Operation Manual
Table Of Contents
- Table of Contents
- The Sequencer
- Routing Audio and CV
- Routing MIDI to Reason
- Using Reason as a ReWire Slave
- MIDI and Keyboard Remote Control
- Synchronization
- Optimizing Performance
- Transport Panel
- Reason Hardware Interface
- The Mixer
- Redrum
- Subtractor Synthesizer
- Malström Synthesizer
- NN-19 Sampler
- NN-XT Sampler
- Introduction
- Panel Overview
- Loading Complete Patches and REX Files
- Using the Main Panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting Parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, Crossfaded and Velocity Switched Sounds
- Using Alternate
- Sample Parameters
- Group Parameters
- Synth parameters
- Connections
- Dr. Rex Loop Player
- Matrix Pattern Sequencer
- ReBirth Input Machine
- The Effect Devices
- Menu and Dialog Reference
- About Audio on Computers
- MIDI Implementation
- Index
The Effect Devices
217
Tip: Using the CF-101 as a vibrato effect
The Send mode is intended for when using the CF-101 as a send effect. In this
mode, the device will only output the modulated delay signal - the actual “cho-
rusing” is obtained by mixing this signal with the dry, unprocessed signal in the
Mixer.
However, if you activate Send mode while using the device as an insert effect,
the result will be a pitch modulated version of the original sound - in short, a vi-
brato effect. Along with a little feedback, this can be used for special effects.
PH-90 Phaser
The PH-90 Phaser is a classic phaser effect with some special features for fine-
tuning the sound. It can create the classic sweeping phaser sounds suitable for
pads or guitars, but also more extreme effects if you like. The phaser is best
used as an insert effect.
Theory
A phaser works by shifting portions of the audio signal out of phase, and then
adding the processed signal back to the original one. This way, narrow bands of
the frequency range (“notches”) are filtered out. When these frequencies are ad-
justed, a sweeping phaser sound is created.
The PH-90 is a four-stage phaser, which means that there are four “notches” in
the frequency response curve (this is a little like using four notch filters with dif-
ferent filter frequencies - see page 108 for an explanation of notch filters).
When the phaser frequency is adjusted (manually or by the built-in LFO), these
notches will move in parallel in the frequency spectrum. Furthermore, you can
adjust the distance between the notches (Split) and their Width. Adding feed-
back raises the filter gain just below each notch in the frequency range, creating
a more pronounced effect.