Operation Manual

ManualsBrandsPropellerhead ManualsSoftwarePropellerhead Reason - 1.0.1

Table Of Contents

Table of Contents
The Sequencer
- Recording
- Copying REX loops and Patterns to Sequencer Tracks
- Editing - About Snap
- Editing in the Arrange View
- Using Groups
- The Edit View
- Quantizing
- The Change Events Dialog
- Importing and Exporting MIDI Files
Routing Audio and CV
- About the various signals that can be routed
- About Cables
- Automatic Routing
- Manual Routing
- Using CV and Gate
Routing MIDI to Reason
- About the Various MIDI Inputs
- Sending MIDI Data to Reason
- Controlling Devices directly via MIDI
Using Reason as a ReWire Slave
- About this Chapter
- Why use Reason with ReWire?
- Introducing ReWire!
- Preparations for Using ReWire - Macintosh only
- Launching and Quitting
- Steinberg Cubase VST
- Emagic Logic Audio
- Mark of the Unicorn Digital Performer
- Using the Transport and Tempo Controls
- MIDI Control With ReWire
- Converting ReWire Channels to Audio Tracks
- Synchronization
MIDI and Keyboard Remote Control
- Introduction
- MIDI Remote Mapping
- Keyboard Remote
- Saving Remote Setups
Synchronization
- ReWire users – Read This!
- What is Synchronization and MIDI Clock?
- Slaving Reason to an External Device
- Slaving Reason to Another Program on the Same Computer
- MacOS: Slaving Reason to a non-OMS Program
- Synchronization Considerations
Optimizing Performance
- Introduction
- Optimization and Output Latency
- Optimizing Your Computer System
- Optimizing Songs
- Songs and Memory Requirements
Transport Panel
- Overview
Reason Hardware Interface
- Introduction
- MIDI In Device
- Audio Out
The Mixer
- Introduction
- The Channel Strip
- The Mixer Signal Flow
- The Auxiliary Return Section
- The Master Fader
- Connections
- Chaining Mixers
Redrum
- Introduction
- About File Formats
- Using Patches
- Programming Patterns
- Redrum Parameters
- Using Redrum as a Sound Module
- Connections
Subtractor Synthesizer
- Introduction
- The Oscillator Section
- The Filter Section
- Envelopes - General
- LFO Section
- Play Parameters
- External Modulation
- Connections
NN-19 Digital Sampler
- Introduction
- General Sampling Principles
- About Audio File Formats
- About Key Zones and Samples
- Automap Samples
- NN-19 Synth Parameters
- Play Parameters
- Connections
Dr. Rex Loop Player
- Introduction
- About File Formats
- Adding a Loop
- Creating Sequencer Notes
- Slice Handling
- Dr.Rex Synth Parameters
- Connections
Matrix Pattern Sequencer
- Introduction
- Programming Patterns
- Example Usage
ReBirth Input Machine
- Introduction
- Preparations
- Routing
The Effect Devices
- Common Device Features
- RV-7 Digital Reverb
- DDL-1 Digital Delay Line
- D-11 Foldback Distortion
- ECF-42 Envelope Controlled Filter
- CF-101 Chorus/Flanger
- PH-90 Phaser
- COMP-01 Auto Make-up Gain Compressor
- PEQ-2 Two Band Parametric EQ
Menu and Dialog Reference
- File Menu
- Edit Menu
- Create Menu
- Options Menu
- Windows Menu (Windows Version)
- Windows Menu (MacOS Version)
- Help/Contacts Menu
About Audio on Computers
- General Information
- PC Specific Information
- Macintosh Specific Information
MIDI Implementation
- About This Chapter
- How various MIDI messages are Implemented
Index

THE MIXER

Introduction

The Mixer 14:2 allows you to control the level, stereo placement (Pan), tone

(EQ) and effect mix (AUX Sends) of each connected audio device.

If you have ever used a conventional hardware audio mixer, you will most

likely find the Mixer very straightforward to use. It is configured with 14 (ste-

reo) input channels, which are combined and routed to the Left and Right

Master outputs. The vertical channel “strips” are identical and contain - from

the top down - four Auxiliary Sends, an EQ section, Mute and Solo buttons,

Pan control, and a Level fader.

Every mixer parameter can of course be automated, and should the need

arise for more mixer channels, you can simply create another mixer!

! Note that if you haven’t created a mixer prior to creating an audio

device, the audio device output will be auto-routed to your audio

hardware outputs via the Reason Hardware Interface (Audio Out de-

vice).

The Channel Strip

Each channel strip in the Mixer 14:2 contains the items listed on the next

page:

AUX Sends 1-4

EQ Treble and Bass controls

EQ On/Off button

Mute (M) and Solo (S) buttons

Pan control

Channel fader

Channel meter

Channel label