PHOTO - VIDEO - PRO AUDIO Section11b Integrated Systems Cakewalk.............................892-903 Digidesign ...........................904-947 Emagic .................................948-971 MOTU ..................................972-993 Steinberg ...........................994-1031 Cool Breeze .....................
C A K E WA L K SONAR 2.2 & SONAR XL 2.2 COMPUTER AUDIO Digital Multitrack Recording System 892 SONAR 2.2 is Cakewalk’s flagship audio and MIDI production sofware for Windows Me/2000/XP. SONAR 2.2 offers unlimited MIDI and audio tracks, realtime 32-bit DirectX8 effects and DXi soft synths and powerful Acid-style loop construction all tied together with automated mixing of virtually every parameter.
C A K E WA L K SONAR 2.2 & SONAR XL 2.2 A number of tools are available for editing audio and MIDI clips including split, scrubbing, zooming, snap grid settings Audio Scale Ruler is a vertical zoom tool for audio clips that allows detailed editing of quiet passages The customizable Toolbar ensures that the functions you need the most (transports, looping, tempo, markers, record mode, synchronization and more) are always a mouse click away.
C A K E WA L K SONAR 2.2 & SONAR XL 2.2 894 COMPUTER AUDIO Console View Although you can control a complete mix directly from the Track View window, the Console View provides an alternative for mixing and automating audio and MIDI tracks using a familiar hardware-style mixing interface. ◆ Console View channels include audio, MIDI, auxes, virtual mains (master outputs).
C A K E WA L K SONAR 2.2 & SONAR XL 2.
C A K E WA L K SONAR 2.2 & SONAR XL 2.
C A K E WA L K SONAR 2.2 & SONAR XL 2.2 SONAR XL The DR-008 is a powerful DXi drum sampler and synthesizer that provides advanced analog drum modeling (808, 909, etc...), flexible 32-bit sample playback (Wav, Aiff, LM4, etc...) along with pattern-based sequencing. Other features include 96 virtual drum pads for loading samplers and drum models, 8 stereo outputs, 8 aux outputs and a variety of editing functions for each pad. Six samplebased drum kits are included.
C A K E WA L K HOME STUDIO 2004 & HOME STUDIO XL 898 COMPUTER AUDIO Affordable Audio and MIDI Recording Software Cakewalk’s Home Studio 2004 and Home Studio XL are simple yet powerful recording tools, for the entry level musician and songwriter, based on Cakewalk's SONAR next-generation audio and MIDI technology. Home Studio 2004’s intuitive Track View window lets you quickly record, edit, arrange, mix and automate unlimited audio and MIDI tracks in a single window.
C A K E WA L K SOFTWARE COMPARISON CHART SONAR 2.
C A K E WA L K PROJECT5 900 COMPUTER AUDIO Soft Synth Workstation Project5 is a complete virtual studio that combines a suite of DXi compatible soft synths and samplers with sequencers, audio and MIDI effects and Acid-compatible audio looping tools — all in a single integrated production environment. The Project5 soft synths include a polyphonic analog-modeling synth, multi-format compatible professional sampler, drum synthesizer, sampling drum machine as well as the coveted Cyclone DXi groove sampler.
C A K E WA L K PROJECT5 PSYN — Virtual Analog Synth ◆ Flexible and easy-to-use with support for up to 8 layers, 64 voice polyphony and 8 audio outputs. ◆ Supports key mapping and velocity zones ◆ Sample-level editing and effects for creation of new sounds. ◆ Two resonant filters with key tracking can be configured in series or parallel ◆ Four 6-stage envelopes with multiple slopes ◆ Support for Akai S5000/6000, Kurzweil, Sound Fonts 2, WAV, AIF, and proprietary sample formats.
C A K E WA L K GUITAR TRACKS PRO & GUITAR TRACKS 2 COMPUTER AUDIO Multitrack Recording Software For Guitar Players Guitar Tracks Pro and Guitar Tracks 2 are straight forward digital audio recording and mixing applications for the Windows platform, that combine the ease of use of a portable multitrack cassette recorder with the power and flexibility of your PC.
C A K E WA L K FRUITYLOOPS 4 Music Creation Tool Step Sequencer BeepMap– jpg and bitmap generated synthesizer Pattern Playlist ◆ Piano Roll editor CD quality 16Bit/44KHz stereo output ◆ Export loops and songs to .WAV, MP3, and MIDI MIDI Out – controls all parameters of your external MIDI gear or sequencer. Includes five polyphonic soft synths, over 3000 samples, and 250 loops right out of the box.
DIGIDESIGN M-BOX 904 COMPUTER AUDIO 2 Channel USB-powered Pro Tools LE-based Micro Studio Mbox is a compact and affordable 2-channel USB-powered audio interface for MacOS 9.1 and up, MacOS X 10.2.3 and up, and Windows XP, that’s been specifically engineered to offer the home/project studio and the pro who needs a studio quality digital recording, mixing and editing environment that can be taken virtually anywhere.
DIGIDESIGN DIGI 001 PCI-based Pro Tools LE Music Production System 905 FEATURES 18 Simultaneous Inputs And Outputs ◆ All inputs and outputs run at a 24-bit resolution at 44.1 or 48 kHz sample rates ◆ Eight channels of 1/4˝ balanced analog inputs and outputs ◆ 2 mic preamps, with switchable phantom power, variable and a switchable 26dB pad are provided on the front panel.
DIGIDESIGN DIGI 002 906 COMPUTER AUDIO FireWire-based Pro Tools LE Music Production System The Digidesign Digi 002 is a 24-bit/96kHz FireWire-based mini studio that combines a touch-sensitive control surface borrowed technology from Digidesign’s Control|24; an audio interface with eighteen simultaneous audio ins and outs, including 4 mic preamps; MIDI I/O; along with the latest version of Pro Tools LE software that works with both Windows XP and Mac OS 9.x and Mac OS X 10.2.3 and higher.
DIGIDESIGN DIGI 002 Instantly switch between channel views – EQ, Dynamics, Inserts and Pan/Send. Multi-purpose scribble strips for displaying track name, pan, send, fader, plug-in values and timeline position. Status indicators displays MIDI, FireWire and L/R output activity in realtime as well as the currently selected sample rate Multi-purpose, velocity-sensitive rotary encoders with LED position indicators.
DIGIDESIGN PRO TOOLS LE 908 COMPUTER AUDIO Host-Based Music Production Software Pro Tools LE is the music production software that is bundled with Digidesign’s host-based hardware audio interfaces.
DIGIDESIGN PRO TOOLS LE The Edit Window The Edit Mode buttons affect the movement and placement of regions within the edit window. In Shuffle mode, regions automatically snap to one another along the timeline. In Slip mode, regions can be moved freely within a track or to other tracks. Spot mode allows you to place regions at precise locations based on any available time format. In Grid mode, regions and MIDI notes that are moved or inserted “snap” to a user-definable time grid.
