Operation Manual
Table Of Contents
- Table of Contents
- Common Operations and Concepts
- Audio basics
- Sounds, Devices and Patches
- Routing Audio and CV
- The Sequencer
- The ReGroove Mixer
- Remote - Playing and controlling Reason devices
- Advanced MIDI - the External Control Bus inputs
- Using Reason as a ReWire Slave
- Synchronization
- Song File Handling
- Optimizing Performance
- Transport Panel
- Reason Hardware Interface
- The Combinator
- The Mixer
- The Line Mixer 6:2
- Redrum
- Subtractor Synthesizer
- Thor Polysonic Synthesizer
- Malström Synthesizer
- NN-19 Sampler
- NN-XT Sampler
- Introduction
- Panel Overview
- Loading Complete Patches and REX Files
- Using the Main Panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting Parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, Crossfaded and Velocity Switched Sounds
- Using Alternate
- Sample Parameters
- Group Parameters
- Synth parameters
- Connections
- Dr. Rex Loop Player
- Matrix Pattern Sequencer
- RPG-8 Arpeggiator
- ReBirth Input Machine
- BV512 Vocoder
- The Effect Devices
- Common Device Features
- The MClass effects
- The MClass Equalizer
- The MClass Stereo Imager
- The MClass Compressor
- The MClass Maximizer
- Scream 4 Sound Destruction Unit
- RV7000 Advanced Reverb
- RV-7 Digital Reverb
- DDL-1 Digital Delay Line
- D-11 Foldback Distortion
- ECF-42 Envelope Controlled Filter
- CF-101 Chorus/Flanger
- PH-90 Phaser
- UN-16 Unison
- COMP-01 Auto Make-up Gain Compressor
- PEQ-2 Two Band Parametric EQ
- Spider Audio Merger & Splitter
- Spider CV Merger & Splitter
- Menu and Dialog Reference
- Index
THE REGROOVE MIXER
107
The ReGroove patches in the
Factory Sound Bank
Reason ships with a ready-made assortment of groove patches, arranged in a number
of different folders:
MPC-60
These grooves were created by analyzing the audio output of an Akai MPC-60. Use
these patches to get the same shuffle feeling as an original MPC-60. Note that these
patches do not contain any velocity or note length information. There are some addi-
tional patches that use the Random Timing feature, which emulates the original MPC-
60's behavior when loaded with a lot of information.
Vinyl
These grooves were created by sampling snippets from classic groove records, ana-
lyzing them with a special signal processing tool, then extracting both timing and ve-
locity information from the samples. These grooves do not contain any note length
information.
Programmed
These grooves were created by a session drum groove programmer. They were hand-
crafted to emulate the feel of certain styles, and are divided into two genres: Hiphop
and Pop-Rock. These grooves do not contain any note length information.
Bass-Comp, Drummer, and Percussion
Grooves in these categories were created by session musicians. Their performances
were captured and analyzed, and the timing and velocity information was then ex-
tracted from the performances. The Bass-Comp patches also contain note length in-
formation, though the other categories do not.