Specifications
Table Of Contents
- Table of Contents
- The Sequencer
- Routing Audio and CV
- Routing MIDI to Reason
- Using Reason as a ReWire Slave
- MIDI and Keyboard Remote Control
- Synchronization
- Optimizing Performance
- Transport Panel
- Reason Hardware Interface
- The Mixer
- Redrum
- Subtractor Synthesizer
- Malström Synthesizer
- NN-19 Sampler
- NN-XT Sampler
- Introduction
- Panel Overview
- Loading Complete Patches and REX Files
- Using the Main Panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting Parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, Crossfaded and Velocity Switched Sounds
- Using Alternate
- Sample Parameters
- Group Parameters
- Synth parameters
- Connections
- Dr. Rex Loop Player
- Matrix Pattern Sequencer
- ReBirth Input Machine
- BV512 Vocoder
- The Effect Devices
- Common Device Features
- Scream 4 Sound Destruction Unit
- RV7000 Advanced Reverb
- RV-7 Digital Reverb
- DDL-1 Digital Delay Line
- D-11 Foldback Distortion
- ECF-42 Envelope Controlled Filter
- CF-101 Chorus/Flanger
- PH-90 Phaser
- UN-16 Unison
- COMP-01 Auto Make-up Gain Compressor
- PEQ-2 Two Band Parametric EQ
- Spider Audio Merger & Splitter
- Spider CV Merger & Splitter
- Menu and Dialog Reference
- About Audio on Computers
- MIDI Implementation
- Index
MALSTRÖM SYNTHESIZER
124
D Note that these knobs are bi-polar, which means that if a knob is in
the middle position, no modulation is applied. If you turn a knob ei-
ther to the left or to the right, an increasing amount of modulation
is applied to the parameter. The difference is that if you turn a knob
to the left, the waveform of the modulator is inverted.
Mod:A
Mod:A can modulate the following parameters of either oscillator:
D Pitch
Use this if you want Mod:A to offset the pitch of osc:A, osc:B, or both (see
page 121).
D Index
Use this if you want Mod:A to offset the index start position of osc:A, osc:B,
or both (see page 122).
D Shift
Use this if you want Mod:A to affect the harmonic content of osc:A, osc:B, or
both (see page 122).
Mod:B
Mod:B can modulate the following parameters of either oscillator:
D Motion
Use this if you want Mod:B to affect the motion speed of osc:A, osc:B, or
both (see page 122).
D Level
Use this if you want Mod:B to change the output level of osc:A, osc:B, or
both (see page 122).
D Filter
Use this if you want Mod:B to offset the cutoff frequency of filter:A, filter:B,
or both (see page 126).
D Mod:A
Use this if you want Mod:B to change the total amount of modulation from
Mod:A.
The Filter section
The filter section lets you further shape the overall character of the sound. Con-
tained herein are two multimode filters, a filter envelope and a waveshaper.
The Filters
Both filter:A and filter:B have the exact same parameters, all of which are de-
scribed below