DIGIDESIGN PRO TOOLS LE continued The Mix Window – Integrated Multi-Channel Mixing and Surround Panning COMPUTER AUDIO In the Mix window, tracks appear as mixer strips (or channel strips), with controls for inserts, sends, input and output assignments, volume, panning, record-enable, automation mode, and solo/mute. The following section explains each of these track controls. You can insert up to five plug-ins and access up to five effects sends on each track.
DIGIDESIGN PRO TOOLS LE continued MIDI Functions and Editing integrated MIDI environment, with support for up to 128 MIDI tracks gives you full control over the MIDI components of your projects. ◆ Full support for Mac OS X’s Core MIDI Services. ◆ MIDI Time Stamping (MTS) support provides sample-accurate MIDI with Pro Tools-compatible software synths and samplers, eliminating the possibility of compromised sync and drift issues.
DIGIDESIGN PRO TOOLS LE continued ReWire Support ◆ You can quickly and easily create crossfades between two adjacent audio regions to smoothing transitions between regions and prevent pops, clicks, or sudden changes in sound. ◆ The crossfade duration, position, and shape are all user-definable. ◆ The Fades dialog window allows you to select, view, and manipulate the curves used to perform the crossfade. Different volume curves can be assigned to the fade-out and fade-in portions of crossfades.
DIGIDESIGN PRO TOOLS LE continued Enhanced Windows XP Features ◆ DV Toolkit is an optional bundle that adds desktop post production functionality to the Pro Tools LE system. Specialized functionality gives users tools to edit audio with timecode functionality; support for the import and export of media files with other applications including new AAF interchange with Avid Xpress DV; and the ability to replace bad on-camera dialog and repair/restore poor field audio.
DIGIDESIGN PRO TOOLS|HD 914 COMPUTER AUDIO High-Definition Audio Production System Pro Tools|HD is Digidesign’s latest and most advanced digital audio workstation ever, with support for up to 24 high resolution audio tracks at 192 kHz sample rate and all of the processing power required for audio recording and playback, mixing, effects and automation being supplied via dedicated HD Process cards that reside in the PCI slots of your computer.
DIGIDESIGN PRO TOOLS|HD TDM-Based Software 915 Four Types Of Plug-ins ◆ TDM plug-ins are exceptionally powerful realtime effects that utilize the DSP power provided by the HD Process cards in your Pro Tools system.of TDM technology rather than relying on the limited resources of the host computer. This affords much more processing power for DSP intensive plug-ins such as reverbs and surround processors.
DIGIDESIGN 192 I/O 916 COMPUTER AUDIO World-Class 24-Bit/192 kHz Multi-Channel Audio Interface The 192 I/O is a 16 channel, high-definition, 24-bit/192 kHz, digital audio interface specifically designed to take full advantage of the increased fidelity and dynamic range capabilities available within the Pro Tools|HD environment.
DIGIDESIGN 192 DIGITAL I/O World-Class 24-Bit/192 kHz Multi-Channel Audio Interface FEATURES AS THE 917 S AME 192 I/O EXCEPT — Multi-Channel I/O ◆ 16 discrete channels of digital input and output ◆ 16 channels of 24-bit TDIF I/O at sampling rates of up to 48 kHz ◆ 16 channels of 24-bit AES/EBU I/O at sampling rates of up to 96 kHz in single-wire mode; or 8 channels at sampling rates of up to 192 kHz in dual-wire mode ◆ 16 channels of 24-bit Optical (ADAT) I/O at sampling rates of up to 48 kHz C
DIGIDESIGN 96 I/O 918 COMPUTER AUDIO High-Quality, 24-Bit/96 kHz Multi-Channel Audio Interface The 96 I/O offers Pro Tools users a high-resolution, multi-channel audio interface with excellent sonic performance. An affordable 16-channel audio interface for Pro Tools|HD, 96 I/O features a wealth of I/O options, including 8 channels of high-definition analog I/O, 8 channels of ADAT optical I/O, 2 channels of AES/EBU and S/PDIF I/O, and Word Clock I/O.
DIGIDESIGN PRO TOOLS HD ACCESSORIES HD Process Cards Digital I/O Card ▲ Analog Out card ▲ Analog In card 919 Digidesign offers an array of quality cabling options to ensure the fidelity of audio signals as they travel between the I/O components of your Pro Tools system. Uniquely designed for Digidesign gear, DigiSnakes are custom colored and labeled, feature a lifetime warranty, and are comprised of 110 ohm “digital grade” cable to accommodate either digital or analog signals.
DIGIDESIGN Control Surface and Analog Front End for Pro Tools TDM Control|24 is a dedicated control surface, co-developed by Digidesign and Focusrite, that offers hands-on access to nearly every recording, mixing, automation and editing function in Pro Tools.
DIGIDESIGN CONTROL|24 Transports and Navigation Store and recall five Zoom presets Edit Mode buttons: Shuffle, Slip, Spot and Grid You’re a single button push away from the various Pro Tools windows: Mix, Edit, Transport, Plugins, etc... Edit Tools for audio and MIDI are all a button click away. Navigation and Zoom functions The UP, NEXT, DOWN, and PREVIOUS arrow buttons provide roughly the same functionality as the arrow keys on your computer keyboard as well as some additional features.
DIGIDESIGN PROCONTROL ProControl is Digidesign's most comprehensive control surface that adds a high-quality tactile mixing and editing controls to Pro Tools TDM systems. ProControl has the look and feel of a high-end mixing console, with dedicated channels strips, transport controls and a mains section that will allow you to exploit the extensive recording, editing, mixing, DSP processing and automation capabilities that Pro Tools has to offer.
DIGIDESIGN PROCONTROL Fader Pack Main Section The Main section features standard transport controls; and a Scrub/Shuttle wheel; as well as Audition Mode switches that allow you to quickly listen to the selection start or end, with or without pre- and post-roll. ◆ Dedicated Window switches provide direct access to the desired Pro Tools window. ◆ Fourteen dedicated edit buttons are provided for accessing Pro Tools various editing Modes, Tools and Functions.
DIGIDESIGN 924 COMPUTER AUDIO MOTOR MIX Compact, Expandable Control Surface For Pro Tools TDM and Pro Tools LE Systems Motor Mix is a compact and low-cost control surface that offers real time, hands-on control of any Pro Tools system including transport control, track arming, motorized faders, mute/solo switches, pan/send control, plug-in editing and more for Pro Tools and other computer-based digital workstations.
DIGIDESIGN PRE Remote Controllable, World-Class 8-Channel Mic Preamp Remote Control Specs MIDI In/Out/Thru ports accommodate remote operation via Pro Tools software and Digidesign control surfaces. INPUT STAGE Inputs and Outputs ◆ ◆ Eight high-performance, discrete matched transistor hybrid microphone pre-amplification circuits can accommodate nearly any input source. Each channel features support for XLR mic as well as 1/4˝ direct instrument (DI) and line level inputs on the rear panel.
DIGIDESIGN SYNC I/O COMPUTER AUDIO High-Quality, Versatile Synchronizer for Pro Tools SYNC I/O is a multi-purpose synchronization device that supports all industry-standard clock sources and time code formats. Accommodating the high sample rates intrinsic to Pro Tools|HD with the utmost accuracy, SYNC I/O features near sample-accurate lock to time code or bi-phase/tach signals and a 192 kHz capable, high-fidelity, low-jitter Word Clock.
