Specifications
Table Of Contents
- Table of Contents
- The Sequencer
- Routing Audio and CV
- Routing MIDI to Reason
- Using Reason as a ReWire Slave
- MIDI and Keyboard Remote Control
- Synchronization
- Optimizing Performance
- Transport Panel
- Reason Hardware Interface
- The Mixer
- Redrum
- Subtractor Synthesizer
- Malström Synthesizer
- NN-19 Sampler
- NN-XT Sampler
- Introduction
- Panel Overview
- Loading Complete Patches and REX Files
- Using the Main Panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting Parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, Crossfaded and Velocity Switched Sounds
- Using Alternate
- Sample Parameters
- Group Parameters
- Synth parameters
- Connections
- Dr. Rex Loop Player
- Matrix Pattern Sequencer
- ReBirth Input Machine
- BV512 Vocoder
- The Effect Devices
- Common Device Features
- Scream 4 Sound Destruction Unit
- RV7000 Advanced Reverb
- RV-7 Digital Reverb
- DDL-1 Digital Delay Line
- D-11 Foldback Distortion
- ECF-42 Envelope Controlled Filter
- CF-101 Chorus/Flanger
- PH-90 Phaser
- UN-16 Unison
- COMP-01 Auto Make-up Gain Compressor
- PEQ-2 Two Band Parametric EQ
- Spider Audio Merger & Splitter
- Spider CV Merger & Splitter
- Menu and Dialog Reference
- About Audio on Computers
- MIDI Implementation
- Index
NN-XT SAMPLER
157
Sample Parameters
This area shows the current values of basic parameters you can set for each
separate zone, such as root key, play mode, output etc. The parameters are
changed by using the knobs directly below the key map display.
Group Parameters
These parameters are adjusted on a per group basis (see page 174 for more in-
formation on groups). Most of them relate to performance or playing style.
Synth Parameters
The bulk of the parameters on the remote editor are used for adjusting the sound
of the samples by applying filtering, envelope shaping, modulation (like vibrato
and tremolo) and so on. We call these the synth parameters, since they are to a
large extent identical to those on a regular synthesizer.
About Samples and Zones
For a clear understanding of the terminology used when describing the various
operations that can be performed in the key map display, it is important to clarify
the distinction between a sample and a zone:
•A Sample is a piece of audio that can be loaded into the NN-XT and played
back.
•A Zone could be viewed as a “container” for a loaded sample.
All loaded samples are placed in “Zones” in the key map display. You can then
organize the zones as you please, and make various settings such as key- and
velocity ranges separately for each zone.
In other words, the settings you make are actually performed on the zones, but
affect the samples in them. Hence, when we talk about making settings for a
zone, it is synonymous with making settings for a sample - the sample that the
zone contains.
• Two or more zones can play the same sample, but with different parameter
settings, making them sound completely different.
•A zone can be empty, playing no sample at all.