Operation Manual
Table Of Contents
- Table of Contents
- The Sequencer
- Routing Audio and CV
- Remote - Playing and controlling Reason devices
- Using Reason as a ReWire Slave
- Advanced MIDI - the External Control Bus inputs
- Synchronization
- Optimizing Performance
- Transport Panel
- Reason Hardware Interface
- The Combinator
- The Mixer
- The Line Mixer 6:2
- Redrum
- Subtractor Synthesizer
- Malström Synthesizer
- NN-19 Sampler
- NN-XT Sampler
- Introduction
- Panel Overview
- Loading Complete Patches and REX Files
- Using the Main Panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting Parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, Crossfaded and Velocity Switched Sounds
- Using Alternate
- Sample Parameters
- Group Parameters
- Synth parameters
- Connections
- Dr. Rex Loop Player
- Matrix Pattern Sequencer
- ReBirth Input Machine
- BV512 Vocoder
- The Effect Devices
- Common Device Features
- The MClass effects
- The MClass Equalizer
- The MClass Stereo Imager
- The MClass Compressor
- The MClass Maximizer
- Scream 4 Sound Destruction Unit
- RV7000 Advanced Reverb
- RV-7 Digital Reverb
- DDL-1 Digital Delay Line
- D-11 Foldback Distortion
- ECF-42 Envelope Controlled Filter
- CF-101 Chorus/Flanger
- PH-90 Phaser
- UN-16 Unison
- COMP-01 Auto Make-up Gain Compressor
- PEQ-2 Two Band Parametric EQ
- Spider Audio Merger & Splitter
- Spider CV Merger & Splitter
- Menu and Dialog Reference
- About Audio on Computers
- MIDI Implementation
- Index
THE EFFECT DEVICES
250
3. Now create a Spider CV and a second Matrix device and connect them as
in the picture below.
Note that the Note CV output from Matrix 1, and the Curve CV output of Matrix 2 should be
connected to the Spider. The merged output is connected to the Sequencer Control Note CV
input on the Subtractor.
4. On the Spider CV, turn the trimpot for the input connected to the Note CV
output fully to the right.
This setting will retain the correct pitch relationship for the notes played by the pat-
tern.
5. On the Spider CV, turn the trimpot for the input connected to the Curve CV
output to “32”.
This will produce a Curve CV output that corresponds to semitone steps.
6. Set the Curve type switch to “Bipolar” on the back of the second Matrix (Ma-
trix 2).
7. Flip the rack around so that the front panels are showing, and make the fol-
lowing settings for the “Matrix 2”:
• Set the number of steps to “1”.
• Set the Curve/Keys switch to “Curve”.
8. Adjust the Matrix 2 curve for step 1 (the only step used) so that it is in the
middle of the bipolar curve as the picture shows.
9. If you now activate Play from the transport, the pattern you programmed for
Matrix 1 is played back. By carefully adjusting the Matrix 2 Curve step 1 up or
down the Matrix 1 pattern is transposed in semitone steps.
By programming different values for the “pattern” played by Matrix 2 and saving
them in different pattern locations, you can use the Pattern selectors to transpose
the Matrix 1 pattern to different keys!