DIGIDESIGN DIGIDRIVES Storage Systems for Pro Tools DigiDrive 36|10k and 73|10k Designed for both removable rack-mounting and interlocked stacking, the fully self-contained DigiDrive enclosure allows you to choose the configuration that fits your system best. It also features Digidesign/Avid’s exclusive QuietDrive technology, which dramatically reduces drive noise to a whisper (reduces drive noise by up to 20 dB), so you can listen to your audio instead of your gear.
DIGIDESIGN MIDI I/O 928 COMPUTER AUDIO Professional Multi-Port MIDI Interface The MIDI I/O is a multi-port MIDI interface designed by Digidesign to deliver a completely robust and powerful MIDI solution for all Pro Tools systems. Equipped with ten MIDI input and output ports for a total of 160 channels, MIDI I/O connects to the computer and is powered via USB. MIDI I/O is housed in a rugged metal 19˝ chassis making it simple to plug and unplug cables when the unit is rack mounted.
DIGIDESIGN MACHINE CONTROL Available for Mac and Windows-based systems, Machine Control enables easy integration and control of external audio/video equipment within the Pro Tools workstation environment. Machine Control lets you be more productive by allowing you to control external devices using quick, intuitive key commands directly from your computer keyboard.
DIGIDESIGN DIGITRANSLATOR 2.0 COMPUTER AUDIO OMF Interchange Utility for Pro Tools To facilitate the seamless exchange of sound and picture elements, Avid developed OMFI (Open Media Framework Interchange). Dozens of manufacturers support OMFI, and hundreds of Pro Tools customers rely on OMFI every day for file interchange with other workstations, such as Avid's Media Composer. DigiTranslator 2.
DIGIDESIGN FOCUSRITE D2/D3 BUNDLE Modeled after their respective Red Range hardware counterparts, the Focusrite D2/D3 bundle brings high quality equalization and professional dynamic control to Pro Tools. Designed by Rupert Neve, the 24-bit D2 is for the professional who requires the highest levels of performance and maximum versatility in a software-based EQ providing multiple modular configurations.
DIGIDESIGN MAXIM Create professional-sounding master tracks for your Pro Tools sessions with Maxim. More than just a world-class peak limiter, Maxim optimizes the overall level of the audio input while preserving the integrity of the original sound. Its proprietary sound level maximizing technique distinguishes it from analog limiters and digital versions of them, which often add unwanted distortion or coloration to the audio. The result is transparent, or perfect, peak limiting.
DIGIDESIGN D-FI Retro instruments and processors are often used to create certain sonic signatures in contemporary music. D-Fi is a unique family of four (Lo-Fi, Sci-Fi, Recti-Fi and Vari-Fi) plug-ins that can provide similar sound design tools to Pro Tools users, without having to re-sample the audio files through an 8-bit sampler or run a file through a modular analog synth.
DIGIDESIGN BRUNO & RESO 934 COMPUTER AUDIO Cross-Synthesis Plug-In Duo for TDM Systems Take your audio into creative new realms of sound with Bruno and Reso, two TDM plug-ins for Pro Tools. Both use a crosssynthesis technique to synthesize any existing audio in real-time to create some very unique and interesting results. Both plug-ins can be played interactively via MIDI using an external controller.
DIGIDESIGN DPP-1 ◆ Internal 24-bit processing and high-quality deglitching pitch change algorithm provides excellent sound quality ◆ Easy-to-use software interface makes operation straightforward ◆ Pro Tools TDM systems supply a versatile mixing and processing environment, letting you use the DPP-1 Pitch Processor on single or multiple channels, which can come from any input source: disk playback, live input, TDM-equipped SampleCell II Plus, etc.
DIGIDESIGN 936 COMPUTER AUDIO DINR Intelligent Noise Reduction (TDM & AudioSuite) DINR (Digidesign Intelligent Noise Reduction) is an awardwinning plug-in for real-time, high-quality broadband noise reduction and hum removal. A software-based, digital signal processing module, DINR is designed to reduce the full spectrum of unwanted noise, from air-conditioner rumble to tape hiss to guitar-amp buzz, for more professional results.
DIGIDESIGN D-FX AudioSuite Plug-In Package ◆ ◆ The perfect addition to any system running Pro Tools, D-fx offers a great selection of time-domain effects in one affordable package ◆ Each D-fx plug-in is designed for intuitive use, with a consistent graphic interface for every effect. All parameters are displayed on one screen allowing instant adjustments.
DIGIDESIGN ACCESS VIRUS COMPUTER AUDIO World-Class DSP-based Synthesizer for Pro Tools TDM Based on the highly acclaimed and successful Access Virus hardware synthesizer, Access Virus is a TDM-based synthesizer plug-in that transforms your Pro Tools system into a luscious 20-voice synth at 48k and 10-voice synth at 96k on Pro Tools|HD – with up to eight different sounds per DSP chip.
DIGIDESIGN DRAWMER DYNAMICS The Drawmer Dynamics plug-in provides premium quality gating, compression and limiting to Pro Tools TDM users. Drawing on 20 years of experience in innovative signal processing, the Drawmer Dynamics plug-in offers the performance attributes as well as the look and feel of world-renowned Drawmer analog units. Based on Drawmer’s legendary DS201 Noise Gate, the Gate/Compressor/ Limiter plug-in is the ultimate processing tool for percussive and highly transient material.
DIGIDESIGN Line 6 — AMP FARM The ultimate solution for guitarists and Pro Tools TDM users, Amp Farm features Line 6’s TubeTone technology, to bring you physical models of specific, sought-after classic amplifiers. Process live guitar inputs or tweak the amp setup for pre-recorded tracks. Amp Farm lets you adjust your amp tone right up to the final mix, with full automation of all controls, including Amp Model selection.
DIGIDESIGN PROSONIQ — ORANGE VOCODER Tired of dull sounding tracks? Want to breathe some funk into your mix? Well, here's the perfect tool. Prosoniq’s Orange Vocoder offers perhaps the fastest, most flexible and most transparent sounding simulation of an analog vocoder effect.
DIGIDESIGN 942 COMPUTER AUDIO SYNCHRO ARTS — VOCALIGN Audio Alignment for Music and Post Production (AudioSuite) VocALign is an amazing tool which reduces the time taken to re-record dialog or vocals —saving money by drastically reducing production and studio time. Artists can now concentrate on performance and not sync during overdubbing sessions.
DIGIDESIGN TOOLBELT T O O L B E LT F E AT U R E S ◆ ToolBelt’s unique Audio Generator can automatically extend very short pieces of atmospheric or back- ground sounds into long, natural sounding regions without sounding looped. It’s great for making fills for dialog and effects editing.
