2019

Table Of Contents
COLOR, OPACITY, AND DROP SHADOWS
330 | A Guide to QuarkXPress 2019
specify source color spaces for named colors; and indicate underlying color spaces
for inks. The output setups specify output profiles and color models, and configure
proofing options for simulating different types of output on screen.
The color management experience for users
You have many options for how you work: You can work with proven default
settings, implement source setups and output setups from a color expert, or work
within a legacy color management environment.
Working in the default color management environment
The default settings are designed to provide accurate previews and excellent output
in the majority of situations. You do not need to set anything, but if you want to
look at the default settings, you can check the Display and Color Manager
selections in the Preferences dialog box (QuarkXPress/Edit menu).
Specifying a monitor profile
The Display pane shows the monitor profile in use. The default setting, Automatic,
refers to the current monitor recognized by Mac OS X or Windows. You can choose a
different profile from the Monitor Profile drop-down menu. You might change the
default monitor profile, for example, if you have a custom profile for your monitor
or if you’re switching between a laptop and a desktop computer and want to
simulate the same viewing environment.
Specifying a source setup
The Color Manager pane’s Source Options area shows the default source setup,
QuarkXPress Default, which provides the most recent, proven color management
environment. If you prefer the color management environment from a version of
QuarkXPress prior to 7.0, you can choose QuarkXPress Emulate Legacy from the
Source Setup drop-down menu.
Specifying a default proof output setup
To specify a default output setup for viewing color in Print layouts, choose an
option from the Proof Output drop-down list.
Specifying a rendering intent
The Rendering Intent drop-down menu shows the method used for converting
colors from one color space to another. The default setting, Relative Colorimetric,
retains colors that are in both the source gamut and the destination gamut. The
only source colors that are changed are those that are not within the destination
gamut. Depending on the type of jobs you work on — for example, if the emphasis
is on line art and Pantone colors rather than on photographs — you may want to
choose a different option from the Rendering Intent drop-down menu.