Operation Manual
Table Of Contents
- Table of Contents
- Common Operations and Concepts
- Audio basics
- Sounds, Devices and Patches
- Routing Audio and CV
- The Sequencer
- The ReGroove Mixer
- Remote - Playing and controlling Reason devices
- Advanced MIDI - the External Control Bus inputs
- Using Reason as a ReWire Slave
- Synchronization
- Song File Handling
- Optimizing Performance
- Transport Panel
- Reason Hardware Interface
- The Combinator
- The Mixer
- The Line Mixer 6:2
- Redrum
- Subtractor Synthesizer
- Thor Polysonic Synthesizer
- Malström Synthesizer
- NN-19 Sampler
- NN-XT Sampler
- Introduction
- Panel Overview
- Loading Complete Patches and REX Files
- Using the Main Panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting Parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, Crossfaded and Velocity Switched Sounds
- Using Alternate
- Sample Parameters
- Group Parameters
- Synth parameters
- Connections
- Dr. Rex Loop Player
- Matrix Pattern Sequencer
- RPG-8 Arpeggiator
- ReBirth Input Machine
- BV512 Vocoder
- The Effect Devices
- Common Device Features
- The MClass effects
- The MClass Equalizer
- The MClass Stereo Imager
- The MClass Compressor
- The MClass Maximizer
- Scream 4 Sound Destruction Unit
- RV7000 Advanced Reverb
- RV-7 Digital Reverb
- DDL-1 Digital Delay Line
- D-11 Foldback Distortion
- ECF-42 Envelope Controlled Filter
- CF-101 Chorus/Flanger
- PH-90 Phaser
- UN-16 Unison
- COMP-01 Auto Make-up Gain Compressor
- PEQ-2 Two Band Parametric EQ
- Spider Audio Merger & Splitter
- Spider CV Merger & Splitter
- Menu and Dialog Reference
- Index
SUBTRACTOR SYNTHESIZER
192
D Highpass (HP12)
A highpass filter is the opposite of a lowpass filter, cutting out lower frequencies
and letting high frequencies pass. The HP filter slope has a 12 dB/Octave roll-off.
The darker curve illustrates the roll-off curve of the Highpass Filter. The lighter curve in the middle
represents the filter characteristic when the Resonance parameter is raised.
D Notch
A notch filter (or band reject filter) could be described as the opposite of a band-
pass filter. It cuts off frequencies in a narrow midrange band, letting the frequen-
cies below and above through. On its own, a notch filter doesn’t really alter the
timbre in any dramatic way, simply because most frequencies are let through.
However, by combining a notch filter with a lowpass filter (using Filter 2 - see page
193 in this chapter), more musically useful filter characteristics can be created.
Such a filter combination can produce soft timbres that still sound “clear”. The ef-
fect is especially noticeable with low resonance (see page 193) settings.
The darker curve illustrates the roll-off curve of the Notch Filter. The lighter curve in the middle
represents the filter characteristic when the Resonance parameter is raised.