DIGIDESIGN 944 COMPUTER AUDIO DUY – ANALOG BUNDLE (DAD VALVE & DAD TAPE) Tape Saturation and Tape Emulation for TDM Systems Now, in one bundle, you can get analog tape and real-valve sound, with their classic warmth, within the digital domain, and with characteristics and control impossible to achieve in conventional tape recorders or valve systems. DaD Valve is a revolutionary approach to the simulation of the classical valve sound for digital audio systems.
DIGIDESIGN DUY — EVERPACK MAX Duy DUY Shape ◆ ◆ ◆ – Eight different Shaper curve types including Linear, Log and Cosine functions. Adjustable 3-band smooth filter with full audio range continuous crossover points – Linear expand function to optimize dynamics High quality analog sound filters using modeling technology Three independent userdefined Shapers with virtually infinite resolution and accuracy.
DIGIDESIGN DUY — DSPIDER 946 COMPUTER AUDIO "The Plug-in Creator" DSPider is a modular plug-in creator for TDM that consists of 40 modules that can be linked by the user in countless different ways, providing a unique and revolutionary approach to the creation of user-defined processors.
DIGIDESIGN DUY — SYNTHSPIDER Creating Sounds and FX COMPUTER AUDIO A modular TDM synthesizer software, SynthSpider links the 40 supplied modules, allowing you to create your own sounds and sequences. The high quality of DUY’s algorithms is reflected in the power of the modules, which include filters, envelope followers, wave generators, and even a built-in analog-like sequencer, plus a “scanwave generator” that allows you to use external audio.
EMAGIC LOGIC 6 SERIES 948 COMPUTER AUDIO Music Production Software For The Mac Emagic’s Logic 6 Series consists of a choice of three levels of digital audio and MIDI production software applications for the Mac OS— Logic Audio, Logic Gold and Logic Platinum.
EMAGIC LOGIC 6 SERIES Arrange Window – Logic’s Primary Workspace with an Emphasis on Realtime Composition Track Information Track number, Mute and Record buttons Track icon and name Current automation parameter, meter and mode Markers allow you to quickly “jump” to any location in your songs Zoom in and out of the Arrange window (horizontally and vertically) using the telescope tools Individual Sequence parameters include realtime non-destructive control over quantization, transposition, velocity, dynami
EMAGIC LOGIC 6 SERIES continued 950 COMPUTER AUDIO Adaptive Track Mixer The Adaptive Track Mixer reflects the track layout of audio and MIDI channels shown in the Arrange window.
EMAGIC LOGIC 6 SERIES Fully Automated Plug-in Effects System Dozens of effects plug-ins are included covering a wide range of precision and creative processing tools from the standard dynamics, reverbs, delays and EQs, to unique sound sculpting tools and mastering processors ◆ ◆ All plug-ins operate at 32-Bit resolution, and support sample rates from 11kHz to 200kHz, ensuring outstanding audio quality and making signal overloads virtually impossible Third party support is also provided for VST/VST2 (OS9
EMAGIC LOGIC 6 SERIES continued The Matrix Editor is a piano roll style editor that offers an intuitive approach to editing the pitch, placement and duration of MIDI events using a vertical piano keyboard and horizontal timeline axis The velocity of each MIDI note is represented by the intensity of the events color (blue = 0, red = 127). A velocity tool allows you to adjust the velocity of selected notes.
EMAGIC LOGIC 6 SERIES DOT – DSP Optimization Technology Native support is provided for the latest Apple G4 Velocity Engine-equipped computers including multi-processor models. In some cases, these optimizations can increase the total number of tracks, effects and audio instruments that are available for simultaneous use. ◆ DOT can effectively double the amount of available CPU power, when DOT optimized plug-in modules are used in Logic.
EMAGIC 954 COMPUTER AUDIO LOGIC 6 SERIES continued Emagic has released version 6 of the Logic Series. This update provides a new level of processor efficiency and extensive enhancements to the Arrange window that offers more editing and mixing power than ever before. In addition, Logic 6 debuts two new setup and file management solutions — the Setup Assistant and the Project Manager.
EMAGIC LOGIC 6 SERIES Quick Automation Access ◆ Improved Time Machine ◆ The Time Machine in Logic 6 features a new algorithm that provides enhanced sound quality and more accurate time stretching and pitch shifting. LOGIC PLATINUM ADDS – Intelligent Project Manager ◆ The Project Manager consolidates all media files on local volumes by recognizing the dependencies between audio files, sampler instruments, settings and movies.
EMAGIC EXS-24 MKII COMPUTER AUDIO Emagic Xtreme Sampler 24-bit The ESX-24MKII is professional 64-voice software sampler whose integration into Logic’s mixing, sequencing and sample editing environments makes it an essential component for all Logic users. The ESX-24MKII provides sample-accurate playback timing, stunning audio quality up to 24-bit/96kHz and is fully accessible to all of the effects and automation capabilities available within your version of Logic.
EMAGIC EXS-24 The pitch of the Sample Instrument can be tuned ±2 octaves in semitone increments. Pitchbend has a selectable range of ±36 semitones. Glide and Pitcher sliders allow you to control portamento time. Random detune simulates the tuning drift of analog synthesizers. Choose between Legato, Mono and Poly modes (up to 64 voices).
EMAGIC LOGIC CONTROL • LOGIC CONTROL XT 958 COMPUTER AUDIO Realtime Control Solution For The Entire Logic 5 Series Logic Control is an ergonomic, expandable remote control surface, co-developed by Emagic and Mackie Designs, that provides the most comprehensive tactile control support available for the Logic 5 Series line of music production workstations.
EMAGIC LOGIC CONTROL Six buttons, accompanied by a 2-digit, LED display allows you to select which parameter groups the Channel Strips are going to control – Track, Pan/Surround, EQ, Send, Plug-In, Instrument 10-digit, LED display, switchable between SMPTE or bar/beats/sub division/ticks, for song position information Eight freely definable user keys These eight buttons allow direct selection of specific mixer tracks such as audio tracks, MIDI tracks, inputs, busses etc.
EMAGIC EMI 2|6 • EMI 6|2m The EMI 2I6 and EMI 6|2 m are portable USB audio solutions providing professional 24 Bit audio quality at 44.1, 48 and 96 kHz sample rates. The EMI 2I6 features two analog inputs, six analog outputs and and S/PDIF I/O while the provides EMI 6|2 m six analog recording and two analog playback channels and two cinch sockets, which can be used as either S/PDIF digital I/O, or as MIDI in and outputs.
EMAGIC MT4 • AMT8 • UNITOR8 MKII Multiport MIDI Interfaces For Windows and Mac MT4 Features ◆ The ideal MIDI interface for USB-equipped laptop computers, or for smaller desktop installations. ◆ Two MIDI in ports and four MIDI out ports provide you with 32 input and 64 output MIDI channels. ◆ USB connection provides both superior MIDI timing and power. An LED confirms USB activity. Active MIDI Transmission A segment of the sequencing engine of AMT compatible software, (e.g.
EMAGIC SOUND DIVER 3 COMPUTER AUDIO Universal Sound Editor 962 SoundDiver 3.0 is a complete and up-to-date MIDI Editor/Librarian that allows you to conveniently edit every parameter, and catalog, store and organize the patches for almost 600 different MIDI devices. SoundDiver’s slick user interface features graphic representations of all editing parameters with switchable editing depths as well as photorealistic representations of your MIDI devices.
