Specifications
Table Of Contents
- Table of Contents
- The Sequencer
- Routing Audio and CV
- Routing MIDI to Reason
- Using Reason as a ReWire Slave
- MIDI and Keyboard Remote Control
- Synchronization
- Optimizing Performance
- Transport Panel
- Reason Hardware Interface
- The Mixer
- Redrum
- Subtractor Synthesizer
- Malström Synthesizer
- NN-19 Sampler
- NN-XT Sampler
- Introduction
- Panel Overview
- Loading Complete Patches and REX Files
- Using the Main Panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting Parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, Crossfaded and Velocity Switched Sounds
- Using Alternate
- Sample Parameters
- Group Parameters
- Synth parameters
- Connections
- Dr. Rex Loop Player
- Matrix Pattern Sequencer
- ReBirth Input Machine
- BV512 Vocoder
- The Effect Devices
- Common Device Features
- Scream 4 Sound Destruction Unit
- RV7000 Advanced Reverb
- RV-7 Digital Reverb
- DDL-1 Digital Delay Line
- D-11 Foldback Distortion
- ECF-42 Envelope Controlled Filter
- CF-101 Chorus/Flanger
- PH-90 Phaser
- UN-16 Unison
- COMP-01 Auto Make-up Gain Compressor
- PEQ-2 Two Band Parametric EQ
- Spider Audio Merger & Splitter
- Spider CV Merger & Splitter
- Menu and Dialog Reference
- About Audio on Computers
- MIDI Implementation
- Index
MIDI AND KEYBOARD REMOTE CONTROL
56
Editing MIDI Remote Mapping
1. To get an overview of which parameters are MIDI remote controlla-
ble select “Edit MIDI Remote Mapping” from the Options menu.
When done, each device you select will show a green arrow symbol beside
every parameter that can be assigned a MIDI remote.
A section of a mixer with MIDI Remote enabled.
2. If you click on a assignable parameter, a dialog appears allowing
you to select a MIDI controller (or a Note number) to control that
parameter.
Note numbers function exactly like Keyboard remote - they can only control
on/off or min/max values (see page 57).
The MIDI Remote dialog.
3. Make sure that the “Learn from MIDI Input” box is ticked.
4. Simply turn the knob (or slider etc.) that you wish to use to remote
control the parameter.
The “MIDI Received” field momentarily flickers as you turn the knob, and
then the dialog shows the controller number and the channel it is transmitted
on.
5. Click “OK” to exit the dialog.
The selected parameter now has a tag, displaying the controller number, and
the MIDI channel used.
6. To exit Edit MIDI Remote Mapping mode, deselect it from the Op-
tions menu.
You do not always have to use this method - see below.
About the two Edit MIDI Remote Mapping Modes
If Edit MIDI Remote Mapping is enabled (ticked) on the Options menu, assigned
parameters are “tagged”, and the arrow indicators show the assignable parame-
ters. In this mode, however, you cannot operate Reason normally, as every pa-
rameter you click on will open the MIDI Remote dialog. The Edit mode is
primarily for overview of available parameters and the current assignments.
D Another way to assign keyboard remote commands is to have “Edit
MIDI Remote Mapping” deselected on the Options menu, and to
simply [Ctrl]-click (Mac) / right-click (PC) the parameter you wish to
remote control.
This opens a pop-up menu, where one of the options will be “Edit MIDI Re-
mote Mapping”. Selecting this opens the MIDI Remote dialog. Thus, you do
not have to select Edit mode from the Options menu if you already know that
a parameter is free and assignable.