Operation Manual

ManualsBrandsPropellerhead ManualsSoftwarePropellerhead Reason - 3.0

Table Of Contents

Table of Contents
The Sequencer
- Recording
- Copying REX loops and Patterns to Sequencer Tracks
- Editing - About Snap
- Editing in the Arrange View
- Using Groups
- The Edit View
- Quantizing
- The Change Events Dialog
- Importing and Exporting MIDI Files
Routing Audio and CV
- About the various signals that can be routed
- About Cables
- Automatic Routing
- Manual Routing
- Using CV and Gate
Remote - Playing and controlling Reason devices
- About the various MIDI inputs
- About Remote
- Setting up
- Remote basics
- Locking a surface to a device
- Remote Override
- Additional Remote Overrides...
- Keyboard Control
- Saving Remote Setups
Using Reason as a ReWire Slave
- About this Chapter
- Why use Reason with ReWire?
- Introducing ReWire!
- Launching and Quitting
- Using the Transport and Tempo Controls
- Synchronization
- Routing Audio
- Routing MIDI via ReWire 2
- Converting ReWire Channels to Audio Tracks
- Details About Various ReWire Hosts
Advanced MIDI - the External Control Bus inputs
- About the External Control Bus inputs
Synchronization
- ReWire users – Read This!
- What is Synchronization and MIDI Clock?
- Slaving Reason to an External Device
- Slaving Reason to Another Program on the Same Computer
- Synchronization Considerations
Optimizing Performance
- Introduction
- Optimization and Output Latency
- Optimizing Your Computer System
- Optimizing Songs
- Songs and Memory Requirements
Transport Panel
- Overview
Reason Hardware Interface
- Introduction
- MIDI In Device
- Audio Out
The Combinator
- Introduction
- Creating Combinator devices
- Combinator elements
- About internal and external connections
- Adding devices to a Combi
- Combi handling
- Sequencer tracks and playing Combis
- The Controller panel
- Using the Programmer
The Mixer
- Introduction
- The Channel Strip
- The Mixer signal flow
- About the EQ modes
- The Auxiliary Return Section
- The Master Fader
- Connections
- Chaining Mixers
The Line Mixer 6:2
- Introduction
- Channel parameters
- The Auxiliary Return Section
- Master level
- Connections
Redrum
- Introduction
- About File Formats
- Using Patches
- Programming Patterns
- Redrum Parameters
- Using Redrum as a Sound Module
- Connections
Subtractor Synthesizer
- Introduction
- The Oscillator Section
- The Filter Section
- Envelopes - General
- LFO Section
- Play Parameters
- External Modulation
- Connections
Malström Synthesizer
- Introduction
- The Oscillator section
- The Modulator section
- The Filter section
- Routing
- The play controls
- Connections
- Routing external audio to the filters
NN-19 Sampler
- Introduction
- General Sampling Principles
- About Audio File Formats
- About Key Zones and Samples
- Automap Samples
- NN-19 Synth Parameters
- Play Parameters
- Connections
NN-XT Sampler
- Introduction
- Panel Overview
- Loading Complete Patches and REX Files
- Using the Main Panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting Parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, Crossfaded and Velocity Switched Sounds
- Using Alternate
- Sample Parameters
- Group Parameters
- Synth parameters
- Connections
Dr. Rex Loop Player
- Introduction
- About File Formats
- Adding a Loop
- Creating Sequencer Notes
- Slice Handling
- Dr.Rex Synth Parameters
- Connections
Matrix Pattern Sequencer
- Introduction
- Programming Patterns
- Example Usage
ReBirth Input Machine
- Introduction
- Preparations
- Routing
BV512 Vocoder
- Introduction
- Setting up for basic vocoding
- Using the BV512 as an equalizer
- BV512 parameters
- Connections
- Automation
- Tips and tricks
The Effect Devices
- Common Device Features
- The MClass effects
- The MClass Equalizer
- The MClass Stereo Imager
- The MClass Compressor
- The MClass Maximizer
- Scream 4 Sound Destruction Unit
- RV7000 Advanced Reverb
- RV-7 Digital Reverb
- DDL-1 Digital Delay Line
- D-11 Foldback Distortion
- ECF-42 Envelope Controlled Filter
- CF-101 Chorus/Flanger
- PH-90 Phaser
- UN-16 Unison
- COMP-01 Auto Make-up Gain Compressor
- PEQ-2 Two Band Parametric EQ
- Spider Audio Merger & Splitter
- Spider CV Merger & Splitter
Menu and Dialog Reference
- Reason Menu (Mac OS X)
- File Menu
- Edit Menu
- Create Menu
- Options Menu
- Windows Menu (Windows Version)
- Windows Menu (Mac OS Version)
- Help/Contacts Menu
About Audio on Computers
- General Information
- PC Specific Information
- Mac Specific Information
MIDI Implementation
- About This Chapter
- How various MIDI messages are Implemented
Index

REMOTE - PLAYING AND CONTROLLING REASON DEVICES

Saving Remote Setups

There’s no need to save MIDI Remote mapping as the Standard Remote mapping for

each Reason device to supported control surfaces is built-in, and is always available.

You may, however, wish to save specific Remote Override mappings or Keyboard

Control setups as a template:

D This could be done by saving a song document containing all the devices

that are affected by the related Key or Remote Override mappings, but

without any sequencer data.

This song document could then be used as a starting point for any new song, by

simply loading it, and immediately using “Save As” to save it under a new name.