EMAGIC WAVEBURNER PRO COMPUTER AUDIO Professional Red Book Audio-CD Mastering and Burning Software WaveBurner Pro is Emagic's professional, award winning Red Book audio-CD mastering and burning software for the Mac OS. WaveBurner Pro allows you to quickly and intuitively assemble a playlist of tracks using non-destructive editing of regions and crossfades, plus the creation of break, track and index markers.
EMAGIC ES-1 EMAGIC SYNTHESIZER ONE 964 COMPUTER AUDIO Analog Modeling Synthesizer for Logic The ES1 was Emagic’s first native virtual instrument and since it’s release, in 1999, it has become the staple analog modeling synthesizer for Logic users seeking the classic sounds of vintage subtractive synthesizers.
EMAGIC ES-2 COMPUTER AUDIO Emagic Synthesizer 2 – Advanced Hybrid Modeling Synthesizer for Logic The ES2 is a unique and powerful software instrument for Logic 5 users, that combines the warmth of subtractive synthesis found in classic analog synths and digital synthesis techniques such as Vector Synthesis, Wavetable Scanning and Frequency Modulation (FM) with a myriad of in-demand synthesis techniques.
EMAGIC EVOC 20 – EMAGIC VOCODER 20 BAND The EVOC 20 package contains a suite of three software plug-ins that model a variety of analog vocoders that allow the sonic characteristic of the analysis signal to be printed to the synthesis signal. The first plug-in is the evoc20-PS. It uses a 16 voice, polyphonic synthesizer, playable in realtime over MIDI to emulate classic vocoder effects. The second plug-in, the evoc20-TO, uses a monophonic oscillator to track the pitch of the analysis (input) signal.
EMAGIC EVP88 • EVP73 Emagic Vintage Piano 88 Emagic’s native tone generation captures the essence of 12 different vintage electro mechanical piano models ◆ Playable with full polyphony over a range of 88 notes, with 88 voices (CPU dependent). ◆ Integrates directly into Logic’s digital mixer with sample accurate timing, access to all plug-in effects and automation with total recall.
EMAGIC EVB3 COMPUTER AUDIO Emagic Vintage B3 The EVB3 is an optional software instrument for Logic 5 that not only emulates the sound of the legendary Hammond with stunning authenticity, using Emagic’s Component Modeling Technology, but improves upon it by offering an even broader range of musical and creative possibilities.
EMAGIC EVD6 Emagic Virtual D6 Clavinet COMPUTER AUDIO The EVD6 is a software instrument for Logic 5, which uses Emagic’s component modeling technology, powered by a 32-bit floating point processing engine, to flawlessly recreate the classic sounds of the ultra-funky Hohner D6 clavinet.
EMAGIC SOFTWARE BUNDLES 970 COMPUTER AUDIO Logic Audio Big Box The Logic Audio Big Box includes Logic Audio 5 audio and MIDI production software, the critically acclaimed EVP73 Emagic Vintage Piano, the astoundingly fat ES1 Emagic Synthesizer, plus the super versatile, ultra low-latency EXSP24 Sample Player, which includes over 600 MB of high-quality samples ready to play.
EMAGIC SOFTWARE BUNDLES TDM Collection E X S 2 4 A N D E X S P 2 4 F O R M AT C D R O M S Xtreme Analog 971 The Xtreme Analog CD-ROM contains a vast array of expertly compiled multisampled analog synthesizer waveforms, many of which were generated in stacked or unison mode for maximum impact.
MOTU 972 COMPUTER AUDIO DIGITAL PERFORMER Audio Workstation Software with MIDI Sequencing for MacOS An integrated digital audio and MIDI sequencing production system, Digital Performer provides a comprehensive environment for editing, arranging, mixing, processing and mastering multitrack audio projects for a wide variety of applications. Digital Performer allows you to simultaneously record and playback multiple tracks of digital audio and MIDI data in a totally integrated, creative environment.
MOTU DIGITAL PERFORMER Sequence Editor Side-by-side display of MIDI and audio tracks — The Sequence Editor window provides combined viewing and editing of MIDI notes, audio soundbites (audio regions), audio automation and MIDI controller data in one window along a single timeline. Movie track – a QuickTime movie track displays movie frames side by side with MIDI and audio data.
MOTU DIGITAL PERFORMER continued COMPUTER AUDIO DP’s Mixing Board – a virtual mixing console on your computer screen ◆ More flexible than even the most expensive hardware consoles ever made ◆ Instantly create customized board layouts: drag track strips anywhere you like, and show or hide any combination of tracks - or even mixer sections (like the inserts section) - with a mouse click.
MOTU DIGITAL PERFORMER Automation Everything in the mixing environment can be automated in real time, including effects parameters, track mutes/solos, effects bypassing, send levels, send mutes can be recorded during playback, or you can draw and edit parameters in the audio graphic editor Automatic Audio Conversion ◆ ◆ Automation ◆ conversion options include: Automatic sample format and sample rate conversion when importing audio ❧ Automatic time-stretching of audio when placing soundbites into a track
MOTU 976 COMPUTER AUDIO DIGITAL PERFORMER continued MIDI Editing ◆ DP provides a range of environments, besides the Sequence Editor, for editing MIDI data including a Graphic (piano style) Editor, an Event List editor, a dedicated Drum Editor and QuickScribe (notation).
MOTU DIGITAL PERFORMER continued Surround Sound complete environment is available for creating surround recordings from start to finish including support for quad, LCRS, 5.1, 6.1, 7.1 and 10.2 surround formats ◆ The desired surround panner can be controlled with the panning dish available for each track’s channel strip in the Mixing Board.
MOTU 2408MK3 978 COMPUTER AUDIO PCI-based Audio Workstation A cost-effective solution for recording and editing digital audio without sacrificing the power and flexibility needed in today’s project and commercial studio environments, the 2408MK3 has everything you need to turn your computer into a powerful 24-bit/96kHz digital audio workstation.
MOTU 2408MK3 S/PDIF Input/Output ◆ PCI-424 Card & Cuemix DSP For the computer-based studio, the PCI–424 card features CueMix DSP, a flexible DSPdriven mixing and monitoring matrix that provides the same near-zero monitoring latency as today’s latest digital mixers. CueMix DSP allows you to connect keyboards, synth modules, drum machines, and even effects processors and then monitor these live inputs with no audible delay and no processor drain on the host CPU.
MOTU The 24I/O is a single rack-space 96kHz audio interface for Macintosh and Windows systems that fulfills the promise of host-based hard disk recording: to record, edit, mix process, and master multitrack recording projects entirely inside your computer. It provides 24 balanced 1/4˝ (TRS) 96kHz analog inputs and outputs in a single rack-space enclosure, allowing you to connect and record from 24 simultaneous analog sources.
