Specifications
Table Of Contents
- Table of Contents
- The Sequencer
- Routing Audio and CV
- Routing MIDI to Reason
- Using Reason as a ReWire Slave
- MIDI and Keyboard Remote Control
- Synchronization
- Optimizing Performance
- Transport Panel
- Reason Hardware Interface
- The Mixer
- Redrum
- Subtractor Synthesizer
- Malström Synthesizer
- NN-19 Sampler
- NN-XT Sampler
- Introduction
- Panel Overview
- Loading Complete Patches and REX Files
- Using the Main Panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting Parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, Crossfaded and Velocity Switched Sounds
- Using Alternate
- Sample Parameters
- Group Parameters
- Synth parameters
- Connections
- Dr. Rex Loop Player
- Matrix Pattern Sequencer
- ReBirth Input Machine
- BV512 Vocoder
- The Effect Devices
- Common Device Features
- Scream 4 Sound Destruction Unit
- RV7000 Advanced Reverb
- RV-7 Digital Reverb
- DDL-1 Digital Delay Line
- D-11 Foldback Distortion
- ECF-42 Envelope Controlled Filter
- CF-101 Chorus/Flanger
- PH-90 Phaser
- UN-16 Unison
- COMP-01 Auto Make-up Gain Compressor
- PEQ-2 Two Band Parametric EQ
- Spider Audio Merger & Splitter
- Spider CV Merger & Splitter
- Menu and Dialog Reference
- About Audio on Computers
- MIDI Implementation
- Index
NN-XT SAMPLER
17 6
The following parameters can be modulated:
F.Freq
This sets modulation control of the Filter’s cutoff frequency (see page 179).
Mod Dec
This sets modulation control of the Decay parameter in the Modulation Envelope
(see page 180).
LFO 1 Amt
This determines how much the amount of modulation from LFO 1 is affected by
the Modulation wheel and/or the External Controller wheel. It does this by “scal-
ing” the amounts set with the three destination knobs in the LFO 1 section
(Pitch, Filter and Level, see page 182). We’ll explain this with an example:
To use the Modulation Wheel to increase pitch modulation (vibrato), proceed as
follows:
1. Turn the Mod Wheel all the way down, so that no modulation is ap-
plied.
2. Activate the “W” button for LFO 1 Amt in the Modulation section.
3. Set the corresponding knob to “12 o’clock” (zero).
4. Set up LFO 1 so that as much vibrato is applied as you want it to be
when the Modulation wheel is turned all the way up.
5. Increase LFO 1 Amt until you hear as much vibrato as you want it to
be when the wheel is turned all the way down.
If you turn LFO 1 Amt all the way up, there will be no vibrato at all when the
wheel is all the way down.
To instead use the Modulation wheel to decrease vibrato, process as follows:
1. Turn the Mod Wheel all the way down, so that no modulation is ap-
plied.
2. Activate the “W” button for LFO 1 Amt in the Modulation section.
3. Set the corresponding knob to “12 o’clock” (zero).
4. Set up LFO 1 so that as much vibrato is applied as you want it to be
when the Modulation wheel is turned all the way down.
5. Turn the Modulation wheel all the way up.
6. Decrease LFO 1 Amt until you hear as much vibrato as you want it
to be when the wheel is turned all the way up.
If you turn LFO 1 Amt all the way down, there will be no vibrato at all when
the wheel is all the way up.
F.Res
This sets modulation control of the Resonance parameter in the Filter (see page
179).
Level
This sets the amount of amplitude envelope modulation of each zone’s level. The
level set here will be the level of the highest point of the Amp Envelope.
LFO 1 Rate
This sets modulation control of the Rate parameter in LFO 1 (see page 182).