Specifications
Table Of Contents
- Table of Contents
- The Sequencer
- Routing Audio and CV
- Routing MIDI to Reason
- Using Reason as a ReWire Slave
- MIDI and Keyboard Remote Control
- Synchronization
- Optimizing Performance
- Transport Panel
- Reason Hardware Interface
- The Mixer
- Redrum
- Subtractor Synthesizer
- Malström Synthesizer
- NN-19 Sampler
- NN-XT Sampler
- Introduction
- Panel Overview
- Loading Complete Patches and REX Files
- Using the Main Panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting Parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, Crossfaded and Velocity Switched Sounds
- Using Alternate
- Sample Parameters
- Group Parameters
- Synth parameters
- Connections
- Dr. Rex Loop Player
- Matrix Pattern Sequencer
- ReBirth Input Machine
- BV512 Vocoder
- The Effect Devices
- Common Device Features
- Scream 4 Sound Destruction Unit
- RV7000 Advanced Reverb
- RV-7 Digital Reverb
- DDL-1 Digital Delay Line
- D-11 Foldback Distortion
- ECF-42 Envelope Controlled Filter
- CF-101 Chorus/Flanger
- PH-90 Phaser
- UN-16 Unison
- COMP-01 Auto Make-up Gain Compressor
- PEQ-2 Two Band Parametric EQ
- Spider Audio Merger & Splitter
- Spider CV Merger & Splitter
- Menu and Dialog Reference
- About Audio on Computers
- MIDI Implementation
- Index
DR. REX LOOP PLAYER
194
Setting Number of Voices - Polyphony
This determines the polyphony, i.e. the number of voices, or slices, Dr.Rex can
play simultaneously. For normal loop playback, it is worth noting that slices
sometimes “overlap”. Therefore, it is recommended that you use a polyphony
setting of about 3-4 voices when playing REX files. If you are “playing” slices via
MIDI, the polyphony setting should be set according to how many overlapping
slices you want to have.
! Note that the Polyphony setting does not “hog” voices. For exam-
ple, if you are playing a file that has a polyphony setting of ten
voices, but the file only uses four voices, this won’t mean that you
are “wasting” six voices. In other words, the polyphony setting is
not something you need to consider if you want to conserve CPU
power - it is only the number of voices actually used that counts.
Audio Quality Settings
These two parameters provide ways of balancing audio quality vs. conservation
of computer power.
High Quality Interpolation
When this is activated, the loop file playback is calculated using a more ad-
vanced interpolation algorithm. This results in better audio quality, especially for
loops with a lot of high frequency content.
D High Quality Interpolation uses more computer power - if you don’t
need it, it’s a good idea to turn it off!
Listen to the loop in a context and determine whether you think this setting
makes any difference.
! If you are using a Macintosh with a G4 (Altivec) processor, turning
High Quality Interpolation off makes no difference.
Low Bandwidth (BW)
This will remove some high frequency content from the sound, but often this is
not noticeable (this is especially true if you have “filtered down” your loop). Acti-
vating this mode will save you some extra computer power, if needed.