Operation Manual
Table Of Contents
- Table of Contents
- The Sequencer
- Routing Audio and CV
- Remote - Playing and controlling Reason devices
- Using Reason as a ReWire Slave
- Advanced MIDI - the External Control Bus inputs
- Synchronization
- Optimizing Performance
- Transport Panel
- Reason Hardware Interface
- The Combinator
- The Mixer
- The Line Mixer 6:2
- Redrum
- Subtractor Synthesizer
- Malström Synthesizer
- NN-19 Sampler
- NN-XT Sampler
- Introduction
- Panel Overview
- Loading Complete Patches and REX Files
- Using the Main Panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting Parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, Crossfaded and Velocity Switched Sounds
- Using Alternate
- Sample Parameters
- Group Parameters
- Synth parameters
- Connections
- Dr. Rex Loop Player
- Matrix Pattern Sequencer
- ReBirth Input Machine
- BV512 Vocoder
- The Effect Devices
- Common Device Features
- The MClass effects
- The MClass Equalizer
- The MClass Stereo Imager
- The MClass Compressor
- The MClass Maximizer
- Scream 4 Sound Destruction Unit
- RV7000 Advanced Reverb
- RV-7 Digital Reverb
- DDL-1 Digital Delay Line
- D-11 Foldback Distortion
- ECF-42 Envelope Controlled Filter
- CF-101 Chorus/Flanger
- PH-90 Phaser
- UN-16 Unison
- COMP-01 Auto Make-up Gain Compressor
- PEQ-2 Two Band Parametric EQ
- Spider Audio Merger & Splitter
- Spider CV Merger & Splitter
- Menu and Dialog Reference
- About Audio on Computers
- MIDI Implementation
- Index
MALSTRÖM SYNTHESIZER
133
One or both oscillators with both filters in series
Osc:A routed through both filters in series. Osc:B routed through both filters in series.
With these configurations, the signal from osc:A and/or osc:B will go to both filter:A
and filter:B, with the filters in series (one after the other).
Adding the shaper
The signal from one or both oscillators can also be routed to the shaper. The signal
will then pass through the shaper to the outputs, with or without also passing through
the filters.
In the left figure, the signal from osc:A is routed to the shaper and then directly to the outputs. In the
right figure, the signal from osc:B is routed to filter:B, then to the shaper and then to filter:A.
The output controls
These two parameters control the output from the Malström in the following way:
Volume
This knob controls the master volume out from the Malström.
Spread
This controls the stereo pan-width of the outputs from Osc:A/B and Filter:A/B re-
spectively. The farther to the right you turn the knob, the wider the stereo image will
be. In other words, the signals will be panned further apart to the left and right.
! If you are only using one output (A or B), it is strongly recommended that
you set Spread to “0”.