Operation Manual
Table Of Contents
- Table of Contents
- The Sequencer
- Routing Audio and CV
- Remote - Playing and controlling Reason devices
- Using Reason as a ReWire Slave
- Advanced MIDI - the External Control Bus inputs
- Synchronization
- Optimizing Performance
- Transport Panel
- Reason Hardware Interface
- The Combinator
- The Mixer
- The Line Mixer 6:2
- Redrum
- Subtractor Synthesizer
- Malström Synthesizer
- NN-19 Sampler
- NN-XT Sampler
- Introduction
- Panel Overview
- Loading Complete Patches and REX Files
- Using the Main Panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting Parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, Crossfaded and Velocity Switched Sounds
- Using Alternate
- Sample Parameters
- Group Parameters
- Synth parameters
- Connections
- Dr. Rex Loop Player
- Matrix Pattern Sequencer
- ReBirth Input Machine
- BV512 Vocoder
- The Effect Devices
- Common Device Features
- The MClass effects
- The MClass Equalizer
- The MClass Stereo Imager
- The MClass Compressor
- The MClass Maximizer
- Scream 4 Sound Destruction Unit
- RV7000 Advanced Reverb
- RV-7 Digital Reverb
- DDL-1 Digital Delay Line
- D-11 Foldback Distortion
- ECF-42 Envelope Controlled Filter
- CF-101 Chorus/Flanger
- PH-90 Phaser
- UN-16 Unison
- COMP-01 Auto Make-up Gain Compressor
- PEQ-2 Two Band Parametric EQ
- Spider Audio Merger & Splitter
- Spider CV Merger & Splitter
- Menu and Dialog Reference
- About Audio on Computers
- MIDI Implementation
- Index
THE SEQUENCER
15
Using Groups
Sometimes it is practical to work with a section of events as one entity. This is done
by Grouping the events. You may for example have a two-bar bass line that you want
to move or repeat in the song - by Grouping the events, you can select, move and han-
dle the bassline as a single object.
! This applies to the Arrange View only - you can still edit individual events
in a Group in the Edit View.
Appearance and Color
In the Arrange View, Groups appear as colored boxes.
The color of the Groups depends on their contents:
! Groups with the same color contain the same events.
This makes it easy to get an overview of the song, since variations will appear as
Groups in another color.
Creating Groups
There are two main ways to create Groups:
By using the Group command
1. Select the events that you want to Group.
It doesn’t matter which lanes you select - all notes, pattern changes and control-
lers within the area will be included in the Group.
D If you select events on several tracks, one Group for each track will be
created.
Each Group can only contain events on one track.
2. If you want the Group to have a specific length, activate Snap and select an
appropriate Snap value.
Often it is practical to create Groups that are one or several whole bars long.
3. Select Group from the Edit menu or the sequencer context menu.
Or, hold down [Command] (Mac) or [Ctrl] (Windows) and press [G].
The events are Grouped.
By drawing with the Pencil tool
1. Select the Pencil tool.
You can also select the Pencil tool momentarily by holding down [Command]
(Mac) or [Alt] (Windows).
2. If you want the Group to have a specific length, activate Snap and select an
appropriate Snap value.
Often it is practical to create Groups that are one or several whole bars of length.
3. Click where you want the Group to start, drag to the right and release the
mouse button.
A Group is created, containing the enclosed Events. It is also possible to create
empty Groups this way.
✪ Groups are also automatically created when you use the “To Track”,
“Copy Pattern to Track” and “Convert Pattern Track to Notes” functions.
See page 9.
These Groups are “variations”
- all the others have the same contents.