Operation Manual
Table Of Contents
- Table of Contents
- The Sequencer
- Routing Audio and CV
- Remote - Playing and controlling Reason devices
- Using Reason as a ReWire Slave
- Advanced MIDI - the External Control Bus inputs
- Synchronization
- Optimizing Performance
- Transport Panel
- Reason Hardware Interface
- The Combinator
- The Mixer
- The Line Mixer 6:2
- Redrum
- Subtractor Synthesizer
- Malström Synthesizer
- NN-19 Sampler
- NN-XT Sampler
- Introduction
- Panel Overview
- Loading Complete Patches and REX Files
- Using the Main Panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting Parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, Crossfaded and Velocity Switched Sounds
- Using Alternate
- Sample Parameters
- Group Parameters
- Synth parameters
- Connections
- Dr. Rex Loop Player
- Matrix Pattern Sequencer
- ReBirth Input Machine
- BV512 Vocoder
- The Effect Devices
- Common Device Features
- The MClass effects
- The MClass Equalizer
- The MClass Stereo Imager
- The MClass Compressor
- The MClass Maximizer
- Scream 4 Sound Destruction Unit
- RV7000 Advanced Reverb
- RV-7 Digital Reverb
- DDL-1 Digital Delay Line
- D-11 Foldback Distortion
- ECF-42 Envelope Controlled Filter
- CF-101 Chorus/Flanger
- PH-90 Phaser
- UN-16 Unison
- COMP-01 Auto Make-up Gain Compressor
- PEQ-2 Two Band Parametric EQ
- Spider Audio Merger & Splitter
- Spider CV Merger & Splitter
- Menu and Dialog Reference
- About Audio on Computers
- MIDI Implementation
- Index
MALSTRÖM SYNTHESIZER
128
Mod:A
Mod:A can modulate the following parameters of either oscillator:
D Pitch
Use this if you want Mod:A to offset the pitch of osc:A, osc:B, or both (see page
125).
D Index
Use this if you want Mod:A to offset the index start position of osc:A, osc:B, or
both (see page 126).
D Shift
Use this to have Mod:A affect the harmonic content of osc:A, osc:B, or both (see
page 126).
Mod:B
Mod:B can modulate the following parameters of either oscillator:
D Motion
Use this if you want Mod:B to affect the motion speed of osc:A, osc:B, or both
(see page 126).
D Level
Use this if you want Mod:B to change the output level of osc:A, osc:B, or both
(see page 126).
D Filter
Use this if you want Mod:B to offset the cutoff frequency of filter:A, filter:B, or both
(see page 129).
D Mod:A
Use this if you want Mod:B to change the total amount of modulation from Mod:A.
The Filter section
The filter section lets you further shape the overall character of the sound. Contained
herein are two multimode filters, a filter envelope and a waveshaper.
The Filters
Both filter:A and filter:B have the exact same parameters, all of which are described
below.
D To activate/deactivate a filter, click the On/Off button in the top left cor-
ner.
When a filter is activated, the button is lit.
An activated filter