Operation Manual
Table Of Contents
- Table of Contents
- Common Operations and Concepts
- Audio basics
- Sounds, Devices and Patches
- Routing Audio and CV
- The Sequencer
- The ReGroove Mixer
- Remote - Playing and controlling Reason devices
- Advanced MIDI - the External Control Bus inputs
- Using Reason as a ReWire Slave
- Synchronization
- Song File Handling
- Optimizing Performance
- Transport Panel
- Reason Hardware Interface
- The Combinator
- The Mixer
- The Line Mixer 6:2
- Redrum
- Subtractor Synthesizer
- Thor Polysonic Synthesizer
- Malström Synthesizer
- NN-19 Sampler
- NN-XT Sampler
- Introduction
- Panel Overview
- Loading Complete Patches and REX Files
- Using the Main Panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting Parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, Crossfaded and Velocity Switched Sounds
- Using Alternate
- Sample Parameters
- Group Parameters
- Synth parameters
- Connections
- Dr. Rex Loop Player
- Matrix Pattern Sequencer
- RPG-8 Arpeggiator
- ReBirth Input Machine
- BV512 Vocoder
- The Effect Devices
- Common Device Features
- The MClass effects
- The MClass Equalizer
- The MClass Stereo Imager
- The MClass Compressor
- The MClass Maximizer
- Scream 4 Sound Destruction Unit
- RV7000 Advanced Reverb
- RV-7 Digital Reverb
- DDL-1 Digital Delay Line
- D-11 Foldback Distortion
- ECF-42 Envelope Controlled Filter
- CF-101 Chorus/Flanger
- PH-90 Phaser
- UN-16 Unison
- COMP-01 Auto Make-up Gain Compressor
- PEQ-2 Two Band Parametric EQ
- Spider Audio Merger & Splitter
- Spider CV Merger & Splitter
- Menu and Dialog Reference
- Index
SUBTRACTOR SYNTHESIZER
199
About the Low Bandwidth button
This can be used to conserve CPU power. When activated, this function will remove
some high frequency content from the sound of this particular device, but often this is
not noticeable (this is especially true for bass sounds).
External Modulation
Subtractor can receive common MIDI controller messages, and route these to various
parameters. The following MIDI messages can be received:
• Aftertouch (Channel Pressure)
• Expression Pedal
• Breath Control
If your MIDI keyboard is capable of sending Aftertouch messages, or if you have ac-
cess to an Expression Pedal or a Breath controller, you can use these to modulate pa-
rameters. The “Ext. Mod” selector switch sets which of these message-types should
be received.
These messages can then be assigned to control the following parameters:
|
Destination
|
Description
F. Freq This sets External modulation control of the Filter 1 Frequency pa-
rameter. A positive value will increase the frequency with higher ex-
ternal modulation values. Negative values invert this relationship.
LFO 1 This sets External modulation control of the LFO 1 Amount parame-
ter. A positive value will increase the LFO 1 amount with higher ex-
ternal modulation values. Negative values invert this relationship.
Amp This let’s you control the overall volume of the sound with external
modulation. If a positive value is set, the volume will increase with
higher external modulation values. A negative value inverts this rela-
tionship.
FM This sets External modulation control of the FM Amount parameter.
If a positive value is set, the FM amount will increase with higher ex-
ternal modulation values. A negative value inverts this relationship.
Both oscillators must be activated for this to have any effect.