Operation Manual
Table Of Contents
- Table of Contents
- Common Operations and Concepts
- Audio basics
- Sounds, Devices and Patches
- Routing Audio and CV
- The Sequencer
- The ReGroove Mixer
- Remote - Playing and controlling Reason devices
- Advanced MIDI - the External Control Bus inputs
- Using Reason as a ReWire Slave
- Synchronization
- Song File Handling
- Optimizing Performance
- Transport Panel
- Reason Hardware Interface
- The Combinator
- The Mixer
- The Line Mixer 6:2
- Redrum
- Subtractor Synthesizer
- Thor Polysonic Synthesizer
- Malström Synthesizer
- NN-19 Sampler
- NN-XT Sampler
- Introduction
- Panel Overview
- Loading Complete Patches and REX Files
- Using the Main Panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting Parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, Crossfaded and Velocity Switched Sounds
- Using Alternate
- Sample Parameters
- Group Parameters
- Synth parameters
- Connections
- Dr. Rex Loop Player
- Matrix Pattern Sequencer
- RPG-8 Arpeggiator
- ReBirth Input Machine
- BV512 Vocoder
- The Effect Devices
- Common Device Features
- The MClass effects
- The MClass Equalizer
- The MClass Stereo Imager
- The MClass Compressor
- The MClass Maximizer
- Scream 4 Sound Destruction Unit
- RV7000 Advanced Reverb
- RV-7 Digital Reverb
- DDL-1 Digital Delay Line
- D-11 Foldback Distortion
- ECF-42 Envelope Controlled Filter
- CF-101 Chorus/Flanger
- PH-90 Phaser
- UN-16 Unison
- COMP-01 Auto Make-up Gain Compressor
- PEQ-2 Two Band Parametric EQ
- Spider Audio Merger & Splitter
- Spider CV Merger & Splitter
- Menu and Dialog Reference
- Index
OPTIMIZING PERFORMANCE
143
Redrum
D Do not use the Tone feature available on channels 1, 2 and 9.
In other words, make sure the Tone controls and their accompanying Vel knobs are
set to “0” (“twelve o’ clock”).
Mixer devices
D Avoid using stereo inputs when not required.
For example, if your sampler or Dr. Rex player is playing mono material, only con-
nect it to the Left input on a mixer channel. Leave the Right input unconnected.
D Do not activate EQ (Mixer 14:2 only) unless required.
If a channel doesn’t make use of EQ, make sure it’s EQ button is deactivated.
Distortion
D The D-11 Foldback Distortion will use up less CPU power than the
Scream 4 Distortion device.
Reverb
D The RV-7 uses much less power than the RV7000.
For some applications the RV-7 might do just fine, and will use up much less
power.
D If you are running out of processing power, try the Low Density algorithm
for the RV-7.
This uses up much less power than other algorithms.
Send Effects
D When you are using mono effects as send effects, you can connect the
effect returns in mono as well (disconnect the cable to Aux Return Right
on the Mixer).
This is true for the following effects:
• D-11 Distortion.
• Scream 4 Distortion
• ECF-42 Envelope Controlled Filter.
• COMP-01 Compressor.
• PEQ-2 Parametric EQ.
• DDL-1 Delay (provided the Pan parameter is set to center position).
• MClass effects; Equalizer, Compressor, Maximizer.
Songs and Memory
Requirements
Songs not only use up system resources in terms of processing power, they also re-
quire RAM (memory) to load at all.
The amount of RAM required for loading a song, is directly proportional to the amount
of samples used in the song. For example, a song only using Subtractors and effects
requires very little RAM.
If you are running out of RAM try the following:
D Close other song documents.
All open songs compete for RAM.
D Terminate other applications.
All running applications compete for the RAM available in the computer.
D Use mono samples instead of stereo.
Mono samples require half the amount of RAM.
D Try sample rate converting sample files to a lower sample rate.
Note that this will affect sound quality negatively. Also note that it will require an
external sample editor with good sample rate conversion facilities.