Specifications
Table Of Contents
- Table of Contents
- The Sequencer
- Routing Audio and CV
- Routing MIDI to Reason
- Using Reason as a ReWire Slave
- MIDI and Keyboard Remote Control
- Synchronization
- Optimizing Performance
- Transport Panel
- Reason Hardware Interface
- The Mixer
- Redrum
- Subtractor Synthesizer
- Malström Synthesizer
- NN-19 Sampler
- NN-XT Sampler
- Introduction
- Panel Overview
- Loading Complete Patches and REX Files
- Using the Main Panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting Parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, Crossfaded and Velocity Switched Sounds
- Using Alternate
- Sample Parameters
- Group Parameters
- Synth parameters
- Connections
- Dr. Rex Loop Player
- Matrix Pattern Sequencer
- ReBirth Input Machine
- BV512 Vocoder
- The Effect Devices
- Common Device Features
- Scream 4 Sound Destruction Unit
- RV7000 Advanced Reverb
- RV-7 Digital Reverb
- DDL-1 Digital Delay Line
- D-11 Foldback Distortion
- ECF-42 Envelope Controlled Filter
- CF-101 Chorus/Flanger
- PH-90 Phaser
- UN-16 Unison
- COMP-01 Auto Make-up Gain Compressor
- PEQ-2 Two Band Parametric EQ
- Spider Audio Merger & Splitter
- Spider CV Merger & Splitter
- Menu and Dialog Reference
- About Audio on Computers
- MIDI Implementation
- Index
ROUTING MIDI TO REASON
42
About the Various MIDI
Inputs
All MIDI Inputs are set up in the Preferences-MIDI and Preferences-Advanced
MIDI dialogs This chapter describes the various ways you can set up how in-
coming MIDI is received.
Sequencer Input
This is set in the Preferences-MIDI dialog. The Sequencer is the “standard” port
for receiving MIDI input. This is what you should be using if you intend to use the
Reason sequencer.
Once you have selected your MIDI interface on the Sequencer Port pop-up (and
which channel it should receive on), you can direct incoming MIDI to any device
by just clicking the “In” column to the left of a track name in the track list.
External Control Bus Inputs
This is set in the Preferences-Advanced MIDI dialog. The External Bus inputs
provide up to 64 MIDI input channels divided into four buses, each with 16
channels.
D These MIDI inputs are primarily for controlling Reason Devices from
an external sequencer.
This could be an external hardware sequencer or sequencer software that is in-
stalled on the same computer as Reason. You should preferably use a multiple
port MIDI interface, so you can select separate ports for Reason and the other
MIDI devices to use, although this isn’t strictly required. See “Sending MIDI Data
to Reason” below for further information.
Remote Control and MIDI Clock Input
These are set in the Preferences-Advanced MIDI dialog.
• The Remote Control input is used for assigning a MIDI port for receiving
MIDI Controller messages for “live” remote control. How to use Remote
Control is described in the chapter “MIDI and Keyboard Remote Control”.
• Using MIDI Clock, you can slave (synchronize) Reason to hardware devices
(tape recorders, drum machines, stand alone sequencers, workstations etc.)
and other computer programs running on the same or another computer.
MIDI Clock is a very fast “metronome” that can be transmitted in a MIDI Ca-
ble. As part of the MIDI Clock concept there are also instructions for Start,
Stop and locating to sixteenth note positions.
D By first selecting the appropriate MIDI input using the MIDI Clock
pop-up and then selecting “MIDI Clock Sync” on the Options menu,
Reason is ready to receive MIDI Clock sync.
See the “Synchronization” chapter for more information.