Operation Manual
Table Of Contents
- Table of Contents
- Common Operations and Concepts
- Audio basics
- Sounds, Devices and Patches
- Routing Audio and CV
- The Sequencer
- The ReGroove Mixer
- Remote - Playing and controlling Reason devices
- Advanced MIDI - the External Control Bus inputs
- Using Reason as a ReWire Slave
- Synchronization
- Song File Handling
- Optimizing Performance
- Transport Panel
- Reason Hardware Interface
- The Combinator
- The Mixer
- The Line Mixer 6:2
- Redrum
- Subtractor Synthesizer
- Thor Polysonic Synthesizer
- Malström Synthesizer
- NN-19 Sampler
- NN-XT Sampler
- Introduction
- Panel Overview
- Loading Complete Patches and REX Files
- Using the Main Panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting Parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, Crossfaded and Velocity Switched Sounds
- Using Alternate
- Sample Parameters
- Group Parameters
- Synth parameters
- Connections
- Dr. Rex Loop Player
- Matrix Pattern Sequencer
- RPG-8 Arpeggiator
- ReBirth Input Machine
- BV512 Vocoder
- The Effect Devices
- Common Device Features
- The MClass effects
- The MClass Equalizer
- The MClass Stereo Imager
- The MClass Compressor
- The MClass Maximizer
- Scream 4 Sound Destruction Unit
- RV7000 Advanced Reverb
- RV-7 Digital Reverb
- DDL-1 Digital Delay Line
- D-11 Foldback Distortion
- ECF-42 Envelope Controlled Filter
- CF-101 Chorus/Flanger
- PH-90 Phaser
- UN-16 Unison
- COMP-01 Auto Make-up Gain Compressor
- PEQ-2 Two Band Parametric EQ
- Spider Audio Merger & Splitter
- Spider CV Merger & Splitter
- Menu and Dialog Reference
- Index
MALSTRÖM SYNTHESIZER
234
Routing
The Malström puts you in total control of how the signal should be routed from the os-
cillators, through the filters and on to the outputs. Below is first a general description
of the routing options, followed by examples of how to route the signal in order to
achieve a certain result.
D Click on a button so that it is lit, to route the signal correspondingly.
See below for descriptions.
! Note that the result depends both on the routing buttons and on whether
the filters and shaper are activated or not!
Routing examples
One or both oscillators without filters
With this configuration, the signals from the oscillators will bypass the filters and the
shaper and go directly to the respective output. Using both oscillators allows you to
use the Spread parameter to create a true stereo sound.
One or both oscillators to one filter only
Both oscillators routed to filter:B only. Both oscillators routed to filter:A only.
With these configurations, the signal from osc:A and/or osc:B will go to either filter:A
or filter:B and then to the outputs. This is essentially a mono configuration and hence
Spread should probably be set to “0”.
If this button is lit, the signal from osc:B
is routed to filter:B. If this is not lit, the
signal from osc:B will go straight to the
outputs.
If this button is lit, the signal from filter:B is routed to filter:A via the shaper. The
signal from filter:B can originate from either osc:A, osc:B or both. If this is not
lit, the signal from filter:B will go straight to the outputs.
If this button is lit, the signal from osc:A
is routed to filter:B. If neither this nor the
other routing button from osc:A (to
filter:A/shaper) is lit, the signal from
osc:A will go straight to the outputs.
If this button is lit, the signal from osc:A is routed to filter:A via the shaper. If neither this nor
the other routing button from osc:A (to filter:B) is lit, the signal will go straight to the outputs.