Hi-Fi Choice, 4.5 Stars, Recommended Award
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Acoustics recently launched
its Q Active range of
speakers, packed with wi-,
voice control and other
zeitgeist-surng digital features. The
speakers are pretty expensive, though,
starting at £1,500 for the entry-level
Active 200, so the company has
produced a more affordable alternative
in the shape of the M20, which comes
in at barely one quarter of the price.
It is designed with a focus on
versatility, the company describing it as
a general-purpose system for: “music,
movies and gaming”. That versatility
begins with the compact design of the
twin speakers, which are small enough
to sit easily on a bookshelf, on either
side of a TV or even on a desk alongside
a computer. The build quality doesn’t
reveal any obvious indications of
compromise, with smart, matte-black
cabinets, smoothly curved corners
and sturdy and rigid construction
that uses Q Acoustics’ proprietary
‘point-to-point’ bracing in order to
reduce vibration and distortion.
Join the Q
This bookshelf speaker provides attractive
sound and connectivity at a competitive
price. Cli Joseph just wishes it had wi-i
Each speaker includes a 22mm
decoupled tweeter, 125mm midrange
driver and a passive bass radiator,
providing a claimed 65W output (per
cabinet) and frequency response of
55Hz-22kHz. The entire system is
controlled and driven by the primary,
powered speaker, which houses the
130W amp and provides pass-through
power for its matching passive partner.
The power cable provided for the
primary speaker is 1.8m, while the one
that connects to the passive speaker is
4m. One nice touch is the switch on the
back of the primary cabinet that lets
you assign it to either the left or right
stereo channel, so you shouldn’t have
any problems nding a convenient
power socket when setting up. There’s
an EQ switch as well, which lets you
adjust the bass output depending on
whether placement is close to a wall, in
a corner or in a free-standing position
on a desk or using the optional stands
(£160). And, mindful of that 55Hz
low-end, there’s additionally a rather
handy subwoofer output.
The M20 provides an impressive set
of connectivity features for a system at
this price, with RCA stereo input and
3.5mm aux-in. Digital connections
include USB-B and optical, both of
which support 24-bit/192kHz. The use
of a USB-B connector is a little odd,
though, especially now that most
computers and mobile devices have
adopted the newer USB-C. Many
people may need to buy a suitable
adapter if they want to use this input
– although Q Acoustics probably
assumes that owners of mobile devices
will take the easy option with 3.5mm
cables or just go completely wireless
and use Bluetooth instead.
The M20 works well here too,
including aptX HD with support for
24-bit/48kHz audio via Bluetooth, as
well as the less well-known aptX Low
Latency, designed to enhance audio/
video sync for gaming or streaming
video. And, for Apple devices, it
supports the AAC Bluetooth codec.
The real oddity is that this Wireless
Music System doesn’t actually support
wi-. Q Acoustics says that this is
to keep the M20 down to a highly
affordable price point and to keep it
Q
DETAILS
PRODUCt
Q Acoustics M20
ORigin
UK/China
tyPE
Bluetooth
standmount
loudspeakers
WEigHt
Powered
speaker: 5.5kg
Passive
speaker 5.1kg:
DiMEnSiOnS
(WxHxD)
170 x 279 x 296mm
FEAtURES
l
1x 22mm tweeter
l
1x 125mm
mid/bass driver
l
Inputs: RCA;
3.5mm aux;
USBB; optical
l
Bluetooth 5.0;
aptX HD/Low
Latency; AAC
DiStRiBUtOR
Armour Home
WEBSitE
qacoustics.co.uk
The M20 can lex its
muscles and displays
a ine balance of
power and restraint
Q Acoustics
M20 £400
simple and easy to use. It’s true that this
would add both cost and complexity,
but if I’m listening to the new Abba
album on my iPad I’d really prefer
the convenience and quality of wi-
streaming. The sluggish response of the
remote control when adjusting volume
levels doesn’t particularly help here
either, leaving me wishing for more
direct control via wi-.
Sound quality
The M20 starts impressively, as I use
the USB connection to play the MQA
Master version of Max Richter’s The
Waves from Tidal on my laptop. A
dramatic crash of waves immediately
sets the scene, panning from speaker
to speaker and laying claim to a wide,
open soundstage that lls the room.
