Specifications

50
LOUDSPEAKERS
in the horizontal. With the shutter closed, the
enclosure can be used as a wide coverage 150°H x
50°V utility fill speaker.
Internal Angle Adjusters
In addition to the generous upstage
coverage of the CSM waveguide,
special integral hardware provides
up to an additional 15°, in 1°
increments, of angle to the
enclosure to gain more extreme
upstage coverage.
Hidden and Protected Connectors
One of the problematic conditions that have long
plagued most stage monitor designs is the location of
the input and output speaker connections. If they are
located on the sides, they can often be in the way
when placing multiple monitors side by side. If they
get mounted on the down-stage side (facing the
audience), they tend to become unsightly and
cluttered in view from the
audience. If they are placed on
the up-stage side (facing the
musician), they tend to wind up
under the performers feet and
often get damaged or broken
during performances.
CSM Series
Concert Stage Monitor Systems
Concert Systems
CSM10 | CSM12 | CSM15
The CSM Series are “system packages” comprised
of stage monitor loudspeakers, proprietary digital
processing and high-power amplifiers in a tightly
integrated design that offers the highest output to
size ratio of any premium brand stage monitor on
the market to date. Combining elegant industrial
design with state of the art driver and waveguide
technology, these very low-profile wedges embody
all the contemporary attributes asked for by today’s
most demanding monitor engineers. Achieving all this
requires very specific power and digital processing.
The amazing performance of the CSM models is a
result of extensive and sophisticated application of
digital signal processing. The processing algorithms
can not be readily replicated on other DSP platforms.
CSM Series are designed only for use with the
appropriate QSC processing using a digital controller
from the QSControl.net™ series of processors.
Selectable Coverage Pattern
CSM monitors utilize a selectable pattern control
“shutter” system that enables the user to limit the
amount of high-frequency energy spilling over into the
audience, while increasing its upstage coverage angle.
By opening the shutter, the vertical coverage is
converted to an asymmetrical pattern of +45° and
-75° off axis, while maintaining a nominal 50° pattern