Specifications

DIGIDESIGN
FOCUSRITE D2/D3 BUNDLE
COMPUTER AUDIO
931
PHOTO - VIDEO - PRO AUDIO
ORDER & INFO. [phone] • FAX: [phone] [phone]
1-800-875-6951 • www.bhphotovideo.com
Multiband EQ and Compressor
(TDM, RTAS & AudioSuite)
Modeled after their respective Red Range hardware counterparts,
the Focusrite D2/D3 bundle brings high quality equalization and
professional dynamic control to Pro Tools.
Designed by Rupert Neve, the 24-bit D2 is for the professional who
requires the highest levels of performance and maximum versatility
in a software-based EQ providing multiple modular configurations.
With superior resolution, intuitive graphics, dynamic automation
and save/copy/paste options, the D2 takes full advantage of the
power and capabilities of the Pro Tools TDM environment.
The D3 provides flexibility and versatility through separate insert
configurations in addition to its highly impressive sonic characteristics.
The D3 also functions in AudioSuite, providing file-based processing
and conservation of DSP resources. Like the D2, the D3 takes takes full
advantage of the power and capabilities of Pro Tools to offer dynamic
automation, multiple inserts and save/copy/paste options.
Both the D2 and D3 interfaces closely emulate their respective sibling
Red Range hardware units, with their red brushed-aluminum panel
graphics, illuminated push buttons and rotary control knobs. A floating
editor window supplies instant access to the various modules of the D2
- six band, four band, or dual/single band - or, in the case of the D3, one-button access to both compressor and limiter modules.
A numeric display area is located below each rotary knob for continuous feedback and also allows numeric entry from the key-
board, if desired. For precise processing, independent input and output level controls and high-resolution plasma-type meters
are also provided. With the D2, offset level adjustment is accommodated by use of the left, right and link controls.
Red Range 2 Dual EQ
◆ Provides three different mono or stereo modules: six band,four band,
and dual/single band. These versatile configurations allow DSP power
to be used where it is needed most.Any band type (or types) can be
accessed up to the available DSP power in the system.
◆ Includes high- and low-pass filters, high and low shelving filters and
high-mid and low-mid peaking filters.
◆ Analog-style overload indicators track clipping and a highly accurate
Cartesian graph displays EQ settings as they are being adjusted.When
an offset exists for the left and right channels, the graph will display
both channels simultaneously.
Red Range 3 Compressor/Limiter
◆ Provides two mono or stereo configurations.
◆ The Compressor+Limiter supplies both compression and limiting at
all times.Also allows users to select compression or limiting,
conserving DSP power for other operations as necessary.
◆ One D3 plug-in can be used multiple times simultaneously, limited
only by DSP capacity.
◆ Pro Tools supports side-chain processing with D3, accepting post-
fader input from any track or bus to control dynamics parameters.
◆ All settings are automatically restored and recalled with the Pro Tools
session.
Don’t forget that, like other TDM Plug-Ins,you can run multiple D2 and D3 plug-ins up to the limits of your available DSP power. This
means that, for the price of one plug-in bundle, you'll have access to multiple Focusrite processors,making this extremely cost effective.