Getting Started Guide
Table Of Contents
QUICK TUTORIAL
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BV512 Vocoder
The BV512 is an advanced vocoder device with a variable number of filter bands
and a unique 1024-point FFT vocoding mode (equivalent of 512-band vocod-
ing) for very precise and high quality vocoded speech. By connecting the
BV512 to two instrument devices, you can produce anything from vocoded
speech, singing or drums to weird special effects.
Scream 4 Sound Destruction Unit
This is an extremely versatile sound destruction device, featuring various kinds of
distortion, signal warping and transformation effects. There are three main sec-
tions: “Damage” (where you select a sound mangling algorithm and make set-
tings), “Cut” (a three band EQ) and “Body” (a resonant body or cabinet
simulator, excellent for making the sound come alive).
RV7000 Advanced Reverb
The RV7000 is a high quality reverb processor with nine different reverb and
echo algorithms, ranging from rooms and halls to special effects. The RV7000
also contains an equalizer and a gate section, making it possible to get virtually
any kind of reverb character, including gated reverb.
RV-7 Digital Reverb
This is a reverb effect with ten different reverb algorithms, ranging from hall and
room simulations to special effects. You can fine-tune the effect with the knobs
on the device panel if you like. The reverb is normally used as a send effect.
DDL Digital Delay Line
This is a basic digital delay, useful for echoes, slapback, doubling, etc. The delay
time can be set in steps based on and synchronized to the current song tempo,
or in milliseconds for free-running delays. The maximum delay time is 2.0 sec-
onds.
D-11 Foldback Distortion
The D-11 is a simple but highly effective distortion device, that can convert mel-
low synth sounds to screaming leads and basses, add grit and dirt to drum pat-
terns or loops, etc.
ECF-42 Envelope Controlled Filter
This is a synth-style resonant filter with three different filter modes. You can ei-
ther use it as a “static” filter (and vary the filter frequency on the device panel, or
via Control Voltage from another device) or use the built-in envelope to create
rhythmic filter effects of various kinds. The envelope can for example be trig-
gered by a drum machine or the Matrix pattern sequencer.