Specifications

THE EFFECT DEVICES
235
Multi Tap
The Multi Tap delay produces up to four different delays with separate delay
times, panning and level. The whole set of four delay taps can then be repeated
at a given rate. Again, the Decay control on the main panel controls the feedback
(the number of repeats for the whole multi tap set). All delay times can be tempo
synced.
Note: this algorithm is handled a bit differently since you make separate settings
for each delay tap:
• The parameters to the left of the display are common for all taps.
• You use the Edit Select parameter in the top right corner to select which tap
to make settings for - the three parameters below affect the currently se-
lected tap.
Tap 2 selected for editing.
• You can also set Edit Select to “Repeat Tap” - this is where you specify the
repeat time for the whole multi tap “package”.
With short Repeat times, the first tap may be repeated before the last tap
has sounded. This can be used to create very complex multiple delay effects.
The common parameters (to the left) are:
When Tap 1 - 4 is selected with the Edit Select parameter, you can make the fol-
lowing settings for the selected delay tap:
When Repeat Tap is selected with the Edit Select parameter, there is only one
parameter to the right in the display:
Reverse
The Reverse reverb algorithm in RV7000 is special in that it actually “moves” the
source audio as well. Sounds fed into the Reverse reverb are “sampled”, a re-
verse reverb is created and played back and finally the “sampled” original sound
is played back. For example, if you feed a snare drum hit into the Reverse reverb,
you will hear a rising “backwards” reverb, followed by the snare drum hit.
Therefore, you probably don’t want to hear the first, original (dry) sound. There
are two ways to set this up:
D Connect the RV7000 as an insert effect and make sure the Dry/Wet
control on the main panel is set fully to “Wet”.
D Connect the RV7000 as a send effect using send 4 on the Mixer, ac-
tivate the Prefader (P) switch for the send and lower the mixer fader
completely for the source signal.
That way, the signal will be sent to the reverb but the dry sound from the
Mixer channel isn’t heard. Again, the Dry/Wet control on the reverb should
be set to “Wet”.
Note:
| Parameter | Description
Tempo Sync Determines whether the delay times and repeat times should
be freely set (“off”) or synchronized to Reason’s tempo
(“on”).
Diffusion Raising the Diffusion setting will introduce additional echoes
very close to the “main” repeats, causing a “smeared” delay
sound.
LF Damp Controls how quickly the low frequencies should decay in
the echoes. Raise it to gradually remove low frequencies.
| Parameter | Description
Tap delay Sets the delay - the time from the source signal to the tap.
When Tempo Sync is off, the delay time is set in millisec-
onds (10 - 2000 ms); when Tempo Sync is on you set the
delay as a number of 1/16 notes or 1/8 triplet notes, in rela-
tion to the current song tempo.
Tap level Adjusts the level of the selected tap.
Tap pan Adjusts the pan of the selected tap.
| Parameter | Description
Repeat Time Sets the time between each repeat of the whole multi tap
set. The number of repeats is set with the Decay control on
the main panel.
When Tempo Sync is off, the repeat time is set in millisec-
onds (10 - 2000 ms); when Tempo Sync is on you set the
repeat time as a number of 1/16 notes or 1/8 triplet notes, in
relation to the current song tempo.