Operation Manual
Table Of Contents
- Table of Contents
- Common Operations and Concepts
- Audio basics
- Sounds, Devices and Patches
- Routing Audio and CV
- The Sequencer
- The ReGroove Mixer
- Remote - Playing and controlling Reason devices
- Advanced MIDI - the External Control Bus inputs
- Using Reason as a ReWire Slave
- Synchronization
- Song File Handling
- Optimizing Performance
- Transport Panel
- Reason Hardware Interface
- The Combinator
- The Mixer
- The Line Mixer 6:2
- Redrum
- Subtractor Synthesizer
- Thor Polysonic Synthesizer
- Malström Synthesizer
- NN-19 Sampler
- NN-XT Sampler
- Introduction
- Panel Overview
- Loading Complete Patches and REX Files
- Using the Main Panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting Parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, Crossfaded and Velocity Switched Sounds
- Using Alternate
- Sample Parameters
- Group Parameters
- Synth parameters
- Connections
- Dr. Rex Loop Player
- Matrix Pattern Sequencer
- RPG-8 Arpeggiator
- ReBirth Input Machine
- BV512 Vocoder
- The Effect Devices
- Common Device Features
- The MClass effects
- The MClass Equalizer
- The MClass Stereo Imager
- The MClass Compressor
- The MClass Maximizer
- Scream 4 Sound Destruction Unit
- RV7000 Advanced Reverb
- RV-7 Digital Reverb
- DDL-1 Digital Delay Line
- D-11 Foldback Distortion
- ECF-42 Envelope Controlled Filter
- CF-101 Chorus/Flanger
- PH-90 Phaser
- UN-16 Unison
- COMP-01 Auto Make-up Gain Compressor
- PEQ-2 Two Band Parametric EQ
- Spider Audio Merger & Splitter
- Spider CV Merger & Splitter
- Menu and Dialog Reference
- Index
THOR POLYSONIC SYNTHESIZER
204
The Pitch Bend and Modulation wheels
• The Pitch and Mod wheels on the Controller panel will mirror the corresponding
actions on your master keyboard.
• The Range parameter (like for all instrument devices) sets the range of the Pitch
Bend action.
• Pitch Bend is pre-wired to the pitch parameter of the three oscillators, but you can
of course use it to control any parameter you like. If you don’t want Pitch Bend to
affect oscillator pitch, simply set the Range parameter to “0”.
Master volume
This is the main volume control for outputs 1 & 2.
Using the Programmer
The Programmer contains the main synth parameters.
D To show the Programmer panel, click the “Show Programmer” button on
the Controller panel.
The Programmer appears below the Controller panel.
D The Programmer panel is divided into two sections; the Voice section to
the left and the Global section to the right. The Global section has a sep-
arate brown panel to differentiate it from the Voice section.
The Voice section contains the basic synth parameters and the parameters are
“per-voice”, i.e. all envelope and LFO cycles are triggered individually for each
voice. The Global section to the right contains global parameters that affect all
voices.