Operation Manual
Table Of Contents
- Table of Contents
- Common Operations and Concepts
- Audio basics
- Sounds, Devices and Patches
- Routing Audio and CV
- The Sequencer
- The ReGroove Mixer
- Remote - Playing and controlling Reason devices
- Advanced MIDI - the External Control Bus inputs
- Using Reason as a ReWire Slave
- Synchronization
- Song File Handling
- Optimizing Performance
- Transport Panel
- Reason Hardware Interface
- The Combinator
- The Mixer
- The Line Mixer 6:2
- Redrum
- Subtractor Synthesizer
- Thor Polysonic Synthesizer
- Malström Synthesizer
- NN-19 Sampler
- NN-XT Sampler
- Introduction
- Panel Overview
- Loading Complete Patches and REX Files
- Using the Main Panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting Parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, Crossfaded and Velocity Switched Sounds
- Using Alternate
- Sample Parameters
- Group Parameters
- Synth parameters
- Connections
- Dr. Rex Loop Player
- Matrix Pattern Sequencer
- RPG-8 Arpeggiator
- ReBirth Input Machine
- BV512 Vocoder
- The Effect Devices
- Common Device Features
- The MClass effects
- The MClass Equalizer
- The MClass Stereo Imager
- The MClass Compressor
- The MClass Maximizer
- Scream 4 Sound Destruction Unit
- RV7000 Advanced Reverb
- RV-7 Digital Reverb
- DDL-1 Digital Delay Line
- D-11 Foldback Distortion
- ECF-42 Envelope Controlled Filter
- CF-101 Chorus/Flanger
- PH-90 Phaser
- UN-16 Unison
- COMP-01 Auto Make-up Gain Compressor
- PEQ-2 Two Band Parametric EQ
- Spider Audio Merger & Splitter
- Spider CV Merger & Splitter
- Menu and Dialog Reference
- Index
THOR POLYSONIC SYNTHESIZER
210
About Oscillator Sync
Oscillator sync is when one oscillator will restart the period of another oscillator, so
that they will have the same base frequency. If you change or modulate the frequency
of the synced oscillator you get the characteristic sound associated with oscillator
sync.
A synced oscillator that resets the other oscillator(s) is called the master, and any
synced oscillator that is reset by an other oscillator is called a slave. In Thor, oscillator
1 is the master, i.e. this controls the base pitch of the oscillators, and oscillators 2 and
3 are slaves.
D You switch Oscillator sync on or off by activating the Sync buttons to the
left of Oscillator slots 2 and 3.
D The Sync “BW” sliders to the left of Oscillator slots 2 and 3 allows you to
adjust the sync bandwidth.
This allows you to change the character of the oscillator sync. The parameter basi-
cally sets how abrupt the reset is - high bandwidth settings produces a more pro-
nounced sync effect and vice versa. The picture above illustrates high bandwidth
reset - if lower bandwidth settings are used the slave osc curve will be more
rounded at the reset points.
About Amplitude Modulation (AM)
AM (Amplitude Modulation) is often referred to as ring modulation. AM works by mul-
tiplying two signals together.
D In Thor, Oscillator 2 amplitude modulates Oscillator 1.
The Ring Modulated output will then contain added frequencies which are gener-
ated by the sum of, and the difference between the two signals. This can be used
for creating complex, enharmonic sounds.
D The amount of AM is set using the slider to the left of the Oscillator 1
slot.
Mix section
The Mix section allows you to adjust the levels and the relative balance of the three os-
cillators.
D The two sliders controls the output levels of oscillators 1-2 and oscillator
3, respectively.
D The Balance knob sets the balance between oscillator 1 and 2.
The Balance parameter is also a modulation destination, allowing you to modulate
the balance of the two oscillators with e.g. an LFO. Note that the oscillators have
to be connected to the filter(s) via the numbered routing buttons for the Mix sec-
tion settings to have any effect.
Master oscillator
Slave oscillator