Specifications
Table Of Contents
- Table of Contents
- The Sequencer
- Routing Audio and CV
- Routing MIDI to Reason
- Using Reason as a ReWire Slave
- MIDI and Keyboard Remote Control
- Synchronization
- Optimizing Performance
- Transport Panel
- Reason Hardware Interface
- The Mixer
- Redrum
- Subtractor Synthesizer
- Malström Synthesizer
- NN-19 Sampler
- NN-XT Sampler
- Introduction
- Panel Overview
- Loading Complete Patches and REX Files
- Using the Main Panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting Parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, Crossfaded and Velocity Switched Sounds
- Using Alternate
- Sample Parameters
- Group Parameters
- Synth parameters
- Connections
- Dr. Rex Loop Player
- Matrix Pattern Sequencer
- ReBirth Input Machine
- BV512 Vocoder
- The Effect Devices
- Common Device Features
- Scream 4 Sound Destruction Unit
- RV7000 Advanced Reverb
- RV-7 Digital Reverb
- DDL-1 Digital Delay Line
- D-11 Foldback Distortion
- ECF-42 Envelope Controlled Filter
- CF-101 Chorus/Flanger
- PH-90 Phaser
- UN-16 Unison
- COMP-01 Auto Make-up Gain Compressor
- PEQ-2 Two Band Parametric EQ
- Spider Audio Merger & Splitter
- Spider CV Merger & Splitter
- Menu and Dialog Reference
- About Audio on Computers
- MIDI Implementation
- Index
DR. REX LOOP PLAYER
192
LFO Section
LFO stands for Low Frequency Oscillator. LFOs are oscillators in the sense that
they generate a waveform and a frequency. However, there are two significant
differences compared to normal sound generating oscillators:
• LFOs only generate waveforms with low frequencies.
• The output of the two LFOs are never actually heard. Instead they are used
for modulating various parameters.
The most typical application of an LFO is to modulate the pitch of a (sound gen-
erating) oscillator or sample, to produce vibrato. In the Dr.Rex device, you can
also use the LFO to modulate the filter frequency or panning.
Waveform
LFO 1 allows you to select different waveforms for modulating parameters.
These are, from top to bottom:
Destination
The available LFO Destinations are as follows:
Sync
By clicking this button you activate/deactivate LFO sync. The frequency of the
LFO will then be synchronized to the song tempo, in one of 16 possible time di-
visions. When sync is activated, the Rate knob (see below) is used for setting
the desired time division.
Turn the knob and check the tooltip for an indication of the time division.
Rate
The Rate knob controls the LFO’s frequency. Turn clockwise for a faster modu-
lation rate.
Amount
This parameter determines to what degree the selected parameter destination
will be affected by the LFO 1, i.e. the amount of vibrato, filter wah or auto-pan-
ning.
| Waveform | Description
Triangle This is a smooth waveform, suitable for normal vibrato.
Inverted
Sawtooth
This produces a “ramp up” cycle. If set to control pitch (fre-
quency), the pitch would sweep up to a set point (governed
by the Amount setting), after which the cycle immediately
starts over.
Sawtooth This produces a “ramp down” cycle, the same as above but
inverted.
Square This produces cycles that abruptly changes between two val-
ues, usable for trills etc.
Random Produces random stepped modulation to the destination.
Some vintage analog synths called this feature “sample &
hold”.
Soft Random The same as above, but with smooth modulation.
| Destination | Description
Osc Selecting this makes LFO control the pitch (frequency) of the
REX file.
Filter Selecting this makes the LFO control the filter frequency.
Pan Selecting this makes the LFO modulate the pan position of
the REX file, i.e. it will move the sound from left to right in the
stereo field.