MOTU HD192 COMPUTER AUDIO High-Definition 192kHz Audio Interface for Mac and PC Highest-Quality A/D Converters ◆ The most important link in the digital recording chain is the A/D converter. It is the critical component that converts your analog input signal into digital information. The higher the quality of the A/D converter, the better your recordings will sound. The 192kHz converters in the HD192 are the same ones used in more expensive HD systems. With 120dB Aweighted dynamic range and a THD+N of 0.
MOTU COMPUTER AUDIO 828MKII Firewire Audio Interface with ADAT Digital I/O, Mic Preamps and Sync An affordable, FireWire -based digital audio hard disk recording system for Mac (OS 9, OS X) and Windows (ME, 2000, XP), the 828MKII takes professional audio recording a leap forward in portability and plug-and-play operation, With a total of 20 simultaneous inputs and 22 outputs, two built-in mic pre-amps, zero latency monitoring, and the ability to synchronize to anything via ADAT sync, the 828 provides a com
MOTU 896 96kHz Firewire Audio Interface AES/EBU Digital I/O Analog Outputs ◆ AES/EBU digital in/out provides digital I/O at any supported sample rate up to 96kHz. Sample rate conversion is supplied on either input or output. For example, it can convert 44.1 kHz audio input to 96 kHz or it can convert 96 kHz audio to 48 kHz. ◆ Eight analog outputs on XLR connectors. each equipped with 24-bit 128x “enhanced multibit” D/A converters and their own switch for either +4/-10dB operation.
MOTU Multitrack Audio Recording Software — Bundled with all MOTU Audio Interfaces AudioDesk is a full-featured audio workstation software package for Mac. This is not a watered-down “recordingonly” version of another company’s software. Instead, the software provides all of the high-end features you’d expect in a serious workstation application, like 24-bit recording and real-time, 32-bit effects processing.
MOTU AUDIODESK Automation OMF Export To Pro Tools Mixing Board window gives you a virtual mixing console on your computer screen. ◆ Built in OMF integration tools allow you to seamlessly export your project to a ProTools environment. ◆ Ride faders and knobs during playback to record automated mixes. ◆ ◆ Create snapshots of the entire mixer - or any portion of it - anywhere in your sequence with the click of a button.
MOTU COMPUTER AUDIO MIDI INTERFACES MOTU manufactures a wide range of MIDI interfaces for both Mac and Windows compatible computers to meet the requirements of any MIDI Setup. Whether you are looking for a basic 2x2 interface or the ability to integrate video, hard disk and tape based recording systems, MOTU has got you covered. And now, MOTU’s award-winning line of MIDI interfaces are available for those of you with USB equipped Macs and soon PC’s.
MOTU POCKET EXPRESS Single 2x4 MIDI/SMPTE Interface COMPUTER AUDIO This 2 in, 4 out 32-channel MIDI/SMPTE interface works with either your Macintosh or Windows computer at a great price. Installs in seconds and opens your computer to a world of music software. Fully independent, paired outputs provide 32 separate MIDI channels. And the Pocket Express's unique advantage in its price range: a computer bypass button allows you to play your MIDI gear even when the computer is turned off.
MOTU MIDI TIMEPIECE AV 988 COMPUTER AUDIO 8x8 MIDI Interface/Synchronizer/Patchbay/Merger Combine MIDI with ADATs, ProTools, or video. The MIDI Timepiece AV takes the world-renowned MIDI Express XT and adds synchronization that you really need, like video genlock, ADAT sync, and word clock sync. Even Digidesign superclock! Slave ADATs, Digidesign hardware or word-clock compatible devices to SMTPE and video. Drive your ADATs from your sequencer without an Alesis BRC.
MOTU DIGITAL TIMEPIECE Digital Synchronization Hub ◆ ◆ ◆ ◆ ◆ ◆ ◆ Universal synchronizer for SMPTE, digital audio, and video systems Supplies all components necessary for accurate, stable synchronization: address (SMPTE time code location and audio sample number), time base (word clock), and machine control (transport and cueing) Choose any source as the time base master, and the Digital Timepiece continuously and simultaneously generates all other synchronization formats to drive all connected devic
MOTU UNISYN 990 COMPUTER AUDIO MIDI Device Editor/Librarian The industry’s most popular editor/librarian, Unisyn provides the most comprehensive sound management features available on the Macintosh and Windows, including seamless integration with Performer. You can modify a sound in Unisyn using graphic envelope controls and faders, while getting instant feedback within the context of your music as Performer plays the sequence.
MOTU FREESTYLE COMPUTER AUDIO Trackless Sequencing and Instant Notation Printing Software A trackless sequencer with instant music notation, Freestyle is powerful, yet easy to use so you have the freedom to concentrate on what is most important—your music. Create compositions intuitively using ensembles, players, takes and arrangements. Get inspired with FreeStyle’s dozens of drum riffs. Notate your performances as you play. See your music on screen exactly as it will print.
MOTU MACHFIVE 992 COMPUTER AUDIO Universal Sampler Plug-In A universal sampler plug-in for Mac and Windows, MachFive supports all major plug-in formats on both platforms (MAS, VST, RTAS, HTDM, Audio Units and DXi) and imports all major audio file, sample and soundbank formats including AKAI, Kurzweil, Roland, EMU, SampleCell, GIGA, EXS24, HALion, Creamware, WAV, ACID, AIFF, SDII, REX and more.
MOTU MACHFIVE 24-bit 192kHz Audio Integrated Multi-Effects MachFive takes advantage of high definition audio interfaces like the MOTU HD192, allowing users to build their sound libraries at any sample rate up to 192kHz. MachFive also provides on-the-fly downsampling, allowing users to build a high-resolution sample library and use it at any sample rate that their current project calls for, without the need for lengthy sample rate conversion operations.
STEINBERG CUBASE SL • CUBASE SX COMPUTER AUDIO Professional Music Creation and Production Software 994 The Cubase legacy continues with Cubase SL and Cubase SX — the most advanced and powerful versions of Steinberg’s renowned Virtual Recording Studio software to date.
STEINBERG CUBASE SL • CUBASE SX Point and click on these icons to access the five most common editing windows within a project – the inspector pane, project overview, object parameter list, audio pool window and project console window The Project Window – provides an overview of the entire project area and allows real-time recording, playback placement, editing and automation of audio and MIDI.
STEINBERG 996 COMPUTER AUDIO CUBASE SL • CUBASE SX s hannel C r e x i M EQ, Insert, Aux sections of Channel strip can be bypassed fast and individually continued Each channel within the mixer has 4bands of parametric EQ, 8 insert points for plug-in effects and 8 aux sends The Master Section features 8 insert slots plus dithering using Apogee’s UV-22 HR algorithm The extended view adds a top zone to the standard size mixer that adds an upper zone where you can switch between views for EQ and aux-send
STEINBERG CUBASE SL • CUBASE SX continued VST Realtime Effects Processors Steinberg’s Virtual Studio Technology (VST) interface allows the seamless integration of virtual effect processors and instruments into your digital audio environment. These processors run the gamut from software emulations of classic hardware effect units and instruments to never-heard-before creative processors. All functions of a VST effect processor or instrument are directly controllable and automatable.