The waves murmur all around, but
Gillian Anderson’s voice is planted
rmly centre stage as she begins
reading from the letters of Virginia
Woolf. There’s an almost crystalline
clarity to the electronic chimes that fade
in behind Anderson’s reading, but
there’s a sharp edge to them too,
creating a sense of unease.
The M20 handles the languid
introduction of the strings with great
restraint, the sound swelling so gently
that it almost merges with the whisper
of the waves. But it can also ex its
muscles and for the next 15 minutes
displays a ne balance of power and
restraint as the entire Deutsches
Filmorchester and the piercing cries of
soprano Grace Davidson slowly build to
a dramatic climax. The sound quality is
excellent, but it’s the sense of balance
and tension between all the sonic
elements that really makes an impact.
Switching from the concert hall to the
coffee house, the speaker adopts a
more intimate tone as I look to Damien
Rice’s Eskimo. The M20 pours itself a
latte and kicks back as Rice begins the
gentle acoustic strumming, catching
all the little nger scratches and
breathy whisper of his vocals. It’s a
relaxed, warm sound, but when the
bittersweet tones of the cello and violin
enter on the chorus the M20 is easily
able to ll the room and make it feel
like a laid-back live performance. And,
of course, there’s the song’s gonzo
operatic nale, with soprano Doreen
Currren belting away in Finnish.
The speaker reveals its power here,
unleashing Curren’s roof-rattling
vibrato in all its glory, and even at 50
percent volume I leap for the mute
button – cursing the sluggish volume
control again – to avoid disturbing
the neighbours. The operatic bombast
does get a little fuzzy around the edges
when I switch to a wireless Bluetooth
connection, but that’s more due to the
low-, home-studio recording of the
original album than anything else. And,
when I return to Richter’s more slickly
produced The Waves again, I struggle to
spot any real loss in quality via the
wireless connection.
After all that drama, I decide to head
for my comfort zone with the 2001
remaster of Blondie’s Rapture. That
opening cymbal crash and the
pace-setting drum beat are delivered
with a crisp brevity that immediately
draws you in, but the M20 can still
relax enough to leave room for the
jangling rhythm guitar that chugs
away in the background. The detail
is impressive, catching the light hand
claps and rattling cowbell that deftly
accompany Debbie Harry’s proto-rap
towards the end of the song.
I’m pleased to nd that the M20
handles the pacey bass riff on Rapture
nicely too, and lands a decent punch
with the bouncing electronic bass that
opens Billy Eilish’s Bad Guy. However,
the slower, more menacing bass effects
that close the song feel a little weak,
while the really deep electronic effects
of Prime Evil by The Orb sound
decidedly unthreatening and remind
me that the subwoofer output on the
back panel is there for a reason.
Conclusion
Even so, the sheer precision and
balance of Q Acoustics’ M20 are still
impressive for such an affordable
speaker system, and its versatile
Bluetooth and wired inputs mean that
it’s well equipped to form part of a
wider entertainment system that also
encompasses lm, video and gaming
l
LIKE: Precise,
balanced sound;
wide range of inputs
DISLIKE: Bass could
be stronger; no wi-i;
slow remote control
WE SAY: Even without
wi-i, the M20 still
provides attractive
sound quality and
good value for money
OUR vERDiCt
SOUND QUALITY
VALUE FOR MONEY
BUILD QUALITY
EASE OF DRIVE
OVERALL
Q Acoustics
M20 £400
A pair of Sonos One
(HFC 470) smart
speakers cost the
same price as the
M20 and rely
entirely on wi-i
while lacking
Bluetooth or wired
inputs. The Sonos
app supports an
unrivalled selection
of online music
services and also
allows you to pair
two speakers
together for stereo
sound. However,
the M20 wins
hands-down on
sound quality and
its combination of
Bluetooth, aptX HD
and wired inputs
make it a better
choice to form part
of a wider system.
in SigHt
1
RCA inputs
2
Subwoofer output
3
Left/right selector
4
3.5mm aux input
5
Rear-facing
bass port
6
USBB input
7
Optical input
6
1
4
5
7
3
2
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