Specifications

EMAGIC
EXS-24 MKII
The Plug-in window gives you access to all of the sampler’s synthesizer parame-
ters such as filters, LFOs, envelopes and more.
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The Amplitude
Envelope features
control over attack,
decay, sustain and
release – the attack
parameter is control-
lable via velocity
The Modulation Matrix
supports up to 10
modulation routing
configurations each with
an independent source and
destination. A fader lets
you set the modulation
depth with a positive or
negative value. A second
source can be added
allowing you to manipulate
the strength of the original
source via an external
controller (i.e. key velocity
can be used to control LFO
speed which in turn is
controlling the filter’s
cutoff). Individual routings
can be bypassed.
The decay time of the filter and
amplitude envelopes can be
shortened for higher notes to
emulate the decay time response
of acoustic instruments.
A convex or concave response curve
can be applied to the filter and
amplitude envelopes attack slope
A dedicated ADSR
envelope is provided
for controlling the
filter’s cutoff
frequency – the
attack parameter
is controllable
via velocity
Control the global
output level and set
minimum and
maximum velocities
to dynamically
controlling sound
levels.
The Multimode Filter features a cutoff
frequency, resonance, drive (distortion)
and key follow controls
A choice of three filter types: 12dB/oct
High Pass and Band Pass filters as well a
Low Pass filter with four steepness curves
— 12dB/oct, 18dB/oct, 24dB/oct classic
as When using the Low Pass Filter,a Fat
switch helps preserve strong bass even
with higher resonance
settings. The filter
section can be turned
off to conserve
polyphony.
“Hold” lets you define
the modulation source
assigned to control
sustain “Xfade” allows
you to crossfade
between layered
sample Zones with
adjacent “Select
Range” settings.
Easily select and load an Instrument
from the Sampler Instruments
sub-folder using the pulldown
menu. The + and - keys allow you
to scroll through adjacent Sample
Instruments.
Choose between Legato, Mono and Poly
modes (up to 64 voices). Unison mode
plays multiple voices when each key is
triggered: In Poly mode, 2 voices per note;
In Mono or Legato mode, you can adjust
the number of voices per note up to 8.
Three LFOs can each be assigned as a mod source in the Modulation
Matrix. The Rate for each LFO can oscillate freely between 0 and 35 Hz, or
can be tempo synchronized in values between 32 bars and 1/128 triplets.
LFO one and two provide a choice of Triangle, rising and falling Sawtooth,
Square up and Square down, a random stepped and smoothed random
waveforms. LFO three always uses a triangular waveform. LFO one is a
polyphonic LFO with key sync. This means that it is triggered individually
for each note. An envelope generator lets you control the decay or delay of
LFO one. LFO two and three are monophonic and runs continuously.
The pitch of the Sample
Instrument can be tuned ±2
octaves in semitone increments.
Pitchbend has a selectable range of
±36 semitones. Glide and Pitcher
sliders allow you to control
portamento time. Random
detune simulates the
tuning drift of analog
synthesizers.
EXSP24 – Emagic Xtreme Sample Player 24 Sample player for VST 2.0
The EXSP24 sample player runs on host applications capable
of supporting VST 2.0 Instruments. It includes the intuitive
user interface and many of the features which made the
Emagic Xtreme Sampler 24 Bit (EXS24) so successful.As
with the EXS24, the EXSP24 can play samples ranging from
8 to 24 Bit depths,any sample rate from 11 to 96kHz,in any
combination. Sample import facilities will include support
for WAV, AIFF,SDII and SoundFont2 across platforms.
Parameter changes, such as enveloping, filtering and
modulation can be saved as a preset. Samples will
automatically load as part of saved song files.To edit samples
and instruments, Logic Audio and an EXS24 are required.