Operation Manual
Table Of Contents
- Table of Contents
- Common Operations and Concepts
- Audio basics
- Sounds, Devices and Patches
- Routing Audio and CV
- The Sequencer
- The ReGroove Mixer
- Remote - Playing and controlling Reason devices
- Advanced MIDI - the External Control Bus inputs
- Using Reason as a ReWire Slave
- Synchronization
- Song File Handling
- Optimizing Performance
- Transport Panel
- Reason Hardware Interface
- The Combinator
- The Mixer
- The Line Mixer 6:2
- Redrum
- Subtractor Synthesizer
- Thor Polysonic Synthesizer
- Malström Synthesizer
- NN-19 Sampler
- NN-XT Sampler
- Introduction
- Panel Overview
- Loading Complete Patches and REX Files
- Using the Main Panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting Parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, Crossfaded and Velocity Switched Sounds
- Using Alternate
- Sample Parameters
- Group Parameters
- Synth parameters
- Connections
- Dr. Rex Loop Player
- Matrix Pattern Sequencer
- RPG-8 Arpeggiator
- ReBirth Input Machine
- BV512 Vocoder
- The Effect Devices
- Common Device Features
- The MClass effects
- The MClass Equalizer
- The MClass Stereo Imager
- The MClass Compressor
- The MClass Maximizer
- Scream 4 Sound Destruction Unit
- RV7000 Advanced Reverb
- RV-7 Digital Reverb
- DDL-1 Digital Delay Line
- D-11 Foldback Distortion
- ECF-42 Envelope Controlled Filter
- CF-101 Chorus/Flanger
- PH-90 Phaser
- UN-16 Unison
- COMP-01 Auto Make-up Gain Compressor
- PEQ-2 Two Band Parametric EQ
- Spider Audio Merger & Splitter
- Spider CV Merger & Splitter
- Menu and Dialog Reference
- Index
MALSTRÖM SYNTHESIZER
240
Connecting the signal from the Malström itself
If you connect one or both oscillator outputs to the audio input(s), the internal signal
path from the oscillators to the filters is broken. In other words, no signals will pass in-
ternally from the oscillators to the filters, and the three routing buttons for the oscilla-
tors are ignored.
This may seem pointless at first, but there are several uses for this:
D When you play the Malström in this mode, the filter envelope will be trig-
gered for each note you play, affecting all sounding notes.
This is due to the monophonic “extra” filter described above. On older synthesiz-
ers, this feature is called “Multiple triggering”.
D Since all notes you play are mixed before being sent into the filter, the
result of using the Shaper will be totally different (if you play more than
one note at a time).
This is similar to playing a guitar chord through a distortion effect, for example.
D You can patch in external effects between the oscillators and the filters.
Just connect an oscillator output to the input of the effect device, and the effect
output to the Malströms’s audio input.
✪ You can use combinations of connections and routing. You could for in-
stance connect an external audio signal to one of the inputs, one of the
Malström’s oscillators to the other input and then use the routing op-
tions on the front panel for the other oscillator. All of these signals will
then be mixed and sent to the Malström’s main outputs.