Specifications
Table Of Contents
- Table of Contents
- The Sequencer
- Routing Audio and CV
- Routing MIDI to Reason
- Using Reason as a ReWire Slave
- MIDI and Keyboard Remote Control
- Synchronization
- Optimizing Performance
- Transport Panel
- Reason Hardware Interface
- The Mixer
- Redrum
- Subtractor Synthesizer
- Malström Synthesizer
- NN-19 Sampler
- NN-XT Sampler
- Introduction
- Panel Overview
- Loading Complete Patches and REX Files
- Using the Main Panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting Parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, Crossfaded and Velocity Switched Sounds
- Using Alternate
- Sample Parameters
- Group Parameters
- Synth parameters
- Connections
- Dr. Rex Loop Player
- Matrix Pattern Sequencer
- ReBirth Input Machine
- BV512 Vocoder
- The Effect Devices
- Common Device Features
- Scream 4 Sound Destruction Unit
- RV7000 Advanced Reverb
- RV-7 Digital Reverb
- DDL-1 Digital Delay Line
- D-11 Foldback Distortion
- ECF-42 Envelope Controlled Filter
- CF-101 Chorus/Flanger
- PH-90 Phaser
- UN-16 Unison
- COMP-01 Auto Make-up Gain Compressor
- PEQ-2 Two Band Parametric EQ
- Spider Audio Merger & Splitter
- Spider CV Merger & Splitter
- Menu and Dialog Reference
- About Audio on Computers
- MIDI Implementation
- Index
SUBTRACTOR SYNTHESIZER
116
External Modulation
Subtractor can receive common MIDI controller messages, and route these to
various parameters. The following MIDI messages can be received:
• Aftertouch (Channel Pressure)
• Expression Pedal
• Breath Control
If your MIDI keyboard is capable of sending Aftertouch messages, or if you have
access to an Expression Pedal or a Breath controller, you can use these to mod-
ulate parameters. The “Ext. Mod” selector switch sets which of these message-
types should be received.
These messages can then be assigned to control the following parameters:
Connections
Flipping the Subtractor around reveals a plethora of connection possibilities,
most of which are CV/Gate related. Using CV/Gate is described in the chapter
“Routing Audio and CV”.
Audio Output
This is Subtractor’s main audio output. When you create a new Subtractor de-
vice, this is auto-routed to the first available channel on the audio mixer.
Sequencer Control
The Sequencer Control CV and Gate inputs allow you to play the Subtractor
from another CV/Gate device (typically a Matrix or a Redrum). The signal to the
CV input controls the note pitch, while the signal to the Gate input delivers note
on/off along with velocity.
! For best results, you should use the Sequencer Control inputs with
monophonic sounds.
| Destination | Description
F. Freq This sets External modulation control of the Filter 1 Frequency
parameter. A positive value will increase the frequency with
higher external modulation values. Negative values invert this
relationship.
LFO 1 This sets External modulation control of the LFO 1 Amount pa-
rameter. A positive value will increase the LFO 1 amount with
higher external modulation values. Negative values invert this
relationship.
Amp This let’s you control the overall volume of the sound with exter-
nal modulation. If a positive value is set, the volume will increase
with higher external modulation values. A negative value inverts
this relationship.
FM This sets External modulation control of the FM Amount param-
eter. If a positive value is set, the FM amount will increase with
higher external modulation values. A negative value inverts this
relationship. Both oscillators must be activated for this to have
any effect.