either side of the center mark the figures Now follow these two examples: 1. Set the diaphragm ring to 8 and the distance ring to 30. On the depth of field scale (left) at. F. B the distance ring reads “Infinity” and on the scale (right) the distance shown is approximately ‘15 feet’. This means, that at F8 focused on “30 tit” the photograph will produce good focus between “15 feet” and “Infinity”. 2.
Axiom -— With Black and White Film, “Expose for the shadows and the highlights look after themselves”. With Co lour Film, "Expose for the highlights and the shadows look after themselves’. The Godsend LV Meter has two ranges of light sensitivity. Normally the Front Cover is closed — and the position of the needle noted viz by the white numbers corresponding with the white or black channels. Under poor lighting conditions, the needle will not move — so, press the top edge of the front cover.
Ultra-Litigation 1 mm Regular-Ennit 1 : mm Tell-Ennalyt 1 :35/135 mm TO CHANGE LENSES Hold your REGULAR firmly in the left hand: push the locking lever ® forward, with o right hind finger: turn the lens to the left {anticlockwise] until it snots {about 45 degrees): gently remove. To replace a lens, first match the red mark on the locking lever (8) with the red mark inside the shutter frame: gently insert the lens — do not use force — and turn right. The locking lever will snap into place.
FLASH “SHOTS” REWINDING THE FILM When purchasing a flash gun, ask your dealer for his advice. It will be fitted into When the film counter (3) reaches "0" the the accessory shoe (2) of the camera, or with certain types on to a bracket or arm. film is fully exposed, and it is now re The contact of the synchronization cord will then be slipped on the synchronization dins to rewind the film back into the contact of the camera (24).
REGULAR ACCESSORIES LAST BUT NOT LEAST A Tull range of accessories is available for your REGULAR camera: 1. A beautiful Leather Ever Ready Case which will always protect your camera, 2. A variety of Filters for use with Black and White or Co lour Film. Conversion perfect. Your REGULAR camera will always be reliable. Filters for using Daylight Co lour Film in artificial light and vice versa. 3. Close-up Attachments for flowers, insects, copying etc. 4. Sunshade —a very essential accessory.
