Specifications
Table Of Contents
- Table of Contents
- The Sequencer
- Routing Audio and CV
- Routing MIDI to Reason
- Using Reason as a ReWire Slave
- MIDI and Keyboard Remote Control
- Synchronization
- Optimizing Performance
- Transport Panel
- Reason Hardware Interface
- The Mixer
- Redrum
- Subtractor Synthesizer
- Malström Synthesizer
- NN-19 Sampler
- NN-XT Sampler
- Introduction
- Panel Overview
- Loading Complete Patches and REX Files
- Using the Main Panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting Parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, Crossfaded and Velocity Switched Sounds
- Using Alternate
- Sample Parameters
- Group Parameters
- Synth parameters
- Connections
- Dr. Rex Loop Player
- Matrix Pattern Sequencer
- ReBirth Input Machine
- BV512 Vocoder
- The Effect Devices
- Common Device Features
- Scream 4 Sound Destruction Unit
- RV7000 Advanced Reverb
- RV-7 Digital Reverb
- DDL-1 Digital Delay Line
- D-11 Foldback Distortion
- ECF-42 Envelope Controlled Filter
- CF-101 Chorus/Flanger
- PH-90 Phaser
- UN-16 Unison
- COMP-01 Auto Make-up Gain Compressor
- PEQ-2 Two Band Parametric EQ
- Spider Audio Merger & Splitter
- Spider CV Merger & Splitter
- Menu and Dialog Reference
- About Audio on Computers
- MIDI Implementation
- Index
NN-19 SAMPLER
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Automap Samples
If you have a number of samples that belong together, but haven’t mapped them
to key zones you can use the “Automap Samples” function on the Edit menu.
This is used in the following way:
1. Select all samples that belong together and load them in one go,
using the sample browser.
One of the samples will be assigned to a key zone spanning the whole
range, and the rest will be loaded in to memory but remain unassigned.
2. Select Automap Samples from the Edit menu.
Now all samples currently in memory (assigned or unassigned) will be arranged
automatically so that:
D Each sample will be placed correctly according to its root note, and
will be tuned according to the information in the sample file.
Most audio editing programs can save root key information as part of the file.
D Each sample will occupy half the note range to the next sample’s
root note.
The root key will always be in the middle of each zone, with the zone extend-
ing both down and up in relation to the root position.
Mapping Samples Without Root Key or Tuning
Information
Some samples may not have any information about root key or tuning stored in
the file. If the file names indicate the root key you can manually set it for each
sample using the method described below. In a worst case scenario, i.e. no tun-
ing or root key information whatsoever, you can still make use of the Automap
function:
1. Select all samples that belong together and load them in one go,
using the sample browser.
One of the samples will be assigned to a key zone spanning the whole
range, and the rest will be loaded in to memory but remain unassigned.
2. Manually set the root key, and adjust the tune knob if the sample
needs fine-tuning.
Without any information stored in the file, or if the file name doesn’t indicate
the root key, you will have to use your ears for this step. Play the sample and
use another instrument or a tuner to determine its pitch.
3. Select the next sample using the Sample knob, and repeat the pre-
vious step.
Proceed like this until you have set a root key for all the samples in memory.
4. Select “Automap Samples” from the edit menu.
The samples will be automatically mapped according to their set root key po-
sitions!
How Mapping Information is Saved
All information about key zones, high and low range, root key etc. is stored as
part of the Sampler Patch. The original sample files are never altered!