Specifications
Table Of Contents
- Table of Contents
- The Sequencer
- Routing Audio and CV
- Routing MIDI to Reason
- Using Reason as a ReWire Slave
- MIDI and Keyboard Remote Control
- Synchronization
- Optimizing Performance
- Transport Panel
- Reason Hardware Interface
- The Mixer
- Redrum
- Subtractor Synthesizer
- Malström Synthesizer
- NN-19 Sampler
- NN-XT Sampler
- Introduction
- Panel Overview
- Loading Complete Patches and REX Files
- Using the Main Panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting Parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, Crossfaded and Velocity Switched Sounds
- Using Alternate
- Sample Parameters
- Group Parameters
- Synth parameters
- Connections
- Dr. Rex Loop Player
- Matrix Pattern Sequencer
- ReBirth Input Machine
- BV512 Vocoder
- The Effect Devices
- Common Device Features
- Scream 4 Sound Destruction Unit
- RV7000 Advanced Reverb
- RV-7 Digital Reverb
- DDL-1 Digital Delay Line
- D-11 Foldback Distortion
- ECF-42 Envelope Controlled Filter
- CF-101 Chorus/Flanger
- PH-90 Phaser
- UN-16 Unison
- COMP-01 Auto Make-up Gain Compressor
- PEQ-2 Two Band Parametric EQ
- Spider Audio Merger & Splitter
- Spider CV Merger & Splitter
- Menu and Dialog Reference
- About Audio on Computers
- MIDI Implementation
- Index
THE EFFECT DEVICES
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8. Adjust the Matrix 2 curve for step 1 (the only step used) so that it is
in the middle of the bipolar curve as the picture shows.
9. If you now activate Play from the transport, the pattern you pro-
grammed for Matrix 1 is played back. By carefully adjusting the Ma-
trix 2 Curve step 1 up or down the Matrix 1 pattern is transposed in
semitone steps.
By programming different values for the “pattern” played by Matrix 2 and
saving them in different pattern locations, you can use the Pattern selectors
to transpose the Matrix 1 pattern to different keys!
Splitting CV
On the right half of the back panel you will find two split inputs “A” and “B”, each
with four output connectors. The signal connected to a Split input will be output
by all four corresponding outputs, where one is inverted.
Practical uses of splitting CV
There are many practical uses of splitting CV signals - here are a few examples:
D Connecting the CV Note and CV Gate outputs from a Matrix to Split
Input A and B, allows you to connect the Matrix to several instru-
ment devices.
Simply route the CV and Gate outputs to the corresponding Sequencer
Control CV/Gate inputs on the instrument devices. Although this could also
be done by copying the Matrix Pattern data to several sequencer tracks and
routing the outputs to the desired devices, the advantage by using Split is if
you are editing Matrix pattern data this will be immediately be reflected in all
the connected devices, without any copy/paste operations.
D Splitting modulation outputs from LFO’s, Curve CV data etc. allows
you to apply modulation from one source to several parameters.
By using the inverted output, you can create interesting modulation cross-
fades, where one parameter value rises and another parameter value is low-
ered for example.
Two CV Split Inputs (A &
B).
Each of the two Split inputs
provide four Split outputs. The
lower right Split outputs will
produce an inverted CV signal.