Operation Manual

ManualsBrandsPropellerhead ManualsSoftwarePropellerhead Reason - 1.0.1

Table Of Contents

Table of Contents
The Sequencer
- Recording
- Copying REX loops and Patterns to Sequencer Tracks
- Editing - About Snap
- Editing in the Arrange View
- Using Groups
- The Edit View
- Quantizing
- The Change Events Dialog
- Importing and Exporting MIDI Files
Routing Audio and CV
- About the various signals that can be routed
- About Cables
- Automatic Routing
- Manual Routing
- Using CV and Gate
Routing MIDI to Reason
- About the Various MIDI Inputs
- Sending MIDI Data to Reason
- Controlling Devices directly via MIDI
Using Reason as a ReWire Slave
- About this Chapter
- Why use Reason with ReWire?
- Introducing ReWire!
- Preparations for Using ReWire - Macintosh only
- Launching and Quitting
- Steinberg Cubase VST
- Emagic Logic Audio
- Mark of the Unicorn Digital Performer
- Using the Transport and Tempo Controls
- MIDI Control With ReWire
- Converting ReWire Channels to Audio Tracks
- Synchronization
MIDI and Keyboard Remote Control
- Introduction
- MIDI Remote Mapping
- Keyboard Remote
- Saving Remote Setups
Synchronization
- ReWire users – Read This!
- What is Synchronization and MIDI Clock?
- Slaving Reason to an External Device
- Slaving Reason to Another Program on the Same Computer
- MacOS: Slaving Reason to a non-OMS Program
- Synchronization Considerations
Optimizing Performance
- Introduction
- Optimization and Output Latency
- Optimizing Your Computer System
- Optimizing Songs
- Songs and Memory Requirements
Transport Panel
- Overview
Reason Hardware Interface
- Introduction
- MIDI In Device
- Audio Out
The Mixer
- Introduction
- The Channel Strip
- The Mixer Signal Flow
- The Auxiliary Return Section
- The Master Fader
- Connections
- Chaining Mixers
Redrum
- Introduction
- About File Formats
- Using Patches
- Programming Patterns
- Redrum Parameters
- Using Redrum as a Sound Module
- Connections
Subtractor Synthesizer
- Introduction
- The Oscillator Section
- The Filter Section
- Envelopes - General
- LFO Section
- Play Parameters
- External Modulation
- Connections
NN-19 Digital Sampler
- Introduction
- General Sampling Principles
- About Audio File Formats
- About Key Zones and Samples
- Automap Samples
- NN-19 Synth Parameters
- Play Parameters
- Connections
Dr. Rex Loop Player
- Introduction
- About File Formats
- Adding a Loop
- Creating Sequencer Notes
- Slice Handling
- Dr.Rex Synth Parameters
- Connections
Matrix Pattern Sequencer
- Introduction
- Programming Patterns
- Example Usage
ReBirth Input Machine
- Introduction
- Preparations
- Routing
The Effect Devices
- Common Device Features
- RV-7 Digital Reverb
- DDL-1 Digital Delay Line
- D-11 Foldback Distortion
- ECF-42 Envelope Controlled Filter
- CF-101 Chorus/Flanger
- PH-90 Phaser
- COMP-01 Auto Make-up Gain Compressor
- PEQ-2 Two Band Parametric EQ
Menu and Dialog Reference
- File Menu
- Edit Menu
- Create Menu
- Options Menu
- Windows Menu (Windows Version)
- Windows Menu (MacOS Version)
- Help/Contacts Menu
About Audio on Computers
- General Information
- PC Specific Information
- Macintosh Specific Information
MIDI Implementation
- About This Chapter
- How various MIDI messages are Implemented
Index

TRANSPORT PANEL

➜ If the Audio Out Clipping indicator lights up, and the signals are be-

ing sent directly (not via a Mixer) to your Hardware Interface, you

can check the meters in the Hardware Interface. If the red segment

of any of these meters are momentarily lit, this indicates at which

output(s) the clipping is occurring.

Reduce the output level of all devices connected to outputs whose

meters show red.

CPU Meter

This bar graph shows the current CPU (processor) load. Note that this mea-

sures how much of the total processor power the Reason “audio engine” cur-

rently is using up. Graphics, MIDI and the “rest” of the Reason program is

allotted the CPU power not used by the audio engine, so audio always has

priority. See the chapter “Optimizing Performance” for more information.