STEINBERG continued Sample Editor Even though you can do most of your editing directly within the Project window, an integrated Sample Editor is included for editing mono and stereo audio files. The Sample Editor allows viewing and manipulating of audio data at the Audio Clip level. Functions such as cutting and pasting, removing or drawing audio data is fully “non-destructive”, in the sense that you can undo changes or revert to the original versions at any point, using the Offline Process History.
STEINBERG CUBASE SL • CUBASE SX continued MIDI Editing ◆ ◆ ◆ Each sound or notepitch can have its own settings for Quantize, Output and Channel. ◆ The Drum Editor also provides access to the same Multi Lane Controller Editing, Mathematical Curve and Step Recording functions found in the Key editor. The Key Editor / Piano-roll Editor features many standard functions for manipulating MIDI note and event data.
STEINBERG CUBASE SL • CUBASE SX continued COMPUTER AUDIO Cubase SX AddsComplete Scoring TrueTape Recording Technology Tape Saturation ◆ While digital audio recording has a number of benefits, some may perceive digital sound to be somewhat “sterile” and “cold” compared to high quality analog recordings.
STEINBERG CUBASE SL • CUBASE SX Features Dithering TrueTape recording technology for tape saturation Up to 64 sub-groups with the same EQ and effect features as a normal audio channel Offline Process History Cubase SX ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ Wide and narrow view – 5 16 ✓ ✓ Wide, narrow and freely configurable extended view ✓ 8 32 ✓ ✓ ✓ Plus DeEsser by SPL ✓ Touch Fader Touch Fader, X-Over and Autolatch Apogee UV22HR ✓ ✓ Apogee UV22 – ✓ For built-in audio processes Very quick and effici
STEINBERG HOUSTON 1002 COMPUTER AUDIO Motorized Control Surface for Cubase and Nuendo A MIDI/USB remote controller designed specifically for the VST audio engine, Houston provides access to potentially every parameter available in VST windows. It features a total of nine 100mm touch sensitive motorized faders, eight rotary encoders with LED position indicators and a matrix of buttons bringing total hands-on mixing within Nuendo or Cubase, without having to use the mouse or PC keyboard.
STEINBERG MIDEX 3/MIDEX8 USB MIDI Interface with LTB Technology Numbered MIDI port LEDs provide a clear overview over your MIDI set-up. Midex 3 and Midex 8’s comprehensive range of functions is rounded off by the relay-controlled MIDI Thru function as well as an integrated cable tester. Several Midex 3s or Midex 8s can be combined to build larger MIDI systems.
STEINBERG NUENDO 2.0 COMPUTER AUDIO Media Production System 1004 Nuendo 2.0 is a high-end digital audio workstation and media production system designed specifically for the demands of modern multimedia productions. Regardless of whether you are working on a music or post production project, in broadcasting or video—Nuendo 2.0 offers a solution which will perform to the highest expectations—and more cost-effective than any other system.
STEINBERG NUENDO 2.0 Set up a project the way you want it. All program menus are user-configurable, enabling you to hide features you don’t currently need for a specific kind of production. For example, if you don't need MIDI functions for a 10.2 surround mix, you can hide all MIDI menu entries, disable the corresponding key commands and assign these preferences to a template.
STEINBERG NUENDO 2.0 continued Mixing 1006 COMPUTER AUDIO Recording ◆ Pristine 32-bit audio quality with sample rates of up to 192 kHz will capture every nuance of your source audio. Processing audio internally at 32-bit floating point gives you a theoretical headroom of several hundred dB, making it practically impossible to introduce digital clipping. ◆ Offers a choice of a variety of record formats, including Wave, Broadcast Wave, AIFF and Wave64, for long duration recordings.
STEINBERG NUENDO 2.0 continued Surround Sound Nuendo 2.0 has one of the most powerful editing engines around, with unlimited undo/redo as standard. Not only can you undo cuts, fades or other basic edits, but also bouncing, offline processing and removal of complete tracks can be undone. The Edit History window lists all actions made on your project down to every single event, ready to undo or redo to the point where you want to work from.
STEINBERG NUENDO 2.
STEINBERG NUENDO 2.
STEINBERG NUENDO 96/52 DSP COMPUTER AUDIO 24-Bit/96kHz I/O Audio Card for PC and Mac Representing the perfect blend of hardware design and ASIO driver implementation, the Nuendo 96/52 DSP delivers an incredible 26 audio inputs/outputs from a single slot PCI card at up to 24-bit/96kHz resolution (12 channel 24-bit/96kHz record/playback on ADAT optical) with unparalleled connectivity (with other digital audio components), complete synchronization possibilities, zero latency monitoring and reduced CPU load.
STEINBERG NUENDO AUDIOLINK 96 SERIES Versatile 24-bit/96kHz Audio Interface Components Nuendo Audiolink 96 PCI 1011 COMPONENTS Nuendo Audiolink 96 Mobile This is an exclusive PCMCIA type II card that fits into all laptop computers for the most compact and powerful Nuendo system on the move. Connects to the Nuendo Audiolink 96 Digiset or Multiset via a special 15-ft. breakout cable. Features the low latency and Zero CPU performance of the Nuendo 96/52 DSP card.
STEINBERG NUENDO 8•I/O 96K 1012 COMPUTER AUDIO 8-Channel 24-bit A-D/D-A Converter Perfect for those working at the cutting-edge of audio recording for formats like DVD-Audio, the Nuendo 8•I/O 96k uses the very latest 24-bit converters with 128x over-sampling to attain a real dynamic range of over 110dB at a sampling rate of up to 96k. The analog input circuitry uses a fully servo-balanced and completely symmetrical audio path.
STEINBERG NUENDO DD8 Digital Format and Rate Converter Switchable 24-bit sample rate converters (SRC) allow for both highest quality sample rate conversion and clock unlinking of all AES/EBU inputs. ◆ All of the Nuendo DD8’s digital I/Os support 96kHz/24-bit. As ADAT optical and TDIF are usually restricted to 48kHz, the unique DS mode (double speed) allows two channels to be used for the transmission of one channel’s data.
STEINBERG NUENDO TIME BASE COMPUTER AUDIO VST System Synchronizer Nuendo Time Base is the first synchronizer supporting Steinberg’s VST System Link technology. This makes it the perfect solution for sample accurate cueing of tape-based audio and video machines from Nuendo audio production systems. All functions can be controlled and edited from within the Nuendo software. The outstanding feature set of Nuendo Time Base makes it the most versatile and precise synchronizer available today.
STEINBERG VSL-2020 The VSL-2020 provides 32 ADAT channels for pristine transmission of audio and MIDI data in 24-bit/96kHz quality to and from the other computers in your VST System Link network. Flawless support of ASIO 2.0 ensures stable, low-latency multi-channel network operation with other computers running Nuendo or Cubase. The VSL-2020 card is bundled with V-STACK (see below) so you can increase the available music-making power in your studio.
STEINBERG 1016 COMPUTER AUDIO NUENDO SURROUND ENCODING Until recently, the only way to encode audio for surround sound was by using expensive hardware systems which required lots of effort to get the audio in the right form to play into the encoding hardware and then to pass on the encoded audio to the authoring stage of the project. However, with Nuendo the whole process of encoding 5.
