Operation Manual
Table Of Contents
- RED EPIC® OPERATION GUIDE
- TABLE OF CONTENTS
- DISCLAIMER
- COMPLIANCE
- BEFORE YOU START
- THEORY OF OPERATION
- CAMERA OPERATIONAL CONTROLS
- BASIC OPERATION
- FIRST TIME USE – SETTING UP YOUR RED EPIC
- MENU CONTROLS
- MAIN MENU
- SECONDARY MENUS
- APPENDIX A: UPGRADING CAMERA FIRMWARE
- APPENDIX B: MANAGING DIGITAL MEDIA
- APPENDIX C: CHARGING BATTERIES
- APPENDIX D: INPUT / OUTPUT CONNECTORS
- APPENDIX E: REDMOTE OPERATION
- APPENDIX F: 3D SETUP / OPERATION
- APPENDIX G: EXPOSURE – USING FALSE COLOR AND ISO
- APPENDIX H: POST PRODUCTION
- APPENDIX I: TROUBLESHOOTING
- APPENDIX J: MAINTENANCE
- APPENDIX K: TECHNICAL DATA
- APPENDIX L: MENU MAPS

Version 1.4.0 SVN 29352 BETA
©2011 RED.COM INC. APRIL 19, 2011
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DIGITAL MAGAZINE (MEDIA)
REDCODE RAW compressed MOVIE clips and STILLS images, plus time code, multi-channel audio and
metadata may be recorded to REDMAG 1.8” SSD solid-state digital media of 64GB, 128GB or 256GB
capacity.
Each MOVIE clip is recorded with a unique name and with all the appropriate elements of the clip
including one or more REDCODE RAW.R3D files and associated metadata, placed in a clip folder with the
file extension .RDC. Refer to CLIP NAMING CONVENTIONS.
All Clips are placed in a master folder (i.e. root directory) for the Magazine with the file extension .RDM.
This folder contains all clips recorded on that digital magazine; therefore copying these clips from the
digital magazine to backup media may be performed by a single drag and drop operation.
For additional information about digital magazines, refer to APPENDIX B: MANAGING DIGITAL MEDIA.
METADATA
RED EPIC cameras record extensive Metadata, which is data that describes the precise characteristics of
the picture and sound signals in each frame of the recording. This includes camera specific setup
information, project and clip management information, Clip Name, Time Code, Date and GMT, lens and
shutter speed / angle parameters, audio settings and any video image processing information.










