Specifications
Table Of Contents
- Table of Contents
- The Sequencer
- Routing Audio and CV
- Routing MIDI to Reason
- Using Reason as a ReWire Slave
- MIDI and Keyboard Remote Control
- Synchronization
- Optimizing Performance
- Transport Panel
- Reason Hardware Interface
- The Mixer
- Redrum
- Subtractor Synthesizer
- Malström Synthesizer
- NN-19 Sampler
- NN-XT Sampler
- Introduction
- Panel Overview
- Loading Complete Patches and REX Files
- Using the Main Panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting Parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, Crossfaded and Velocity Switched Sounds
- Using Alternate
- Sample Parameters
- Group Parameters
- Synth parameters
- Connections
- Dr. Rex Loop Player
- Matrix Pattern Sequencer
- ReBirth Input Machine
- BV512 Vocoder
- The Effect Devices
- Common Device Features
- Scream 4 Sound Destruction Unit
- RV7000 Advanced Reverb
- RV-7 Digital Reverb
- DDL-1 Digital Delay Line
- D-11 Foldback Distortion
- ECF-42 Envelope Controlled Filter
- CF-101 Chorus/Flanger
- PH-90 Phaser
- UN-16 Unison
- COMP-01 Auto Make-up Gain Compressor
- PEQ-2 Two Band Parametric EQ
- Spider Audio Merger & Splitter
- Spider CV Merger & Splitter
- Menu and Dialog Reference
- About Audio on Computers
- MIDI Implementation
- Index
BV512 VOCODER
211
Setting up for basic
vocoding
This tutorial describes how to connect and use a typical vocoder setup. We as-
sume here that you have a MIDI keyboard connected. For details on the param-
eters, see page 214.
1. Make sure there’s a MIxer device in the rack (with at least one free
channel).
2. Create the instrument device you want to use for the carrier signal.
This could typically be a synth or a sampler. In this example we choose a
Subtractor synthesizer.
3. Set up the carrier device for a sustaining, bright sound.
It’s important to have high frequencies in the carrier. On the Subtractor, a
simple but effective carrier sound would be based on a sawtooth wave, with
the filter fairly open. For more about choosing carrier sounds, see page 216.
4. Select the carrier device and create a BV512 Vocoder.
If you flip the rack around you will see that the Vocoder is automatically
routed as an insert effect for the carrier device (using the Carrier Input
jacks).
5. Press [Shift] and create the instrument device you want to use for
the modulator signal.
Pressing [Shift] will add the device without auto-routing it to a mixer - this
makes sense since we want to route it to the Vocoder in this case.
For a modulator device you would typically either want a sampler (with vo-
cals or speech samples), a drum machine or a Dr.Rex device (with vocal or
rhythmic loops). For simplicity we use a Dr.Rex device in this example.
6. Flip the rack around and route the output of the Dr.Rex to the Mod-
ulator Input jack on the BV512.
7. On the BV512 Vocoder, turn the Dry/Wet knob fully to the left
(“dry”).
This will let you hear the unprocessed sound of the modulator device only - useful for the
next step:
8. Load a loop into the Dr.Rex device and click the Preview button to
start playback.
For example, you could simply choose one of the Dr.Rex Drum Loops in the
Factory Sound Bank.
9. Turn the Dry/Wet knob on the vocoder fully to the right (“wet”).
Now you won’t hear anything - since there is no carrier signal.
Carrier
Vocoder
Modulator