Specifications
Table Of Contents
- Table of Contents
- The Sequencer
- Routing Audio and CV
- Routing MIDI to Reason
- Using Reason as a ReWire Slave
- MIDI and Keyboard Remote Control
- Synchronization
- Optimizing Performance
- Transport Panel
- Reason Hardware Interface
- The Mixer
- Redrum
- Subtractor Synthesizer
- Malström Synthesizer
- NN-19 Sampler
- NN-XT Sampler
- Introduction
- Panel Overview
- Loading Complete Patches and REX Files
- Using the Main Panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting Parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, Crossfaded and Velocity Switched Sounds
- Using Alternate
- Sample Parameters
- Group Parameters
- Synth parameters
- Connections
- Dr. Rex Loop Player
- Matrix Pattern Sequencer
- ReBirth Input Machine
- BV512 Vocoder
- The Effect Devices
- Common Device Features
- Scream 4 Sound Destruction Unit
- RV7000 Advanced Reverb
- RV-7 Digital Reverb
- DDL-1 Digital Delay Line
- D-11 Foldback Distortion
- ECF-42 Envelope Controlled Filter
- CF-101 Chorus/Flanger
- PH-90 Phaser
- UN-16 Unison
- COMP-01 Auto Make-up Gain Compressor
- PEQ-2 Two Band Parametric EQ
- Spider Audio Merger & Splitter
- Spider CV Merger & Splitter
- Menu and Dialog Reference
- About Audio on Computers
- MIDI Implementation
- Index
MATRIX PATTERN SEQUENCER
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Introduction
The Matrix is a pattern-based device. Matrix doesn’t generate sound on its own,
but has to be connected to another instrument device. It basically works by
sending pattern data in the form of Note CV (pitch) and Gate CV (note on/off
plus velocity) or Curve CV (for general CV parameter control) signals to a device
or device parameter. The patterns can be up to 32 steps, and there are 32 mem-
ory locations for storing pattern data. The Matrix is monophonic and can control
one voice in an instrument device.
Unlike most other devices in Reason, the user interface of the Matrix is not mod-
eled on any existing hardware equivalent. The hardware devices that could be
said to have similar functionality are analog step sequencers, which usually had
rows of knobs that controlled the note pitch and gate values for each step.
About the Three Output Types
Note and Gate CV values.
The Matrix can produce three types of output: Curve CV, Note (Key) CV and
Gate CV.
D Note CV normally controls note pitch.
When connected to an instrument device Sequencer Control input, the val-
ues correspond to semitone steps.
D Gate CV represents a note-on/off value, plus a level value (that
could be likened to velocity).
Both of these two outputs are typically connected to the Sequencer Control
Gate and CV inputs on a compatible instrument device. For example, if you cre-
ate a Matrix with either a synthesizer (Subtractor, Malström) or a sampler (NN-
19, NN-XT) selected, they will be auto-routed in this way, and will control one
voice in the device.
D Curve CV is a separate pattern, programmed separately from the
Note/Key and Gate CV.
Curve CV values (upper window).
This is useful for programming CV curves that control other parameters other
than note pitch (although you could do this too). This way you could control the
note pitch and triggering from the Key and Gate outputs for a device, then add a
second independent pattern using the Curve CV output that could control filter
cutoff for example.
It should be stressed that all three outputs can be used in any number of ways.
For example, you could use the Gate CV to trigger a drum in Redrum, or let the
Curve CV control the feedback parameter of a delay, etc.
Gate values are
entered here
Note values are
entered here