STEINBERG NUENDO SURROUND EFFECTS PROCESSING COMPUTER AUDIO Nuendo Surround Edition— Eight-channel Real-time Surround Tools The Nuendo Surround Edition is a collection of 6 surround real-time effect plug-ins designed for daily use in media production work. Offering up to eight channels of compression, equalization, loudness maximization, reverberation, and LFE management, the Surround Edition is the perfect choice for anyone with multi-channel mixing needs.
STEINBERG WAVELAB 4.0 1018 COMPUTER AUDIO The Standard in Digital Audio Editing Professional audio editing and mastering software for Windows, WaveLab 4.0 can handle almost any audio editing task—be it sound design, high-quality mastering, internet audio, multimedia applications, and preparing audio for broadcasting or computer telephony. Combining easy-to-use stereo editors with a wealth of mastering features, WaveLab 4.
STEINBERG WAVELAB 4.
STEINBERG MASTERING EDITION By Spectral Design 1020 COMPUTER AUDIO The Complete VST Mastering Solution Every recording deserves to be mastered. Without mastering, a mix can sound dull and lifeless. Single tracks sometimes do not fit together with other tracks because of differences in the dynamics or the frequency characteristics.
STEINBERG ME SpectroGraph By Spectral Design and The ME PhaseScope and ME SpectroGraph round off the Steinberg Mastering Edition with two display-components indispensable for mastering work. The ME PhaseScope is a Goniometer with integrated correlation meter. The ME SpectroGraph displays a spectral plot as a real-time sonogram, which gives precise verifications of even the smallest detail in the recording.
STEINBERG GRM TOOLS COMPUTER AUDIO Real-Time Sound Manipulation Plug-In Collections 1022 GRM Tools is collection of eight unique plug-ins for VST by the Musical Research Group (GRM) at the Institute National de l'Audiovisuel in Paris. Famous for their research into sound processing tools, the possibilities offered by the GRM Tools collection goes far beyond ordinary filter, auto panning or chorus effects.
STEINBERG WARP VST Virtual Guitar Amp Collection FEATURES ◆ Each amp and cabinet model reproduces the same sound altering components of the hardware originals ◆ Full automation capabilities ◆ Gives you total control over a guitar sound even after the guitarist has left the studio. ◆ Extremely low latency thanks to Steinberg's ASIO technology.
STEINBERG HALION 2.0 COMPUTER AUDIO 32-bit Virtual VST Sampler What’s your dream sampler? A sampler that is seamlessly integrated into your computer. No rack space, no MIDI or audio cabling mess, no set up problems. Total recall inside each song you do. Up to 16 instruments at a time, assignable to 4 stereo, 4 mono and 5.1 surround outputs – giving you a total of 18 outputs. Easiest handling thanks to drag & drop. Pristine sound quality achieved through 32-bit/96kHz support.
STEINBERG HALION 2.0 Streaming of samples from disc: GBs of sounds independent of RAM limitations ◆ MegaTrigg function to activate samples via controllers or keys and trigger them with NoteOff or Pedal command for perfect GIGA import ◆ Unprecedented navigation system (diagonal using a virtual “Navigation-ball”) and drag and drop makes working with your samples faster and easier than ever. ◆ HALion 2.0 includes 4 CDs with over 1.
STEINBERG LM•4 MARKII 1026 COMPUTER AUDIO 32-bit VST Drum Module —The Ultimate Drum Machine The LM•4 MarkII, a VST plug-in, recreates another of the classic beat-boxes of the early 80’s. Heard on many a hit record of that period, the original was way too expensive for most musicians. Today, Steinberg delivers a virtual recreation at a fraction of the price. This was also achieved while combining intuitive handling and maximum performance yet keeping CPU load to a minimum.
STEINBERG MODEL•E Classic Virtual Analog Synthesizer ◆ Exclusive sound banks created by synth gurus Hubertus MaaB and Wolfram Franke ◆ Make your own sound banks. Model•E sounds richly analog, but offers sample accurate timing for dynamite precision.
STEINBERG 1028 COMPUTER AUDIO PPG WAVE 2.V In the 80s, the PPG synthesizers and their wavetable synthesis technology could be heard on countless records. Their distinctive sound was an important influence in many music styles. With the PPG Wave 2.V, Waldorf and Steinberg offer an authentic recreation of the legendary PPG Wave 2.3 synthesizer as a VST instrument. That classy PPG sound is now more affordable than ever and can be seamlessly integrated into today’s computer-based production environments.
STEINBERG VIRTUAL GUITARIST VST Rhythm Guitarist ◆ Intelligent fret noise for 100% authentic guitar sound ◆ Follows the tempo of your song ◆ Flexible real-time variation (sound, phrasing) with keyboard, mod wheel, Aftertouch, Velocity ◆ Includes a variety a popular guitar sounds, phrasing and styles including Spanish, Steel String, Resonator, Clean Strat, Wah, power chords and ultra metal ◆ Playable through MIDI, this VSTi creates authentic, professional guitar tracks for all styles—from country to meta
STEINBERG GROOVE AGENT 1030 COMPUTER AUDIO VST Virtual Drummer Groove Agent is a stunning VSTi that provides you with ready-to-go drum rhythms in only a few mouse clicks. Groove Agent can play the hottest, most popular and influential styles from the past 50 years of music history inside your VST host application. Based on quality drum samples most of which were recorded especially to analog tape, Groove Agent puts a top studio drummer at your fingertips.
STEINBERG XPHRAZE VST Phrase Synthesizer ◆ ◆ ◆ ◆ 4-part multi-timbral polyphonic phrase synthesizer, full loop and tempo-sync capability (phrase oscillators, envelopes and LFOs). Each Timbre consists of: Phrase Oscillator (32 cells) with individual note resolution, amp section and multimode filter (lowpass, high-pass, band-pass and notch filters with 12-72 dB slopes) with freeform loopable envelopes, two additional freeform loopable auxiliary envelopes, two freeform LFOs, arpeggiator, unison mode.
COOL BREEZE SYSTEMS 1032 COMPUTER AUDIO COOL SCHOOL INTERACTUS CD-ROMs Software and Hardware Media Systems for the Creative Mind Cool Breeze’s CSI (Cool School Interactus) series of CD-ROMs provide an easy-to-use and intuitive learning environment. The structure of the CSi CD-ROMs allows the user to go at his own pace. A flexible interface encourages each user to customize his learning path depending on his personal needs and desires.
COOL BREEZE SYSTEMS COOL SCHOOL INTERACTUS CD-ROMs Vol. 6 Digital Performer V3 Whether you’re driving Pro Tools FREE, Mbox, Digi001, Digi003, or a big bad phat TDM rig, this CD will help you get the most out of your Pro Tools system. Sit down with a DAW pro and learn about the new features available in Pro Tools 5. This CD includes screen element definitions with clickstate pop-up simulations for the Edit Window, Mix Window, Transport and Menus.
