User Manual
32. FUSE HOLDER/IEC MAINS RECEPTACLE: The console is connected to the mains via the
supplied cable, which meets the required safety standards. Blown fuses must only be
replaced by fuses of the same type and rating. The mains connection is made via a cable
with IEC mains connector. An appropriate mains cable is supplied with the equipment.
33. MAIN OUT (L,R) Jacks: These jacks deliver the mixer's stereo output. Use these jacks to
connect power amplier to your main speakers.
34. RETURN Jacks: These are unbalanced phone-jack type line inputs. These jacks are typically
used to receive the signal returned from an external eect device (reverb, delay, etc.).
35. AUX2 Output Jack: This AUX2 output is a ¼” TS jack. This AUX2 output is the sum of the
signals sent from each channel. If a particular channel's AUX2 control knob (refer to
numeral 3 in section CHANNEL INPUT on page 9) is fully turned down, that channel is not
contributing to the AUX2 output signal.
36. AUX1 Output Jack: This AUX1 output is a ¼” TS jack. This AUX1 output is the sum of the
signals sent from each channel. If a particular channel's AUX1 control knob (refer to
numeral 3 in section CHANNEL INPUT on page 9) is fully turned down, that channel is not
contributing to theAUX1 output signal.
37. Input jacks: These are balanced XLR-type microphone input jacks. (1: Ground; 2: Hot;
3: Cold)
38. LINE Input Jacks (monaural channels): These are balanced TRS phone-jack line inputs.
(T: Hot; R: Cold; S: Ground). You can connect either balanced or unbalanced phone plugs
to these jacks.
www.PyleUSA.com
15
www.PyleUSA.com
16
4/6/8/12/16 Input Channel Mixer, New Multi-
Voltage Power Supply for Worldwide Use
4/6/8/12/16 Input Channel, Powered Mixer
• Built-in Wireless BT connects the mobile phone
or in other BT player
• Built-in MP3 player that supports variety of
music formats
• Connect the computer to record and play music
• Digital DSP, 16 Multi-FX effects
• Ultra -musical 3-band EQ on all channels
• Peak LED all Channels
• High accurate level indicator
• Phantom power switch (+48V )
• Sealed rotary controls to resist dust and grime
• Rugged steel chassis
1. MIC Input jacks: These are balanced XLR-type microphone input
jacks. (1 :Ground; 2: Hot; 3: Cold)
2. LINE Input Jacks (monaural channels): These are balanced TRS
phone-jack line inputs. (T: Hot; R: Cold; S: Ground). You can connect
either balanced or unbalanced phone plugs to these jacks.
3. GAIN Control: Adjusts the input signal level. To get the best balance
between the S/N ratio and the dynamic range, adjust the gain so that
the PEAK indicator only occasionally and briey on the highest input
transients. The -60 to +10 scale is the MIC input adjustment range.
The 40 to +10 scale is the LINE input adjustment range.
4. Equalizer 3 (HIGH, MID and LOW): This three-band equalizer adjusts
the channel's high, mid and low frequency bands. Setting the knob to
the “0” position produces a at response in the corresponding band.
Turning the knob to the right boosts the corresponding frequency
band, while turning to the left attenuates the band.
5. AUX Control: Used to adjust the output to AUX pin signal level.
6. FX Control: Adjusts the level of the signal sent from the channel to
the FX SEND buses.
7. PEAK LED: The PEAK LED lights up when the input signal is driven too
high. If this happens, back o the TRIM control and, if necessary, check
the EQ channel setting.
8. PAN Control: The PAN control determines the position of the channel
signal within the stereo image. When working with subgroups, you
can use the PAN control to assign the signal to just one output, which
gives you additional exibility in recording situations.
9. MUTE SWITCH: The MUTE switch breaks the signal path pre-channel
fader, hence muting that channel in the main mix. The aux sends
which are set to post-fader are likewise muted for that channel, while
the pre-fader monitor paths remain active irrespective of whether the
channel is muted or not.
10. PFL SWITCH: The PFL switch is used to route the channel signal to
the the PFL bus (Pre Fader Listen). This enables you to listento a
channel signal without aecting the main output signal. The signal
you hear is taken either be fore the pan control (PFL, mono).
11. CHANNEL FADER: Adjusts the channel signal level. Use these faders
to adjust the balance between the various channels.
12. TAPE INPUT/OUTPUT SOCKET: The TAPE IN jacks (on stereo RCA)
allows the connection of play-back devices such as CD players, etc.
Use the TAPE OUT Jacks to connect, for example, a tape deck for
recording applications.
13. AUX/RETURN JACKS: These are unbalanced phone-jack type line
inputs. These jacks are typically used to receive the signal returned
from an external eect device (reverb, delay, etc.). These pins can be
connected, such as the eect of external equipment.